"Feel the Sunshine" | ||||
---|---|---|---|---|
Single by Alex Reece | ||||
from the album So Far | ||||
B-side | "Remix" | |||
Released | 4 December 1995 | |||
Studio | Acid Lab Studios | |||
Genre | ||||
Length |
| |||
Label |
| |||
Songwriter(s) | ||||
Producer(s) | Alex Reece | |||
Alex Reece singles chronology | ||||
|
"Feel the Sunshine" is a song by British drum and bass producer Alex Reece featuring vocals by singer Deborah Anderson, who also co-wrote the lyrics. It received critical acclaim and was included on Reece's debut album, So Far, which was released in September 1996. The song was released in December 1995 as a single by Blunted and Island Records, peaking at number 69 on the UK Singles Chart. A re-release in May 1996 containing remixes charted higher, peaking at number 26. [1] On the UK Dance Singles Chart, "Feel the Sunshine" was more successful, peaking at number two (1995) and four (1996). It is now widely regarded as one of the most classic drum and bass songs.
Reece began DJing in the late 1980s. [2] In 1992, Jack Smooth offered Reece a trainee studio engineer job, and Reece went on to engineer for Smooth on many of the early Basement Records releases. Reece first tried house (recording with his brother, Oscar, under the name of Exodus), but graduated to drum and bass. Though his preferred genres were acid house and Detroit techno, Reece would become known for jungle and drum 'n' bass in the mid-1990s. [3]
"Feel the Sunshine" was released on December 4, 1995, by Blunted and Island Records. It was made available as a 10", 12" and CD single, and became successful in clubs. The track was A-listed by BBC Radio One and, at one stage, was getting 26 plays a week. In 1996, it was re-released and this time even more successful. Featured vocalist on the track, Deborah Anderson's vocals were recorded at London's Eden studio on to Dat from which Reece then sampled the vocals. [4]
Larry Flick from Billboard wrote, "With the drum'n'bass/electronic revolution raging to mainstream heights, the time is right for Reece to break out of the underground. This is one of numerous highlights on the U.K. producer/composer's sterling stateside debut." He added that his "ambient keyboards and staccato beats are warmed by the presence of guest vocalist Deborah Anderson, who has a quality not unlike Björk, but smoother and far more mainstream-friendly." [5] Tim Haslett from CMJ called the song "blissful". [6] Martin James from Melody Maker named it "one of the finest pop singles of the year. Its simple structure, aching hookline and haunting melody lifting it high above the stuck-in-the-festival-mud criticism stating that "the singer" sounds just like Björk." [7] A reviewer from Music Week gave it three out of five, saying, "There have been some varying takes on jungle recently and Reece's understated, melodic drum and bass excursions with a jazz tinge will find him a wider audience in the near future." [8] Calvin Bush from Muzik commented, "YES, he really is worth all the purple prose and exaggerated metaphors! After what seems like eons, Reece finally delivers his major label debut and the phrases "bloody essential" and "stick this in your jazz pipe and smoke it, son" spring to mind." [9]
Mark Beaumont from NME wrote, "Slinky, minimalist Martian-jungle from dancefloor innovator and producer Reece. The sound of a space-shuttle traffic jam with Björk-a-like vocalist Deborah Anderson trying to keep everyone calm by convincing us that there's No pressure/No insecurities until a frenetic techno-rumble kicks in to prove otherwise. Spooky, schizophrenic and swoonsome." [10] Another NME editor, John Perry, noted "the divine summer breeze" of the song, stating that "[Reece] breakbeats his insistently over low-rent electro squiggles and honey-dripping vocals drape like velvet over a chaise longue. Reece has rubbed all the dirt from the surface of harcore and polished it until it reflects the sun." [11] Brad Beatnik from the Record Mirror Dance Update rated it four out of five, adding that the producer "makes his Blunted debut with a rich, atmospheric tune. The remix makes the most of the strings and organ feel, the original uses less of the Björk-like vocal over more minimal drum and bass beats." [12] Upon the 1996 re-release, the magazine's Sarah Davis said, "It was an astute choice as a single, encapsulating Reece's warm sound, and its hints of house and use of vocals made it radio-friendly." [4]
A music video was produced to promote the single. It takes place at an underground party. Singer Deborah Anderson sings as she makes her way through dark passages in the underground. She wears dark make up on her eyelids and has feathers in her hair. A DJ spins records and people dances around her. Towards the end, Anderson reaches the surface and comes out into the daylight.
|
|
Chart (1995) | Peak position |
---|---|
UK Singles (OCC) | 69 |
UK Dance (OCC) [13] | 2 |
Chart (1996) | Peak position |
---|---|
Europe (Eurochart Hot 100) [14] | 100 |
Scotland (OCC) [15] | 37 |
UK Singles (OCC) | 26 |
UK Dance (OCC) [16] | 4 |
Debut is the international debut studio album by Icelandic recording artist Björk, released in July 1993 by One Little Indian and Elektra Entertainment. It was produced by Björk and Nellee Hooper. It was Björk's first recording following the dissolution of her previous band, the Sugarcubes. The album departed from the rock style of her previous work and drew from an eclectic variety of styles, including electronic pop, house music, jazz and trip hop.
Electronic were an English alternative dance supergroup formed by singer/guitarist Bernard Sumner and guitarist Johnny Marr. They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe of the Pet Shop Boys on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995.
Alex Reece is a drum and bass musician. He popularized the use of two-step breaks in drum and bass, and was an influence of the jazzstep sound, a mix of drum and bass and jazz. Reece was one of the musicians in the Metalheadz collective, and has also worked under the pseudonym of Fallen Angels.
"Big Time Sensuality" is a song by Icelandic singer and songwriter Björk, released in November 1993 by the labels One Little Indian and Elektra as the fourth single from the singer's debut album, Debut (1993). Written by Björk and staple collaborator Nellee Hooper and produced by Hooper, "Big Time Sensuality" is a house-influenced song that helped boost Björk's popularity worldwide, particularly in the US, where she charted for the first time. In Iceland, it was a number-one hit. The lyrics deal with her relationship with her friends and Hooper. The song features house grooves and electronic bass-sounds. Its music video was directed by French director Stéphane Sednaoui and filmed in New York City.
"Violently Happy" is a song by Icelandic singer-songwriter Björk, released in March 1994 by One Little Indian as the fifth and final single from her debut album, Debut (1993). The song was written by Björk and Nellee Hooper, who helped her in writing and producing most of the album. The lyrics speak of Björk feeling a love so intense that it is actually dangerous, requesting that her lover return to "calm her down". Musically, it is an upbeat song. "Violently Happy" peaked at number 13 on the UK Singles Chart, number ten on the UK Dance Singles Chart and number four on the US Billboard dance charts.
"It's Oh So Quiet" is a song by American singer Betty Hutton, released in 1951 as the B-side to the single "Murder, He Says". It is a cover of the German song "Und jetzt ist es still", performed by Horst Winter in 1948, with music written by Austrian composer Hans Lang and German lyrics by Erich Meder. The English lyrics were written by Bert Reisfeld. A French title, "Tout est tranquille", was performed in 1949 by Ginette Garcin and the Jacques Hélian Orchestra.
"Hyperballad" is a song by Icelandic musician and recording artist Björk, released as the fourth single from her second solo album, Post (1995). The song was written by Björk and co-produced by long time collaborator Nellee Hooper. It infuses folktronica, acid house and synth-pop. The lyrical content discusses a dream that Björk experienced, in which she wakes early before her lover and throws small objects off a cliff, watching them smash before returning to their bed. She has described this image as symbolic of the parts of one's self which they give up in order to make a relationship work.
"Army of Me" is a song by Icelandic musician Björk for her second studio album, Post (1995). It was released on 24 April 1995 by One Little Indian as the lead single from the album. The song was written and produced by Björk and Graham Massey, who helped her in producing and writing the majority of her third album. Lyrically, the song was inspired by the damaging behavior of Björk's brother, and in the lyrics she tells him to stand up to regain control of his life. It was well received by music critics, who noted its darkness compared to her other material. "Army of Me" was a commercial success her first single Björk to enter the top 10 of the UK Singles Chart.
"Poison" is a song by English electronic music group the Prodigy, released on 6 March 1995 by XL and Mute as the fourth and final single from their second studio album, Music for the Jilted Generation (1994). Maxim Reality performs the vocals on the track. It was a number one hit in Finland, while peaking inside the top five in Ireland and Norway. Additionally, it peaked within the top-30 in Sweden and Switzerland. The music video for the song was directed by Walter Stern.
Deborah Leigh Anderson is an English musician, photographer, and film director. Her early music work was as a vocalist on her father Jon Anderson's albums. Her 1995 single "Feel the Sunshine" was her first song that charted, hitting the UK Dance and European Hot 100. She has also contributed vocals to a number of collaborative works with other recording artists. Her 2009 debut album Silence accompanied her photography book Paperthin, a work featuring photos of actors and musicians.
"Release the Pressure" is the third single by the English electronic duo Leftfield and the first to involve Paul Daley with writing duties after he joined the group. The song was released exclusively on 12" in 1992. Unlike previous releases that had been released on the Outer Rhythm record label, Leftfield had now officially split from Outer Rhythm. Major labels had offered them deals but neither member wanted to give up creative control to any major company. They formed the Hard Hands record label with "Release the Pressure" being the label's first official release. The song featured reggae singer Earl Sixteen on vocals, with a lyric taken from his 1981 single "Trial and Crosses". "Release the Pressure" made the top 20 in the UK charts and featured at number one in the Melody Maker "Stone Free Chart of the Year". It was used in Telefónica O2 and O2 (UK) commercials during its first year.
Bass Is Maternal is the debut studio album by Bristolian production duo Smith & Mighty, originally released by More Rockers in 1995. The album was originally recorded in 1989 for ffrr/London Records, who had signed the duo after they had built up underground success in their native city for their innovative Bristol underground scene sound, but the labels deemed the record unsuitable for release. The record explores links between dub music and British rave culture, incorporating styles of rock, reggae and electronic music with an emphasis on dub-style bass. The album title and artwork highlight the perceived association between the exposure of bass and maternity.
"He's on the Phone" is a song by British pop group Saint Etienne in collaboration with French singer-songwriter Étienne Daho, released in October 1995 by Heavenly and MCA as a single from their third compilation album, Too Young to Die (1995). A fast-paced dance track, it is one of Saint Etienne's biggest hits, reaching number 11 on the UK Singles Chart, number 31 in Iceland, number 41 in Sweden and number 33 on the US Billboard Dance Club Songs chart. The lyrics tell of an "academia girl" trying to escape from a relationship with a married man: He's on the phone / And she wants to go home, / Shoes in hand, / Don't make a sound, / It's time to go. At the centre of the track is a spoken-word section by Daho.
Clear is the third studio album by English electronic music act Bomb the Bass released on 3 April 1995 by 4th & B'way Records.
"Into the Blue" is a song by American electronica musician Moby, released on June 19, 1995 by Mute Records, as the fourth single from his third studio album, Everything Is Wrong (1995). American musician Mimi Goese co-wrote the lyrics with Moby and provided the vocals. The song is slow and melancholy, a stark contrast to the first four singles from the album.
"Turn On, Tune In, Cop Out" is a song by Norman Cook's acid jazz group Freak Power, released in October 1993 by Island Records and 4th & Broadway as the debut single from their first album, Drive-Thru Booty (1994). The song features a smooth jazz sound and the baritone vocals of lead singer Ashley Slater. The single originally charted at number 29 in the United Kingdom. However, two years later, the song was used in the popular Levi's advertisement "Taxi", and it was re-released on 6 March 1995. This time, the single was a success, reaching number three on the UK Singles Chart and becoming the group's only top-20 hit. The song was also a moderate hit in western Europe and New Zealand.
I Ain't Movin' is the second studio album by British soul singer-songwriter Des'ree. It was released on 9 May 1994 in the UK, and 5 July 1994 in the US by 550 Music and Epic Records, and features the top 5 smash hit, "You Gotta Be".
"Remembering the First Time" is a song by British soul and pop band Simply Red. Written by frontman Mick Hucknall, it was featured on their fifth album, Life (1995), and released by EastWest in December 1995 in a new remix for the single. It reached number 22 on the UK Singles Chart and number three on the UK Club Chart. The song also peaked at number seven in Iceland, number 19 in Spain, and number 23 in the Netherlands. On the Eurochart Hot 100, it reached number 80. The music video for the song was directed by Irish filmmaker Michael Geoghegan.
"Inner City Life" is a song by British electronic musician Goldie featuring vocals by British singer Diane Charlemagne, released in November 1994 by FFRR as the first single from his acclaimed debut album, Timeless (1995). The song was written by Goldie with Rob Playford, and is widely considered one of the most iconic drum and bass works of its era. Accompanied by a music video directed by Mike Lipscombe, it peaked at No. 39 on the UK Singles Chart and No. 6 on the UK Dance Chart. NME ranked "Inner City Life" No. 11 in their list of the "50 Best Songs of 1994". In 2013, it was ranked No. 30 in Mixmag's list of "50 Greatest Dance Tracks of All Time".
"Keep Warm" is a song by Italian band Jinny, fronted by British singer and TV host Carryl Varley. Originally released in 1991 as a single only in the UK by Virgin Records as part of the Italo House boom of the late 80s/early 90s, it featured samples from "Taking Him Off Your Hands" by Mahogany Watkins, La Velle's 1979 track "Playgirl" and "What Happened to the Music" by The Trammps, with the hook coming from a 1987 track called "Keep It Warm" by Voices in the Dark.