| The cover of the 1920 first edition | |
| Author | F. Scott Fitzgerald |
|---|---|
| Cover artist | W. E. Hill |
| Language | English |
| Genre | Short stories |
| Publication place | United States |
| Media type | Print (hardcover & paperback) |
| ISBN | 978-1406509564 |
Flappers and Philosophers is a collection of eight short stories by American writer F. Scott Fitzgerald, published in September 1920 by Charles Scribner's Sons. [1] Each of the stories had originally appeared, independently, in either The Saturday Evening Post, Scribner's Magazine, or The Smart Set . [2] [3]
The volume includes "The Ice Palace", regarded as one of Fitzgerald's finest short works. [4]
The original periodical publication and date are indicated. [5] [6]
The stories published in Nassau Literary Review while Fitzgerald was attending Princeton University, as well as those that comprise Flappers and Philosophers, may be placed among his "apprenticeship fiction." [8] [9]
In November 1919, Fitzgerald engaged Harold Ober as his literary agent. By early 1920, Ober had negotiated the sale of six of Fitzgerald's stories to The Saturday Evening Post , one of several "high-paying mass-circulation slick-paper magazines". Fitzgerald was paid $400 for each story. [10] [11] Fitzgerald's short fiction became identified with the Post in the following years, to whom he would sell sixty-five of his stories—"40 percent of his output." [10]
Literary critic and biographer Matthew J. Bruccoli notes that "during his lifetime, Fitzgerald was far better known and more widely read as a short story writer than as a novelist." [10]
The New York Times in its September 26, 1920 edition evaluated the collection in light of Fitzgerald's recently published first novel This Side of Paradise (1920): "[H]is eight short stories range the gamut of style and mood with a brilliance, a jeu perle ["pearly tone"], so to speak, which is not to be found in the novel." [12] The reviewer compares the works favorably to the "Russian school" and to the American author O. Henry, and closes by commending "Mr. Fitzgerald's talent and genius." [12]
Literary critic and biographer John Kuehl reports that the book reflects the social types identified in the collection's title:
Diverse characters and classes manifest themselves, yet Fitzgerald's fundamentally bourgeois world features the ubiquitous homme manqué and the femme fatale , for courtship and marriage comprise the all-important sexual element. [13]