The Fender Champ was a guitar amplifier made by Fender. It was introduced in 1948 and discontinued in 1982. [1] An updated version was introduced in 2006 as part of the "Vintage Modified" line.
The Champ had the lowest power output and the simplest circuit of all Fender tube amps. The Champ had only one power tube, and the power stage circuit is, typically, single-ended and class A. Five watts and the simple toneful circuit allowed the Champ to be used easily and often in recording studios.
First introduced in 1948, it sported the name "Champion 800" [2] (with 8" speaker), changing a year later to "Champion 600" (6" speaker) with circuit designation 5B1. It was rated at about 3 watts, featuring a "T.V. Front" style cabinet; the 800 was covered in greenish fabric while the 600 featured two-tone blonde and brown vinyl covering. This style lasted until 1953, when Fender's cabinet style changed to the "Wide Panel" design with a tweed cloth covering. Fender also renamed the circuit the "5C1", "5" standing for the decade (1950s), "C" for the third circuit revision, and "1" was the Champ's circuit designation. The 5C1 [3] circuit was extraordinarily simple, using one 6SJ7 pentode in the preamplifier section to provide a single stage of voltage amplification, one 6V6 beam power tetrode in the power amplifier section, a 5Y3 rectifier tube and a single volume knob with no tone controls.
By 1955 Fender started putting its amps in the "Narrow Panel" tweed cabinet with a plastic oxblood color grill cloth, [4] and by this time the Champ was officially named the Champ (model 5E1). Through 1957, Champs only had a six-inch speaker, but the 1958 model 5F1 featured an 8". The 5E1 [5] and 5F1 [6] circuits used a 12AX7 dual triode in the preamplifier to provide two stages of voltage amplification, and a single 6V6GT power tube to produce about 5 watts. A Champ from this era can easily be dated by the code stamped on the tube chart, [7] by the code stamped on the speaker [8] or by its serial number. [9]
The 5F1 lasted until 1964, when the Champ finally made the transition to the "Blackface" style of circuit and cabinet. A small number of the last 5F1 style cabinets were covered with the "Blackface" amp cosmetics around this transition, [10] as the factory most likely ran out of the tweed cloth covering. In 1964, a Champ with tremolo was also introduced. It was called the Vibro Champ. The Champ switched from Blackface to Silverface four years later. Fender brought back the blackface cosmetics for a short time in 1981 before discontinuing the Champ the following year.
In 2006, Fender "reissued" the Champion 600. Cosmetically similar to the original Champion 600, [11] internally it features a modified blackface Champ circuit (with the settings of the tone stack being hard-wired rather than adjustable via Treble and Bass controls, and a couple of additional resistors reducing input-stage gain) and a switch to solid-state rectification from the original 5Y3 tube. The current look is the TV-front with two-tone tolex and speaker grille cloth of imitation suede. After Fender took on marketing, production and distribution for Gretsch, the same electronics were available with a different look and feel – based on "tweed" Fender amps, despite the branding – as the Gretsch G5222 Electromatic. Production of the Champion 600 reissue ceased in 2010 and was reintroduced by Fender in late 2014. As of 2016, the Champion 600 was once again discontinued. [12]
The Fender Vibro Champ was a guitar amplifier made by Fender. It was first introduced in 1964 and discontinued in 1982. The Vibro Champ featured built-in tremolo with controls for speed and intensity. The silverface version served as a basis for the Bronco student amplifier of 1967. [13]
In 2007, Fender reintroduced the Vibro Champ as the Vibro Champ XD, part of their "Vintage Modified" series. Aesthetically, the XD is based on the Champ from the blackface era. Unlike the Champion 600, which has a strictly all-tube audio signal path, the Vibro Champ XD's tube circuitry is complemented by a digital signal processor (DSP) that functions as a pre-amp by modelling 16 different amplifiers. The effect of the volume, gain and tone control knobs varies according to the selected amp model. The digitally modelled signal is fed into a class-A single-ended tube circuit, with a 12AX7 output tube driver, and a 6V6 output tube. The amp also comes equipped with DSP effects, including reverb, delay, chorus, tremolo, and Vibratone (there is no spring reverb tank).
In January 2021 Fender introduced the '68 Custom Vibro Champ Reverb as a part of their Vintage Modified series. This 5-watt silverface combo amplifier is identical to the original late-1960s Vibro Champ except for the inclusion of hall reverb, modified circuitry and a larger 10" Celestion® Ten 30 speaker.
In 1982, in order to combat its decreasing amp sales, which at that time was around 10,000 units per year, Fender hired Paul Rivera (of Rivera Amplifiers) as Marketing Director to specify and help design a whole new range of amplifiers to meet the contemporary requirements of musicians. Even though he did not personally create the new designs, his direction of the engineering team, headed by Ed Jahns and Bill Hughes, resulted in some legendary amps, including the Super Champ. Featuring a push-pull output, 10" speaker, and spring reverb, as well as some new circuitry; master volume, a switchable extra gain stage for a 'lead' effect, and a mid-boost switch. [14] The Super Champ utilized 1× 12AX7 for the first and second stage preamp, a 1× 12AT7 for spring reverb driver tube, whilst the three sections of the triple-triode 6C10 compactron serve as a recovery for the spring reverb, as a driver for the phase inverter, and as a split-load phase inverter. When the volume knob is pulled, some signal from the 12AT7 reverb driver is re-routed, resulting in higher gain. An optional two-button foot-switch allowed for gain switching and reverb on/off. Two 6V6GT power tubes provide it with 18 RMS watts. The cabinet was finished in black Tolex, with a black faceplate and silver grille cloth. The speaker was offered either with the standard Fender Blue Label, or optionally with a Fender-branded Electro-Voice EVI-10. Additionally, 100 Super Champ cabinets made of oak, fitted with EVI-10, having brown/champagne faceplate and knobs, and a special grille cloth were offered as part of the Super Pro Series. The Super Champ was sold until 1986. Along with the Concert amp, it was the last tube amp to be made by Fender under CBS ownership, and the last to be made at Fullerton.
Introduced along with the Super Champ described above, the Champ II was the most basic of the tube amps in the "Rivera-era" range of Fenders, having no reverb or extra gain switching. [14] It was discontinued in 1983, along with the Bassman 20 (with which it shared the same metal chassis design), three years before the rest of the range, perhaps because its dearth of features was unfashionable at the time. It had the same colour scheme, power supply, output stage and stock speaker as the Super Champ but the preamp and phase inverter consisted of two 12AX7 tubes.
In 2007, Fender resurrected the Super Champ name with the Super Champ XD, part of their "Vintage Modified" series. The look is based on the blackface model. Although for a limited period of time a special edition Blonde version was produced, Fender’s Consumer Relations Department states that the blonde special edition Super Champ XD with oxblood grill was a FSR (factory special run) that was limited to only 1,000 produced. The blonde version is no longer available new and Fender has completed the amps' production run so no more will be produced or available from Fender. Unlike the Champion 600 (all tube circuitry), the Super Champ XD (like the Vibro Champ XD) is a hybrid (tube circuitry complemented with digital modeling and effects). Aside from one dual-triode 12AX7 and two 6V6 output tubes, it also has a digital signal processor (DSP) which models 16 different amplifiers and programs the volume, gain, and tone controls accordingly.
It has two channels, channel 1 being a clean channel, and channel 2 having both clean and distortion voices, using modeling technology to provide 15 additional voices. Both the Bass/Treble EQ and Effects (FX) are global settings meaning they affect the sound of both channel 1 and channel 2.
There are two stages of amplification: the first stage is done by solid-state op amps and the DSP,[ citation needed ] which also provide the desired voicing of the amps. It is then fed into the first triode of the 12AX7, which acts as a second stage preamp, provides the additional tube gain for both channels and acts as an interface between the solid-state circuitry and the tube circuitry. The second triode is a phase inverter, which creates mirror images of the signal to drive the output tubes. This arrangement provides the same feel of a complete tube amp while allowing multiple voicing. The DSP chip also provides effects, including reverb, delay, chorus, and tremolo. There is no spring reverb tank.
In 2012, Fender released the Super Champ X2, a redesign of the XD. The X2 is designed to interface with the FUSE software used by the Fender Mustang series of modeling solid-state amplifiers, and is also available in both combo and discrete head/speaker cabinet units.
Fender reissued the 1957 narrow panel tweed Champ in 2009. [15]
Vox is a British musical equipment manufacturer founded in 1957 by Thomas Walter Jennings in Dartford, Kent, England. The company is most famous for making the Vox AC30 guitar amplifier, used by The Beatles, The Rolling Stones, The Kinks, The Yardbirds, Queen, Dire Straits, U2, and Radiohead; the Vox Continental electric organ, the Vox wah-wah pedal used by Jimi Hendrix, and a series of innovative electric guitars and bass guitars. Since 1992, Vox has been owned by the Japanese electronics firm Korg.
Fender amplifiers are electric instrument amplifiers produced by the Fender Musical Instruments Corporation. The first guitar amplifiers attributed to Leo Fender were manufactured by the K&F Manufacturing Corporation (K&F) between 1945 and 1946. Later, Fender began building its own line of electric guitars. Fender amplifiers would become favorites of guitarists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars.
The Vox AC30 is a guitar amplifier manufactured by Vox. It was introduced in 1958 to meet the growing demand for louder amplifiers. Characterised by its "jangly" high-end sound it has become widely recognized by British musicians and others, such as George Harrison and John Lennon of the Beatles, Bill Wyman of the Rolling Stones, Brian May of Queen, Dave Davies of the Kinks and Hank Marvin.
The Fender Twin and Twin Reverb are guitar amplifiers made by Fender Musical Instruments Corporation. The Twin was introduced in 1952, two years before Fender began selling Stratocaster electric guitars. The amps are known for their characteristically clean tone.
The Fender Hot Rod Deluxe is a guitar amplifier manufactured and sold by the Fender Musical Instruments Corporation. It was introduced in 1996 as part of the "Hot Rod" line of guitar amplifiers and has been in continuous production since. The Hot Rod Deluxe is a modified version of the Fender Blues Deluxe from the earlier Blues line of amplifiers, and has a higher level of gain in its preamplification signal. This model, along with the Hot Rod Deville, were originally designated as F.A.T. amplifiers but this moniker was dropped in 2002 when production of this series of amps was moved from Corona, CA to Fender's Baja-Ensenada, Mexico manufacturing facility.
The Blues Junior is a tube guitar amplifier introduced in 1995 by the Fender Musical Instrument Corporation. It is aimed at achieving the warm, tube-driven tone common in many styles of American blues and blues rock dating back to the 1950s, while remaining both portable and affordable. A popular amp, Fender have released numerous versions since its initial release, the most recent being the version IV in 2018. Fender also frequently releases limited editions of the Blues Junior, such as the Lacquered Tweed and the "80 Proof".
The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars. Besides being a popular and important amplifier in its own right, the Bassman also became the foundation on which Marshall and other companies built their high-gain tube amplifiers.
The Fender Tremolux was a guitar amplifier made by Fender. It was introduced in the summer of 1955 with a rated power output of 15 watts, cathode bias, two 6V6 output tubes, and a 5Y3 tube rectifier. The Tremolux was the first Fender amp with a built in effect, tremolo.
The Fender Deluxe Reverb is a guitar amplifier made by the Fender Electric Instrument Company and its successors. It was first introduced in 1963 by incorporating an onboard spring reverb tank to the newly redesigned Fender Deluxe amplifier.
The Fender Super Reverb is a guitar amplifier made by Fender. It was originally introduced in 1963 and was discontinued in 1982. The Super Reverb was a Fender Super amplifier with built-in reverb and "vibrato". The original Super Reverb amplifiers were all-tube designs and featured spring reverb. There were two different designs, distinguishable by the color of the "face" or front control panel. Super Reverbs from 1963 through 1967 had "blackface" panels. From 1968 until its discontinuation in 1982, the Super Reverb had "silverface" cosmetics and circuitry. Early models in 1968, while cosmetically "silverface", did contain "blackface" circuitry. Fender introduced a reissue '65 Super Reverb in 2001 featuring a printed circuit board design rather than the hand-wired circuitry of the original '65 Super Reverb.
The Fender Concert was a guitar amplifier made by Fender Musical Instruments. Its production can be split over 2 phases. The first of these running from 1960 and until approximately 1965, at which time a typical Fender Concert was priced at $315. During the 1960s, the Concert was for all practical purposes the same amplifier as the Vibrasonic but with four 10" speakers. In a later phase, the Concert was updated by Paul Rivera in the early 1980s and a subsequent 1x12 variant of the Concert amp appeared briefly in the mid-1990s.
The Fender Vibrasonic was an amplifier made by Fender. It was debuted as the first of the new-model Fender amps of the 1960s, with new tolex-covered cabinets and front-mounted control panels that would replace the tweed-covered, top-panel cabinets that were prevalent during the 1950s, as well as new circuitry which would characterize most Fender amplifiers for two decades.
The Fender Bandmaster Reverb was a tube amplifier made by Fender. It was primarily a Silverface Bandmaster piggyback 'head' with the addition of reverb and vibrato and a modified circuit that shared more similarities with other Fender amplifiers. It was introduced in 1968 and was discontinued in 1980 .The Bandmaster Reverb was produced in both a 40 watt and 70 watt tube variant, before being reissued as a vintage modified amplifier.
The Fender Princeton was a guitar amplifier made by Fender. It was introduced in 1946 and discontinued in 1979. After Fender introduced the Champ Amp in 1948, the Princeton occupied the next to the bottom spot in the Fender line. Fender Princetons from the early models into the 1970s models are highly valued particularly as recording amplifiers.
The Fender Super was a guitar amplifier made by Fender between 1947 and 1963 and, as the Super Reverb, until 1981.
The Fender Princeton Reverb is a guitar amplifier combo. It is based on the Princeton and includes built-in reverb and vibrato.
The Fender Deluxe guitar amplifier is a range of non-reverb guitar amplifiers produced by Fender. The amplifiers were originally produced from early 1948 to 1966 and reissues are in current production. Its predecessor was the Fender Model 26 "Woodie" produced from 1946 to 1948.
The Fender Harvard is a vacuum tube (valve) guitar amplifier made by Fender from 1955 to 1963. The Harvard appeared only in a tweed covered "narrow-panel" cabinet, but in two very different circuit designs, namely 5F10 (1955–61) and 6G10 (1962–63).
Traynor is a brand of bass amplifiers and guitar amplifiers, the first brand formed by Yorkville Sound. The Traynor brand, named for founder Peter Traynor, began in 1963 with the Dynabass bass amplifier, a rental product. Traynor first became popular in Canada by providing less expensive versions of the circuits used in Marshall and Fender amplifiers of the time. The revived brand now produces a wide range of electric, acoustic, and bass guitar amps.
The Falcon (GA-19RVT) was a guitar amplifier made by Gibson Guitar Corporation in 1961. With the Falcon and a few other models, Gibson was ahead of Fender in bringing an amplifier with reverb on the market. In addition, the Falcon also had tremolo.
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