A false, coined, fake, bogus or pseudo-title, also called a Time-style adjective and an anarthrous nominal premodifier, is a kind of preposed appositive phrase before a noun predominantly found in journalistic writing. It formally resembles a title, in that it does not start with an article, but is a common noun phrase, not a title. An example is the phrase convicted bomber in "convicted bomber Timothy McVeigh", rather than "the convicted bomber Timothy McVeigh". [1]
Some usage writers condemn false titles, and others defend it. Its use was originally American, but it has become widely accepted in some other countries. In British usage it was generally confined to tabloid newspapers but has been making some headway on British websites in recent years.[ when? ]
In the description of a false title as an anarthrous nominal premodifier, "anarthrous" means "lacking an article", [2] and "nominal" is used in the sense "of the nature of a noun". [3] Other phrases for the usage include "pseudo title", "coined title" and "preposed appositive". [4] [5] [6]
In "Professor Herbert Marcuse", "Professor" is a title, while in "famed New Left philosopher Herbert Marcuse", [7] "famed New Left philosopher" has the same syntax, with the omitted at the beginning, but is not a title. The linguist Charles F. Meyer wrote that "pseudo-titles" differ from titles in providing a description rather than honoring the person (and that there are gray areas, such as "former Vice President Dan Quayle"). [4]
The practice occurs as early as the late 19th century, as in "The culmination of the episode at Sheepshead Bay last week between Trainer William Walden and Reporter Mayhew, of the Herald … seems to reflect little credit on Editor Bennett." [8] Some authors state that the practice began in or was popularized by Time . [4] [5] [7] [9] [10] Like the example above, early examples in Time were capitalized: "Ruskin's famed friend, Painter Sir John Millais". [7] However, now they are usually in lower case. The Chicago Manual of Style observes, "When a title is used in apposition before a personal name – that is, not alone and as part of the name but as an equivalent to it, usually preceded by the or by a modifier – it is considered not a title but rather a descriptive phrase and is therefore lowercased." [11] Meyer has compared the International Corpus of English with an earlier study to document the spread of the construction from American newspapers to those of other countries in the last two decades of the 20th century. In particular, during that time it became even more common in New Zealand and the Philippines than in the United States. He predicts that it is unlikely to appear in conversation. [4]
Meyer notes that "pseudo-titles" (as he calls them) rarely contain a modifying phrase after the initial noun phrase, that is, forms such as "MILF Vice Chairman for Political Affairs Al-Hajj Murad Ebrahim" for the head of the Moro Islamic Liberation Front are rare. Furthermore, they cannot begin with a genitive phrase; "Osias Baldivino, the bureau's litigation and prosecution division chief" cannot be changed to "bureau's litigation and prosecution division chief Osias Baldivino": "bureau's" would need to be removed. He also cites Randolph Quirk's principle of "end-weight", which says that weightier parts of sentences are better placed at the end of sentences or smaller structures. Thus pseudo-titles, which by definition go at the beginning, tend to be short. He notes that pseudo-titles in New Zealand and Philippine newspapers are much more likely to exceed five words than those in the United States and Britain. [4]
False titles are widely used in Nigerian English, capitalized and with a comma separating them from the person's name. This usage is considered incorrect in other countries. [12]
Style guides and studies of language have differed strongly on whether the construction is correct:
In 1965, Theodore Bernstein, a usage writer, strongly deprecated these "coined titles". He gave an example of "a legitimate title ... combined with an illegitimate one" in "Ohio Supreme Court Judge and former trial lawyer James Garfield", which he said was an inversion of the normal "James Garfield, Ohio Supreme Court Judge and former trial lawyer" that gained nothing but awkwardness. He cited the usual lower-casing of these phrases as evidence that those who write them realize they are not true titles. [5]
In 1987, Roy Reed, a professor of journalism, commented that such a sentence as, "This genteel look at New England life, with a formidable circulation of 1 million, warmly profiles Hartland Four Corners, Vt., resident George Seldes, 96", was "gibberish". He added that the phrase "right-wing spokesman Maj. Roberto D'Aubuisson" was ambiguous, as the reader could not tell whether D'Aubuisson was the single spokesman for the Salvadoran right wing or one of many. [13] In addition to placing the descriptive phrase after the name, "where it belongs", Reed suggested that if the phrase goes before the name, it should begin with a or the. [13] Kenneth Bressler, a usage writer, also recommended avoiding the construction and suggested additional ways of doing so in 2003. [14]
The only prescriptive comment in The Columbia Guide to Standard English (2015) is that these constructions "can be tiresome." [9] R. L. Trask, a linguist, used the phrase "preposed appositive" for constructions such as "the Harvard University paleontologist Stephen Jay Gould." In strong terms, he recommended including the initial the (and employing such constructions sparingly anyway). [6]
In 2004 another linguist, Geoffrey Pullum, addressed the subject while commenting on the first sentence of Dan Brown's The Da Vinci Code , which begins, "Renowned curator Jacques Saunière...." Pullum says that a sentence beginning with an "anarthrous occupational nominal premodifier" is "reasonable" in a newspaper, [15] and "It's not ungrammatical; it just has the wrong feel and style for a novel." He further commented that it sounds "like the opening of an obituary rather than an action sequence." False titles are peculiar to Brown's style and occur often in his body of work, Pullum claiming in 2004 that he has "never yet found anyone but Dan Brown using this construction to open a work of fiction." [10]
Merriam Webster's Dictionary of English Usage agrees that the construction "presents no problem of understanding", and those who are not journalists "need never worry about it" in their writing. [7] Likewise, The Columbia Guide to Standard American English (1993) classifies these constructions as "journalese". [9] In 2012 Philip B. Corbett of The New York Times wrote, "We try to avoid the unnatural journalistic mannerism of the 'false title' – that is, using a description or job designation with someone's name as if it were a formal title. So we don't refer to 'novelist Zadie Smith' or 'cellist Yo-Yo Ma'." [16] The 2015 edition of the paper's manual of style says:
Do not make titles out of mere descriptions, as in harpsichordist Dale S. Yagyonak. If in doubt, try the "good morning" test. If it is not possible to imagine saying, "Good morning, Harpsichordist Yagyonak," the title is false. [17]
In 2009, usage writer William Safire stated that the article "the" gives the title excessive emphasis and that it sounds strange to American speakers. [18] According to Bill Walsh, writing in 2004, The New York Times is the only American newspaper that forbids false titles. He considers that the alternative "may seem stilted, even wacky", because false titles are in widespread use. [19]
British style guides have in the past considered the construction not only journalese but an Americanism, [20] [21] or at least less "embedded" in British English. [22] The journal The Economist proscribes the use of the false title. [20] The style guide of the newspaper The Guardian advises against it. [23] As of 2018, the BBC style guide said that the construction can avoid "unnecessary clutter". [24]
Singular they, along with its inflected or derivative forms, them, their, theirs, and themselves, is a gender-neutral third-person pronoun. It typically occurs with an indeterminate antecedent, to refer to an unknown person, or to refer to every person of some group, in sentences such as:
A split infinitive is a grammatical construction in which an adverb or adverbial phrase separates the "to" and "infinitive" constituents of what was traditionally called the "full infinitive", but is more commonly known in modern linguistics as the to-infinitive. In the history of English language aesthetics, the split infinitive was often deprecated, despite its prevalence in colloquial speech. The opening sequence of the Star Trek television series contains a well-known example, "to boldly go where no man has gone before", wherein the adverb boldly was said to split the full infinitive, to go. Multiple words may split a to-infinitive, such as: "The population is expected to more than double in the next ten years."
In grammar, a noun is a word that represents a concrete or abstract thing, such as living creatures, places, actions, qualities, states of existence, and ideas. A noun may serve as an object or subject within a phrase, clause, or sentence.
The Elements of Style is a style guide for formal grammar used in American English writing. The first publishing was written by William Strunk Jr. in 1918, and published by Harcourt in 1920, comprising eight "elementary rules of usage," ten "elementary principles of composition," "a few matters of form," a list of 49 "words and expressions commonly misused," and a list of 57 "words often misspelled." Writer and editor E. B. White greatly enlarged and revised the book for publication by Macmillan in 1959. That was the first edition of the book, which Time recognized in 2011 as one of the 100 best and most influential non-fiction books written in English since 1923.
The comma, is a punctuation mark that appears in several variants in different languages. Some typefaces render it as a small line, slightly curved or straight, but inclined from the vertical, others give it the appearance of a miniature filled-in figure 9 placed on the baseline. In many typefaces it is the same shape as an apostrophe or single closing quotation mark ’.
A proper noun is a noun that identifies a single entity and is used to refer to that entity as distinguished from a common noun, which is a noun that refers to a class of entities and may be used when referring to instances of a specific class. Some proper nouns occur in plural form, and then they refer to groups of entities considered as unique. Proper nouns can also occur in secondary applications, for example modifying nouns, or in the role of common nouns. The detailed definition of the term is problematic and, to an extent, governed by convention.
In rhetoric, a parenthesis or parenthetical phrase is an explanatory or qualifying word, phrase, clause, or sentence inserted into a passage. The parenthesis could be left out and still form grammatically correct text. Parenthetical expressions are usually delimited by round brackets, square brackets, dashes, or commas. English-language style and usage guides originating in the news industry of the twentieth century, such as the AP Stylebook, recommend against the use of square brackets for parenthesis and other purposes, because "They cannot be transmitted over news wires." Usage of parentheses goes back to the 15th century in English legal documents.
In grammar, a conjunction is a part of speech that connects words, phrases, or clauses, which are called its conjuncts. That description is vague enough to overlap with those of other parts of speech because what constitutes a "conjunction" must be defined for each language. In English, a given word may have several senses and in some contexts be a preposition but a conjunction in others, depending on the syntax. For example, after is a preposition in "he left after the fight" but a conjunction in "he left after they fought".
Adpositions are a class of words used to express spatial or temporal relations or mark various semantic roles. The most common adpositions are prepositions and postpositions.
A dangling modifier is a type of ambiguous grammatical construct whereby a grammatical modifier could be misinterpreted as being associated with a word other than the one intended. A dangling modifier has no subject and is usually a participle. A writer may use a dangling modifier intending to modify a subject while word order may imply that the modifier describes an object, or vice versa.
In the English language, there are grammatical constructions that many native speakers use unquestioningly yet certain writers call incorrect. Differences of usage or opinion may stem from differences between formal and informal speech and other matters of register, differences among dialects, and so forth. Disputes may arise when style guides disagree with each other, or when a guideline or judgement is confronted by large amounts of conflicting evidence or has its rationale challenged.
The serial comma is a comma placed after the second-to-last term in a list when writing out three or more terms. For example, a list of three countries might be punctuated without the serial comma as "France, Italy and Spain" or with the serial comma as "France, Italy, and Spain". The serial comma can help avoid ambiguity in some situations, but can also create it in others. There is no universally-accepted standard for when to use the Oxford comma.
Apposition is a grammatical construction in which two elements, normally noun phrases, are placed side by side so one element identifies the other in a different way. The two elements are said to be in apposition, and one of the elements is called the appositive, but its identification requires consideration of how the elements are used in a sentence.
Relative clauses in the English language are formed principally by means of relative words. The basic relative pronouns are who, which, and that; who also has the derived forms whom and whose. Various grammatical rules and style guides determine which relative pronouns may be suitable in various situations, especially for formal settings. In some cases the relative pronoun may be omitted and merely implied.
In English, the passive voice is marked by a subject that is followed by a stative verb complemented by a past participle. For example:
The enemy was defeated. Caesar was stabbed.
In grammar, a noun adjunct, attributive noun, qualifying noun, noun (pre)modifier, or apposite noun is an optional noun that modifies another noun; functioning similarly to an adjective, it is, more specifically, a noun functioning as a pre-modifier in a noun phrase. For example, in the phrase "chicken soup" the noun adjunct "chicken" modifies the noun "soup". It is irrelevant whether the resulting compound noun is spelled in one or two parts. "Field" is a noun adjunct in both "field player" and "fieldhouse".
In traditional grammar, a subject complement is a predicative expression that follows a copula, which complements the subject of a clause by means of characterization that completes the meaning of the subject.
Capitalization or capitalisation in English grammar is the use of a capital letter at the start of a word. English usage varies from capitalization in other languages.
English nouns form the largest category of words in English, both in the number of different words and how often they are used in typical texts. The three main categories of English nouns are common nouns, proper nouns, and pronouns. A defining feature of English nouns is their ability to inflect for number, as through the plural –s morpheme. English nouns primarily function as the heads of noun phrases, which prototypically function at the clause level as subjects, objects, and predicative complements. These phrases are the only English phrases whose structure includes determinatives and predeterminatives, which add abstract-specifying meaning such as definiteness and proximity. Like nouns in general, English nouns typically denote physical objects, but they also denote actions, characteristics, relations in space, and just about anything at all. Taken all together, these features separate English nouns from other lexical categories such as adjectives and verbs.
In English, possessive words or phrases exist for nouns and most pronouns, as well as some noun phrases. These can play the roles of determiners or of nouns.