First Place Again | ||||
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Studio album by | ||||
Released | 1959 | |||
Recorded | September 5–7, 1959 New York City | |||
Genre | Jazz | |||
Length | 45:58 | |||
Label | Warner Bros. W 1356 | |||
Producer | Bob Prince | |||
Paul Desmond chronology | ||||
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First Place Again is the second album led by American jazz saxophonist Paul Desmond. The album was recorded in September 1959 and released on the Warner Bros. label. [1] [2] [3] It was the first of five studio albums Desmond recorded with quartets that included guitarist Jim Hall and drummer Connie Kay. Percy Heath, who was Kay's bandmate from the Modern Jazz Quartet, completed the quartet for this album. For most of August 1959, Hall, Heath, and Kay had been faculty members at the Lenox School of Jazz music workshop. During that same month, Desmond finished recording Time Out with the Dave Brubeck Quartet.
Review scores | |
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Source | Rating |
Allmusic | [4] |
The Penguin Guide to Jazz Recordings | [5] |
Allmusic awarded the album 3½ stars stating "Desmond, of course, being at that time the king of melodic improvisation on the alto –with the possible exception of Art Pepper's ascendancy –is in fine form. His whimsical, breathy, dry tone is sharp, on the spot, and full of ideas as he quotes from a vast number of tunes. This is a thoroughly enjoyable and relaxed set if ultimately unmemorable". [4]
The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical, cool jazz, blues and bebop. For most of its history the Quartet consisted of John Lewis (piano), Milt Jackson (vibraphone), Percy Heath, and Connie Kay (drums). The group grew out of the rhythm section of Dizzy Gillespie's big band from 1946 to 1948, which consisted of Lewis and Jackson along with bassist Ray Brown and drummer Kenny Clarke. They recorded as the Milt Jackson Quartet in 1951 and Brown left the group, being replaced on bass by Heath. During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group's musical director, and they made several recordings with Prestige Records, including the original versions of their two best-known compositions, Lewis's "Django" and Jackson's "Bags' Groove". Clarke left the group in 1955 and was replaced as drummer by Connie Kay, and in 1956 they moved to Atlantic Records and made their first tour to Europe.
Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, and Thelonious Monk.
Lonely Woman is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1962 and released on the Atlantic label.
The Sheriff is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1963 and released on the Atlantic label.
Pyramid is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1959-60 and released on the Atlantic label.
The Modern Jazz Quartet at Music Inn Volume 2 is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at the Music Inn in Lenox, Massachusetts, in 1958, with guest artist Sonny Rollins appearing on two numbers, and released on the Atlantic label.
Jazz Dialogue is an album by American jazz group the Modern Jazz Quartet with a big band featuring performances recorded in 1965 and released on the Atlantic label.
Live at the Lighthouse is a live album by American jazz group the Modern Jazz Quartet recorded by Wally Heider at the Lighthouse Café in 1967 and released on the Atlantic label.
Space is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1969 and released on the Apple label.
Together Again: Live at the Montreux Jazz Festival '82 is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at the Montreux Jazz Festival in 1982 and released on the Pablo label.
Echoes is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1984 and released on the Pablo label.
Topsy: This One's for Basie is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1985 and released on the Pablo label.
Three Windows is an album by American jazz group the Modern Jazz Quartet featuring performances recorded with the New York Chamber Symphony in 1987 and released on the Atlantic label.
Dedicated to Connie is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded in Slovenia in May 1960 and released in 1995 on the Atlantic label following drummer Connie Kay's death. The album was also released by Jazz Life in 1990 as Modern Jazz Quartet In Concert.
Bossa Antigua is an album recorded by American jazz saxophonist Paul Desmond featuring performances recorded in 1964 which were released on the RCA Victor label. The album title is a word play on bossa nova, the genre of Brazilian music that inspired the album. "Bossa Antigua" loosely translates in English to "old thing", though "antigua" is a Spanish word rather than Portuguese. Antigua is also the name an island in the West Indies popular with North American tourists.
Two of a Mind is an album recorded by American jazz saxophonists Paul Desmond and Gerry Mulligan featuring performances recorded in 1962 which were released on the RCA Victor label. The album is the second of two albums Mulligan and Desmond recorded in a pianoless quartet setting. The first, recorded in 1957, was Blues in Time.
Desmond Blue is an album recorded by American jazz saxophonist Paul Desmond released in 1962 and was his first LP for RCA Victor. The album was produced by George Avakian, who had worked with Desmond at Columbia Records. Avakian left Columbia in 1958 to join the brand new Warner Bros. Records, where he produced Desmond's previous album, First Place Again. Joining RCA Victor in 1960, Avakian once again recruited Desmond to his label, and he produced all six of the albums Desmond recorded for RCA Victor as a leader. Desmond Blue was also the first Desmond solo album to feature the saxophonist in an orchestral setting. RCA reissued the album in 1978 as Paul Desmond - Pure Gold Jazz (ANL1-2807). Desmond returned to the orchestral format later in the decade, when he signed with CTI Records and recorded Summertime.
Take Ten is an album recorded by American jazz saxophonist Paul Desmond featuring performances recorded in 1963 which were released on the RCA Victor label with cover art by Andy Warhol.
Glad to Be Unhappy is an album recorded by American jazz saxophonist Paul Desmond featuring performances recorded in 1964 which were released on the RCA Victor label.
Easy Living is an album recorded by American jazz saxophonist Paul Desmond featuring performances recorded between 1963 and 1965 which were released on the RCA Victor label.