This article needs additional citations for verification .(January 2021) |
The Fender Concert was a guitar amplifier made by Fender Musical Instruments. Its production can be split over 2 phases. The first of these running from 1960 and until approximately 1965, at which time a typical Fender Concert was priced at $315. During the 1960s, the Concert was for all practical purposes the same amplifier as the Vibrasonic but with four 10" speakers. In a later phase, the Concert was updated by Paul Rivera in the early 1980s ("concert" and "concert II") and a subsequent 1x12 variant of the Concert amp appeared briefly in the mid-1990s.
The Fender Concert has gone through a number of changes over the years, both cosmetically and electronically. [1] The Concert amp was introduced as a replacement for the 4-10 tweed Bassman amplifier. Due to the popularity of the Bassman, both amplifiers were produced concurrently during 1960. Unlike most of the other Professional Series amps however, the Concert (along with Fender Vibrasonic) were not previously offered as tweed-covered models in the 1950s. In late 1959, all of the Professional Series of Amps were debuted at the summer NAMM show. They sported a new light brown Tolex covering, solid state rectifiers (with the exception of the Super Amp), tweed style grill cloth and short-lived metal control knobs (later replaced with the more common brown plastic barrel knobs). In 1961 there was a short run of blond concert amps delivered to Webb music shop in California but the majority were transitioned to standard brown tolex with either maroon/obxlood grill cloth (1961) or the more common yellow or "wheat" cloth (1962). By the end of 1963 and into early 1964, the Concert amp transitioned into black tolex with silver grill along with the rest of the Fender Amplifier line. By approximately 1965, Fender decided on the Fender Super Reverb Amp as the only 4–10 model to continue.
Apart from the variations in tolex and grill cloth color, the design of the Concert Amp as it appeared in the first phase (1960s) was largely consistent. The speaker configuration remained 4-10" speakers usually made by either Jensen or Oxford (for the earlier models) as opposed to Utah or CTS (for the later models). The Concert joined the Fender Twin Amp, and Fender Vibrasonic as the only models with the more robust and expensive "large-iron" output transformers. Over this period, the Concert offered vibrato, bass and treble controls delivering approximately 40 watts of power. There is some variation within the circuit itself corresponding with the model updates for the Concert starting with the 5G12 (late 1959, early 1960) and continuing with the 6G12 (in late 1960, early 1961) and the 6G12-A by 1962 into 1963. The next year the Concert transitioned to the blackface circuit, labeled AB763. The most significant of these updates occurred between the 5G12 which had only 5 preamp tubes and the 6G12 which added another tube for a more pronounced vibrato and more clean headroom. Ironically, the earlier distortion point of the 5G12 was seen by the design team as a design flaw but has become desirable over the decades that followed.
The 1980s version of the Concert is considerably different than its 1960s sibling. Both were hand-wired, but the newer version was designed by Paul Rivera, who Fender hired to redesign a number of amp models during the decade. The new Concert put out 60 watts into a single 12" speaker, and featured both clean and overdrive channels, a standard channel switch pedal, and traditional tank reverb. The amp was tube (valve, in British English) powered, and featured five 12AX7s (including for gain recovery and reverb). Additionally, two 12AT7s are used for effects loop and the phase inverter and effects loop. Power output is driven through a pair of matched 6L6 power tubes. [2]
Vox is a British musical equipment manufacturer founded in 1957 by Thomas Walter Jennings in Dartford, Kent, England. The company is most famous for making the Vox AC30 guitar amplifier, used by The Beatles, The Rolling Stones, The Kinks, The Yardbirds, Queen, Dire Straits, U2, and Radiohead; the Vox Continental electric organ, the Vox wah-wah pedal used by Jimi Hendrix, and a series of innovative electric guitars and bass guitars. Since 1992, Vox has been owned by the Japanese electronics firm Korg.
An instrument amplifier is an electronic device that converts the often barely audible or purely electronic signal of a musical instrument into a larger electronic signal to feed to a loudspeaker. An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, electric piano, synthesizers and drum machine to convert the signal from the pickup or other sound source into an electronic signal that has enough power, due to being routed through a power amplifier, capable of driving one or more loudspeaker that can be heard by the performers and audience.
Fender amplifiers are electric instrument amplifiers produced by the Fender Musical Instruments Corporation. The first guitar amplifiers attributed to Leo Fender were manufactured by the K&F Manufacturing Corporation (K&F) between 1945 and 1946. Later, Fender began building its own line of electric guitars. Fender amplifiers would become favorites of guitarists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars.
The Vox AC30 is a guitar amplifier manufactured by Vox. It was introduced in 1958 to meet the growing demand for louder amplifiers. Characterised by its "jangly" high-end sound it has become widely recognized by British musicians and others, such as George Harrison and John Lennon of the Beatles, Bill Wyman of the Rolling Stones, Brian May of Queen, Dave Davies of the Kinks and Hank Marvin.
A bass amplifier is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers ("drivers") in a cabinet.
The Fender Twin and Twin Reverb are guitar amplifiers made by Fender Musical Instruments Corporation. The Twin was introduced in 1952, two years before Fender began selling Stratocaster electric guitars. The amps are known for their characteristically clean tone.
The Fender Hot Rod Deluxe is a guitar amplifier manufactured and sold by the Fender Musical Instruments Corporation. It was introduced in 1996 as part of the "Hot Rod" line of guitar amplifiers and has been in continuous production since. The Hot Rod Deluxe is a modified version of the Fender Blues Deluxe from the earlier Blues line of amplifiers, and has a higher level of gain in its preamplification signal. This model, along with the Hot Rod Deville, were originally designated as F.A.T. amplifiers but this moniker was dropped in 2002 when production of this series of amps was moved from Corona, CA to Fender's Baja-Ensenada, Mexico manufacturing facility.
The Blues Junior is a tube guitar amplifier introduced in 1995 by the Fender Musical Instrument Corporation. It is aimed at achieving the warm, tube-driven tone common in many styles of American blues and blues rock dating back to the 1950s, while remaining both portable and affordable. A popular amp, Fender have released numerous versions since its initial release, the most recent being the version IV in 2018. Fender also frequently releases limited editions of the Blues Junior, such as the Lacquered Tweed and the "80 Proof".
The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars. Besides being a popular and important amplifier in its own right, the Bassman also became the foundation on which Marshall and other companies built their high-gain tube amplifiers.
The Fender Tremolux was a guitar amplifier made by Fender. It was introduced in the summer of 1955 with a rated power output of 15 watts, cathode bias, two 6V6 output tubes, and a 5Y3 tube rectifier. The Tremolux was the first Fender amp with a built in effect, tremolo.
The Fender Super Reverb is a guitar amplifier made by Fender. It was originally introduced in 1963 and was discontinued in 1982. The Super Reverb was a Fender Super amplifier with built-in reverb and "vibrato". The original Super Reverb amplifiers were all-tube designs and featured spring reverb. There were two different designs, distinguishable by the color of the "face" or front control panel. Super Reverbs from 1963 through 1967 had "blackface" panels. From 1968 until its discontinuation in 1982, the Super Reverb had "silverface" cosmetics and circuitry. Early models in 1968, while cosmetically "silverface", did contain "blackface" circuitry. Fender introduced a reissue '65 Super Reverb in 2001 featuring a printed circuit board design rather than the hand-wired circuitry of the original '65 Super Reverb.
The Fender Champ was a guitar amplifier made by Fender. It was introduced in 1948 and discontinued in 1982. An updated version was introduced in 2006 as part of the "Vintage Modified" line.
The Fender Vibrasonic was an amplifier made by Fender. It was debuted as the first of the new-model Fender amps of the 1960s, with new tolex-covered cabinets and front-mounted control panels that would replace the tweed-covered, top-panel cabinets that were prevalent during the 1950s, as well as new circuitry which would characterize most Fender amplifiers for two decades.
The Fender Princeton was a guitar amplifier made by Fender. It was introduced in 1946 and discontinued in 1979. After Fender introduced the Champ Amp in 1948, the Princeton occupied the next to the bottom spot in the Fender line. Fender Princetons from the early models into the 1970s models are highly valued particularly as recording amplifiers.
The Fender Super was a guitar amplifier made by Fender between 1947 and 1963 and, as the Super Reverb, until 1981. Though it was designed for a clean sound, its overdriven sound is praised by players and critics.
Fender tweed is a generic name used for the guitar amplifiers made by the American company Fender between 1948 and 1960. The amplifiers are named for the cloth covering, which consists of varnished cotton twill, incorrectly called tweed because of its feel and appearance. They are praised for their sound, their circuitry being considered "hallowed ground". Fender generally stopped using the twill covering in 1960, exceptions being the Harvard which continued to be covered in twill until 1963, and the Champ until 1964.
The Fender Princeton Reverb is a guitar amplifier combo. It is based on the Princeton and includes built-in reverb and vibrato.
The Fender Deluxe guitar amplifier is a range of non-reverb guitar amplifiers produced by Fender. The amplifiers were originally produced from early 1948 to 1966 and reissues are in current production. Its predecessor was the Fender Model 26 "Woodie" produced from 1946 to 1948.
The Fender Harvard is a vacuum tube (valve) guitar amplifier made by Fender from 1955 to 1963. The Harvard appeared only in a tweed covered "narrow-panel" cabinet, but in two very different circuit designs, namely 5F10 (1955–61) and 6G10 (1962–63).
Traynor is a brand of bass amplifiers and guitar amplifiers, the first brand formed by Yorkville Sound. The Traynor brand, named for founder Peter Traynor, began in 1963 with the Dynabass bass amplifier, a rental product. Traynor first became popular in Canada by providing less expensive versions of the circuits used in Marshall and Fender amplifiers of the time. The revived brand now produces a wide range of electric, acoustic, and bass guitar amps.