Follow the Drinking Gourd is an African-American folk song first published in 1928. The "drinking gourd" is another name for the Big Dipper asterism. Folklore has it that enslaved people in the United States used it as a point of reference so they would not get lost during their journey of escape to the North and to freedom. [1] [2]
According to legend, the song was used by a conductor of the Underground Railroad, called Peg Leg Joe, to guide some fugitive slaves, and many of the lyrics are simply cartographic directions to advise the runaways on their escape route. While the song may possibly refer to some lost fragment of history, the origin and context remain a mystery.
A more recent source challenges the claim that the song helped free anyone from slavery, as no pre-1910 reference to it has ever been found. [3]
Follow the Drinking Gourd was collected by H. B. Parks, an entomologist and amateur folklorist, in the 1910s. Parks reported that Peg Leg Joe, an operative of the Underground Railroad, had passed as a laborer and spread the song to different plantations, giving directions for slaves to escape. The song was published by the Texas Folklore Society in 1928. (The cover spells the title "Foller de Drinkin' Gou'd.") [1]
In 1947, Lee Hays, of the Almanac Singers and The Weavers, rearranged Follow the Drinkin' Gourd and published it in the People's Songs Bulletin. Familiar with African-American music and culture, [4] Hays stated that he himself had heard parts of the song from an elderly black woman named Aunty Laura. Hays described the melody as coming from Aunty Laura, while the lyrics came from anthologies – probably the Parks version. [5]
In 1955, singer Randy Sparks heard the song from an elderly street singer named John Woodum. These lyrics diverged greatly from the Parks and Hays versions and included no geographical information. Sparks later founded The New Christy Minstrels, with whom he recorded a version of the song based on Woodum's lyrics. [1] [6]
Two of the stars in the Big Dipper line up very closely with and point to Polaris. Polaris is a circumpolar star, and so it is always seen pretty close to the direction of true north. Hence, according to a popular myth, all slaves had to do was look for the Drinking Gourd and follow it to the North Star (Polaris) north to freedom.[ citation needed ] James Kelley has argued against the historicity of this interpretation in the Journal of Popular Culture . [3]
The Underground Railroad was a network of secret routes and safe houses established in the United States during the early to mid-19th century. It was used by enslaved African Americans primarily to escape into free states and from there to Canada. The network, primarily the work of free African Americans, was assisted by abolitionists and others sympathetic to the cause of the escapees. The slaves who risked capture and those who aided them are also collectively referred to as the passengers and conductors of the "Underground Railroad". Various other routes led to Mexico, where slavery had been abolished, and to islands in the Caribbean that were not part of the slave trade. An earlier escape route running south toward Florida, then a Spanish possession, existed from the late 17th century until approximately 1790. However, the network generally known as the Underground Railroad began in the late 18th century. It ran north and grew steadily until the Emancipation Proclamation was signed by President Abraham Lincoln. One estimate suggests that, by 1850, approximately 100,000 slaves had escaped to freedom via the network.
Spirituals is a genre of Christian music that is associated with African Americans, which merged sub-Saharan African cultural heritage with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade and for centuries afterwards, through the domestic slave trade. Spirituals encompass the "sing songs," work songs, and plantation songs that evolved into the blues and gospel songs in church. In the nineteenth century, the word "spirituals" referred to all these subcategories of folk songs. While they were often rooted in biblical stories, they also described the extreme hardships endured by African Americans who were enslaved from the 17th century until the 1860s, the emancipation altering mainly the nature of slavery for many. Many new derivative music genres such as the blues emerged from the spirituals songcraft.
William Still was an African-American abolitionist based in Philadelphia, Pennsylvania. He was a conductor of the Underground Railroad and was responsible for aiding and assisting at least 649 slaves to freedom towards North. Still was also a businessman, writer, historian and civil rights activist. Before the American Civil War, Still was chairman of the Vigilance Committee of the Pennsylvania Anti-Slavery Society, named the Vigilant Association of Philadelphia. He directly aided fugitive slaves and also kept records of the people served in order to help families reunite.
In the United States, fugitive slaves or runaway slaves were terms used in the 18th and 19th centuries to describe people who fled slavery. The term also refers to the federal Fugitive Slave Acts of 1793 and 1850. Such people are also called freedom seekers to avoid implying that the enslaved person had committed a crime and that the slaveholder was the injured party.
"Turkey in the Straw" is an American folk song that first gained popularity in the 19th century. Early versions of the song were titled "Zip Coon", which were first published around 1834 and performed in minstrel shows, with different people claiming authorship of the song. The melody of "Zip Coon" later became known as "Turkey in the Straw"; a song titled "Turkey in de Straw" with different music and lyrics was published in 1861 together with the wordless music of "Zip Coon" added at the end, and the title "Turkey in the Straw" then became linked to the tune of "Zip Coon".
Henry Clay Work was an American composer and songwriter known for the songs Kingdom Coming, Marching Through Georgia, The Ship That Never Returned and My Grandfather's Clock.
The New Christy Minstrels are an American large-ensemble folk music group founded by Randy Sparks in 1961. The group has recorded more than 20 albums and scored several hits, including "Green, Green", "Saturday Night", "Today", "Denver" and "This Land Is Your Land". The group's 1962 debut album, Presenting the New Christy Minstrels, won a Grammy Award and remained on the Billboard 200 albums chart for two years.
The Big Dipper or the plough is a large asterism consisting of seven bright stars of the constellation Ursa Major; six of them are of second magnitude and one, Megrez (δ), of third magnitude. Four define a "bowl" or "body" and three define a "handle" or "head". It is recognized as a distinct grouping in many cultures. The North Star (Polaris), the current northern pole star and the tip of the handle of the Little Dipper, can be located by extending an imaginary line through the front two stars of the asterism, Merak (β) and Dubhe (α). This makes it useful in celestial navigation.
"Wade in the Water" is an African American jubilee song, a spiritual—in reference to a genre of music "created and first sung by African Americans in slavery." The lyrics to "Wade in the Water" were first co-published in 1901 in New Jubilee Songs as Sung by the Fisk Jubilee Singers by Frederick J. Work and his brother, John Wesley Work Jr., an educator at the historically black college in Nashville, Tennessee, Fisk University. Work Jr. (1871–1925)—who is also known as John Work II—spent thirty years collecting, promoting, and reviving the songcraft of the original Fisk Jubilee Singers, which included being a member and director of the Fisk Jubilee Quartet. The Sunset Four Jubilee Singers made the first commercial recording of "Wade in the Water" in 1925—released by Paramount Records. W. E. B. Du Bois called this genre of songs the Sorrow Songs. "Wade in the Water" is associated with songs of the Underground Railroad.
Quilts of the Underground Railroad describes a controversial belief that quilts were used to communicate information to African slaves about how to escape to freedom via the Underground Railroad. It has been disputed by a number of historians.
Songs of the Underground Railroad were spiritual and work songs used during the early-to-mid 19th century in the United States to encourage and convey coded information to escaping slaves as they moved along the various Underground Railroad routes. As it was illegal in most slave states to teach slaves to read or write, songs were used to communicate messages and directions about when, where, and how to escape, and warned of dangers and obstacles along the route.
Africa is an unincorporated community located in Orange Township of southern Delaware County, Ohio, United States, by Alum Creek.
The Underground Railroad in Indiana was part of a larger, unofficial, and loosely-connected network of groups and individuals who aided and facilitated the escape of runaway slaves from the southern United States. The network in Indiana gradually evolved in the 1830s and 1840s, reached its peak during the 1850s, and continued until slavery was abolished throughout the United States at the end of the American Civil War in 1865. It is not known how many fugitive slaves escaped through Indiana on their journey to Michigan and Canada. An unknown number of Indiana's abolitionists, anti-slavery advocates, and people of color, as well as Quakers and other religious groups illegally operated stations along the network. Some of the network's operatives have been identified, including Levi Coffin, the best-known of Indiana's Underground Railroad leaders. In addition to shelter, network agents provided food, guidance, and, in some cases, transportation to aid the runaways.
Peg Leg Joe is a legendary sailor and underground railroad conductor, popularly associated with the song "Follow the Drinkin' Gourd". According to the folklorist H.B. Parks, who collected the song in the 1910s, Peg Leg Joe was an abolitionist who led enslaved people through the Underground Railroad to freedom during the last years of American slavery. In popular history, he is usually connected with an escape route which led from Alabama to the Ohio River. He may have been a real person or composite of people, but there is no reliable historical evidence of his existence. It is also possible that the story of Peg Leg Joe originates in the African mythical figure, Papa Legba. As his name suggests, Peg Leg Joe is depicted as having a prosthesis for his right leg.
"Angelina Baker", sometimes sung as "Angeline the Baker" is a song written by Stephen Foster for the Christy Minstrels, and published in 1850. The original laments the loss of a woman slave, sent away by her owner. The lyrics have been subjected to the folk process, and some versions have become examples of the "Ugly Girl" or "Dinah" song.
"Old Rosin the Beau" is an American folk song popular in the 19th century, probably of British or Irish origin, first published in Philadelphia during 1838.
The Underground Railroad Bicycle Route is a 2,000-mile bicycle touring route from Mobile, Alabama, to Owen Sound, Ontario. It was developed by Adventure Cycling Association with the Center for Minority Health at the University of Pittsburgh. The route was built to loosely follow the Underground Railroad, the network of paths that African American slaves used to escape to the Northern United States and Canada.
Tawawa House is an opera written by Zenobia Powell Perry in 1985. It premiered at Central State University in 1987. A fully staged revival took place in 2014 in Modesto, California.
The Tilly Escape occurred in October 1856 when an enslaved woman, Tilly, was led by Harriet Tubman from slavery in Baltimore to safety in Philadelphia. Historians who have studied Tubman consider it "one of her most complicated and clever escape attempts." It was a risky trip because Tubman and Tilly would not have been able to travel directly from Baltimore to Philadelphia without proof that they were free women. In addition, local slave traders would have recognized strangers. Tubman sought to evade capture by going south, before heading north, and using different modes of transportation over water and land.
"Let us break bread together" is a traditional Christian hymn. Its melody is searching, simple, major key, and has simple lyrics.
