Winter Dreams

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"Winter Dreams"
Short story by F. Scott Fitzgerald
Cosmodec22.jpg
Metropolitan cover, December 1922
CountryUnited States
LanguageEnglish
Genre(s) Short story
Publication
Published in Metropolitan magazine
All the Sad Young Men
Publication typeMagazine
Short Story Collection
Publisher Scribner (book)
Media typePrint
Publication dateDecember 1922

"Winter Dreams" is a short story by F. Scott Fitzgerald first published in Metropolitan magazine in December 1922 and collected in All the Sad Young Men in 1926. [1] The plot concerns the attempts by a young Midwestern man to win the affection of an upper-class socialite. Frequently anthologized, the story is regarded as one of Fitzgerald's finest works for evoking "the loss of youthful illusions." [2] [3]

Contents

In the Fitzgerald canon, scholars consider the story to be in the "Gatsby-cluster" as the author expanded on many of its themes in his 1925 novel The Great Gatsby . [2] Writing his editor Max Perkins in June 1925, Fitzgerald described "Winter Dreams" as a "first draft of the Gatsby idea." [4]

Background

Fitzgerald based the short story on his unsuccessful romantic pursuit of socialite Ginevra King. [5] A wealthy heiress from a Chicago banking family, Ginevra enjoyed a privileged upbringing, and the Chicago press chronicled her mundane activities as a member of the elite "Big Four" debutantes during World War I. [6]

While teenagers, Ginevra and Fitzgerald met at a sledding party in Saint Paul, Minnesota, and shared a romance from 1915 to 1917, but their relationship ended when Ginevra's family intervened. [7] Her imperious father, stockbroker Charles Garfield King, or someone else purportedly humiliated the impressionable young writer and bluntly told him that "poor boys shouldn't think of marrying rich girls." [8]

Due to his middle-class status and her family's intervention, Ginevra spurned Fitzgerald by January 1917. [9] In later years, Fitzgerald claimed that Ginevra had rejected him "with the most supreme boredom and indifference." [10] For the remainder of his life, the author remained "so smitten by King that for years he could not think of her without tears coming to his eyes." [11]

Plot summary

F. Scott Fitzgerald - World War I Uniform - 1917.jpg
Ginevra King Photo circa 1916.jpg
Writer F. Scott Fitzgerald (first) photographed circa 1917 in his army uniform. Chicago socialite Ginevra King (second)—whom Fitzgerald romantically pursued—inspired the character of Judy Jones. [12]

Dexter Green is a middle-class young man born in rural Minnesota who aspires to be part of the "old money" elite of the American Midwest. His father owns the second most profitable grocery store in the town. To earn money, Dexter works part-time as a teenage caddie at a golf club in Black Bear Lake, Minnesota, where he meets the 11-year-old Judy Jones. He quits his job rather than be Judy's caddie as he cannot abide acting as one of her obsequious servants.

After college, Dexter opens a successful a laundry business. He returns to the Sherry Island Golf Club and plays golf with the affluent men for whom he once caddied. He encounters Judy Jones again on the golf course, only now she is older and more beautiful. In the evening on Black Bear Lake, Dexter swims to a raft where he encounters Judy piloting a motor boat. She asks him to drive the boat while she aquaplanes. Judy invites Dexter to dinner, and a romance blossoms, but he discovers that he is merely one of a dozen beaus whom she is clandestinely romancing.

After eighteen months, while Judy vacations in Florida, Dexter becomes engaged to Irene Scheerer, a kind-hearted but ordinary-looking girl. When Judy returns, she again ensnares Dexter's affections and asks him to marry her. Dexter breaks off his engagement with Irene, only to be spurned again by Judy a month later. Unable to cope with this recurrent heartbreak, Dexter joins the American Expeditionary Forces to fight in World War I.

Seven years later, Dexter has become a successful businessman in New York. Now wealthy, he hasn't visited his home in years. One day, a Detroit man named Devlin visits Dexter on a business pretext. During the meeting, Devlin reveals that Judy Simms—formerly Judy Jones—is the wife of one of his friends. Devlin recounts how Judy's beauty has faded, and her husband treats her callously. This news demoralizes Dexter as he still loves Judy. Dexter realizes that his dreams are gone, and he can never return home.

Critical analysis

Judy Jones in "Winter Dreams", as drawn by illustrator Arthur William Brown in 1922. Judy Jones Sketch Metropolitan Magazine 1922.jpg
Judy Jones in "Winter Dreams", as drawn by illustrator Arthur William Brown in 1922.

Frequently anthologized, critics praise Fitzgerald's "Winter Dreams" as among his finest works for evoking "the loss of youthful illusions." [2] [3] In the Fitzgerald canon, scholars categorize "Winter Dreams" as part of the so-called "Gatsby-cluster" as the author expanded upon its themes in his 1925 novel The Great Gatsby . [2] Writing his editor Max Perkins in June 1925, Fitzgerald described the short story as a "first draft of the Gatsby idea." [4]

Fitzgerald scholar and biographer Matthew J. Bruccoli described "Winter Dreams" as "the strongest of the Gatsby-cluster stories." [2] He continues:

Like the novel, it examines a boy whose ambitions become identified with a selfish rich girl. Indeed, Fitzgerald removed Dexter Green's response to Judy Jones' home from the magazine text and wrote it into the novel as Jay Gatsby's response to Daisy Fay's home. [2]

Scholar Tim Randell has asserted that "Winter Dreams" should be regarded as a crowning literary achievement as Fitzgerald "achieves a dialectical metafiction" in which he deftly criticizes "class relations and print culture." [13] Fitzgerald's short story "identifies ruling class interests as the collective origin of meaning and 'reality' for the entire social body" and "conveys the possibility of counter, collective meanings" driven by class antagonism. [13] Randell argues that the story chronicles a young man's alienation with modernity due to a "lack of communal meaning" and his self-conscious descent into despair and melancholy. [14]

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