 | This article needs additional citations for verification .(December 2013) |
The Fender Deluxe Reverb is a guitar amplifier made by the Fender Electric Instrument Company and its successors. It was first introduced in 1963 by incorporating an onboard spring reverb tank to the newly redesigned Fender Deluxe amplifier.
The Deluxe Reverb is a 22-watt tube amplifier (at 8 ohms), powered by a pair ("duet") of 7408/6V6GT power tubes, one GZ34/5AR4 rectifier tube, four 7025/12AX7 tubes for preamplification and tremolo oscillation, and two 6201/12AT7 tubes driving the reverb and phase inverter circuits. Throughout its production, the amplifier has most often featured a Jensen C-12Q series 12-inch loudspeaker, although Oxford 12K5, Marlboro SE, Utah and Eminence speakers have also been used. The 22-watt output was obtained by operating the 6V6 power tubes well in excess of their maximum specified operating voltage. The amplifier weighs 42 pounds and measures 9.5" x 24.5" x 17.5".
The original Deluxe Reverb (circuits AA763, and later AB763) was introduced during the "blackface" era of Fender amplifiers with a black control panel and white lettering. [1] In 1967, two years after Fender was purchased by CBS, Fender began issuing amps with a silver metallic control face and light blue lettering. This gave birth to the "silverface" era, and the Deluxe Reverb followed suit in 1968. The circuit design remained largely unchanged through the ensuing years, and the control face was changed back to a blackface in 1980. The Deluxe Reverb was discontinued in 1982. [2]
The Deluxe Reverb II was introduced that same year. Output on the amp was diminished to 20 watts and a solid-state rectifier was used. The tremolo circuit was removed. Gain, master volume, and presence controls were added. And the two channels were made switchable as opposed to the individual inputs on the Deluxe Reverb. The Deluxe Reverb II was effectively a completely different amplifier, and it was discontinued in 1986. This was the so-called "Rivera-era". [3]
In 1993, Fender released the '65 Deluxe Reverb reissue, with the original cosmetics and circuitry, but wired on a printed circuit board rather than hand-wired. The reissue is still currently in production. [4]
In the summer of 2013, Fender produced a limited run of the Deluxe Reverb reissue in the form of an amplifier head. This had never been done in the past, as Fender had only built the Deluxe and its derivatives as combo amps (an amp with built-in speaker). The limited run only saw a very small number produced, [5] however, it was announced in early 2014 that Fender was adding the Deluxe Reverb Head to its permanent lineup of Vintage Reissue series amplifiers. [6] Also in 2013, Fender introduced a redressed version of the reissue with silverface cosmetics and slightly altered circuitry, dubbed the '68 Custom Deluxe Reverb. [7]
Fender amplifiers are a series of electric instrument amplifiers renowned by musicians worldwide. The Fender Musical Instruments Corporation has continuously manufactured guitar amplifiers since their foundation, Leo Fender began building guitar amplifiers even before he started manufacturing electric guitars. The first of these were the K&F models, produced between 1945 and 1946. Fender amplifiers would become favourite of many famous guitarists such as Stevie Ray Vaughan, Jimi Hendrix and Eric Clapton, helping them pioneer their sounds.
The Fender Prosonic guitar amplifier was produced by Fender Musical Instruments from 1996 to 2002. Available in head and combo versions, the Prosonic featured several departures in design from traditional Fender amplifiers such as the Bassman, Twin Reverb, and Deluxe Reverb. Designed by Bruce Zinky as a project for the Fender Custom Shop, the amplifier later had a non-Custom Shop production run at the Fender facilities in Corona, California. It was initially priced to compete with buyers in the so-called boutique amplifier market who were seeking more distortion than any previous Fender had ever offered. It is believed that high list prices, and deviations from established Fender amplifier designs, swayed many buyers away from the Prosonic. It developed a cult following among serious guitarists, aided by the rise of musician-centric Internet communities.
The Fender Twin and Twin Reverb are guitar amplifiers made by Fender Musical Instruments Corporation. The Twin was introduced in 1952, two years before Fender began selling Stratocaster electric guitars. The amps are known for their characteristically clean tone.
The Fender Hot Rod Deluxe is a guitar amplifier manufactured and sold by the Fender Musical Instruments Corporation. It was introduced in 1996 as part of the "Hot Rod" line of guitar amplifiers and has been in continuous production since. The Hot Rod Deluxe is a modified version of the Fender Blues Deluxe from the earlier Blues line of amplifiers, and has a higher level of gain in its preamplification signal. This model, along with the Hot Rod Deville, were originally designated as F.A.T. amplifiers but this moniker was dropped in 2002 when production of this series of amps was moved from Corona, CA to Fender's Baja-Ensenada, Mexico manufacturing facility.
The Fender Bassman is a bass amplifier series introduced by Fender during 1952. Initially intended to amplify bass guitars, the 5B6 Bassman was used by musicians for other instrument amplification, including the electric guitar, harmonica, and pedal steel guitars. Besides being a popular and important amplifier in its own right, the Bassman also became the foundation on which Marshall and other companies built their high-gain tube amplifiers.
The Fender Super Reverb is a guitar amplifier made by Fender. It was originally introduced in 1963 and was discontinued in 1982. The Super Reverb was a Fender Super amplifier with built-in reverb and "vibrato". The original Super Reverb amplifiers were all-tube designs and featured spring reverb. There were two different designs, distinguishable by the color of the "face" or front control panel. Super Reverbs from 1963 through 1967 had "blackface" panels. From 1968 until its discontinuation in 1982, the Super Reverb had "silverface" cosmetics and circuitry. Early models in 1968, while cosmetically "silverface", did contain "blackface" circuitry. Fender introduced a reissue '65 Super Reverb in 2001 featuring a printed circuit board design rather than the hand-wired circuitry of the original '65 Super Reverb.
The Fender Concert was a guitar amplifier made by Fender Musical Instruments. Its production can be split over 2 phases. The first of these running from 1960 and until approximately 1965, at which time a typical Fender Concert was priced at $315. During the 1960s, the Concert was for all practical purposes the same amplifier as the Vibrasonic but with four 10" speakers. In a later phase, the Concert was updated by Paul Rivera in the early 1980s and a subsequent 1x12 variant of the Concert amp appeared briefly in the mid-1990s.
The Fender Champ was a guitar amplifier made by Fender. It was introduced in 1948 and discontinued in 1982. An updated version was introduced in 2006 as part of the "Vintage Modified" line.
The Fender Bandmaster was a musical instrument amplifier made by Fender. It was introduced in 1953 and discontinued in 1974. Some early models had both a microphone input and instrument inputs. Beginning in 1960, Bandmaster amps were equipped with a vibrato effect. In the 2000s, vintage Bandmaster amps remain in use by blues, Americana and rock and roll bands.
The Fender Bandmaster Reverb was a tube amplifier made by Fender. It was primarily a Silverface Bandmaster piggyback 'head' with the addition of reverb and vibrato and a modified circuit that shared more similarities with other Fender amplifiers. It was introduced in 1968 and was discontinued in 1980 .The Bandmaster Reverb was produced in both a 40 watt and 70 watt tube variant, before being reissued as a vintage modified amplifier.
The Fender Princeton was a guitar amplifier made by Fender. It was introduced in 1947 and discontinued in 1979. After Fender introduced the Champ Amp in 1948, the Princeton occupied the next to the bottom spot in the Fender line. Fender Princetons from the early models into the 1970s models are highly valued particularly as recording amplifiers.
The Fender Bronco was a guitar amplifier made by Fender. It was the first Silverface amplifier introduced in 1967 to sport the modern-looking "tailless" Fender amp decal, which became a standard feature on other Fender amplifiers in the early 1970s. The Bronco was a student amp to go with the matching Bronco guitar. Bronco amplifiers were shipped as a part of the Bronco "student" package offered during that time, which also included the matching Bronco guitar, introduced that same year. Some early Broncos used the early-mid 1960s "tailed" amp logo. The schematics and manuals listed the Bronco and the Vibro Champ as the same amp, except for the red letters and labels stamped on the control faceplate. The controls were also the same. It was discontinued in 1975.
The Fender Reverb Unit (6G15) was a vacuum tube, spring reverb-equipped effects unit made by Fender. The Reverb Unit was originally introduced in 1961. It was discontinued in 1966 and was replaced by a solid-state model, the FR1000. The unit features three controls: Dwell, Mixer and Tone and includes a 12AT7 tube as a preamplifier; a 6K6 tube as the reverb driver; and a 12AX7 as the reverb recovery tube. The rectifier is a diode-type solid state unit. The circuit board, like Fender's Brownface, Blackface and Silverface amplifiers is an eyelet board and the unit its completely hand wired. The spring reverb “tank” is mounted on the interior side of the front baffle in a vertical position. Tanks were supplied by Gibbs and Accutronics in the original version. The vertically mounted tank should be a 4AB3C1C but most actually shipped with 4AB3C1B tanks which are designed for horizontal mounting; these are the same ones found in the Fender combo amps where it is mounted on the floor in a horizontal configuration. Physically, the unit looks like a small amplifier head and since the early 1960s the unit has become synonymous with surf music.
The Fender Deluxe guitar amplifier is a range of non-reverb guitar amplifiers produced by Fender. The amplifiers were originally produced from early 1948 to 1966 and reissues are in current production. Its predecessor was the Fender Model 26 "Woodie" produced from 1946 to 1948.
The Fender Pro Reverb is a high-end guitar amplifier made by Fender. It was in production from 1965 and was discontinued in 1982. The Pro Reverb is a 40-watt tube amplifier and has a pair of 12-inch (30 cm) speakers; however, models later than 1976 were increased to 70 watts. Teagle and Sprung, authors of the definitive book on Fender amplifiers described the Blackface Pro Reverb as the best amplifier ever produced likely due to its combination of the two twelve inch speakers, its high quality reverb and tremolo, and just the right amount of power to get either classic Blackface Fender cleans or natural tube breakup at reasonable volumes. They wrote, "the author recommends these amps as the best all-around amp ever made—by anyone".
The Fender Vibroverb was a 40-watt combo guitar amplifier originally manufactured in 1963 and 1964. It was the first Fender amplifier to incorporate on-board reverb which became a standard feature on many high-end Fender tube amps during the 1960s and 1970s.
The Falcon (GA-19RVT) was a guitar amplifier made by Gibson Guitar Corporation in 1961. With the Falcon and a few other models, Gibson was ahead of Fender in bringing an amplifier with reverb on the market. In addition, the Falcon also had tremolo.
The Fender Pro was an instrument amplifier manufactured by Fender Electric Instruments from 1946 to 1965. It was characterized by its dual 6L6-family power tubes and single 15" speaker, with output power increasing from 18 watts up to 40 watts over its production run. The Pro was replaced in the Fender lineup by its offspring the Pro Reverb.
The Fender Vibrolux guitar amplifiers are a range of guitar amplifiers produced by Fender. The Vibrolux line was introduced in 1956 and Fender has produced several models in recent years.
