Fontainebleau | ||||
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Studio album by | ||||
Released | 1956 | |||
Recorded | March 9, 1956 [1] Van Gelder Studio, Hackensack, New Jersey | |||
Genre | Jazz | |||
Length | 30:58 | |||
Label | Prestige [2] | |||
Tadd Dameron chronology | ||||
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Fontainebleau is a 1956 album by jazz musician Tadd Dameron. [3] [4] The title track, inspired by a trip to the French palace of the same name, is a through-composed composition with no solos, while "Flossie Lou" is a contrafact of "Jeepers Creepers". [5]
Review scores | |
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Source | Rating |
AllMusic | [6] |
MusicHound Jazz | [7] |
The Penguin Guide to Jazz Recordings | [8] |
The Rolling Stone Jazz Record Guide | [9] |
The Virgin Encyclopedia of Jazz | [10] |
In a review for AllMusic, Scott Yanow wrote: "As is usual with most Dameron dates, the emphasis is on his inventive arrangements although there is space... for individual solos. Recommended." [6]
Marc Myers of JazzWax called Fontainebleau "one of the prettiest octet albums of the 1950s," and commented: "The players on the album come together well, as if carefully selected for their tones... For me, the album is as perfect as a panoramic landscape painting... The music is delicate and cohesive, and the solos celebrate the vistas that dazzle the eye." [11]
All tracks composed by Tadd Dameron.
Recorded March 9, 1956, at Van Gelder Studio, Hackensack, New Jersey.
Mating Call is a studio album by jazz musician Tadd Dameron with saxophonist John Coltrane, issued in early 1957 on Prestige Records. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey.
Amsterdam Concert is a rare live Miles Davis recording from 1957. This album was recorded at the Concertgebouw in Amsterdam on December 8, 1957, a couple of days after the recording of the movie soundtrack Ascenseur pour l'échafaud. Davis recorded the album with drummer Kenny Clarke and three French musicians: Pierre Michelot on bass, Rene Urtreger on piano, and Barney Wilen on tenor saxophone.
Clifford Brown and Max Roach at Basin Street is a 1956 album by the Clifford Brown and Max Roach Quintet, the last album the quintet officially recorded. Apart from Sonny Rollins Plus 4, it was the last studio album Brown and pianist Richie Powell recorded before their deaths in June that year. The title is a reference to the Basin Street East jazz club, where the quintet had performed several times.
The Cannonball Adderley Quintet at the Lighthouse is a live album by jazz saxophonist Cannonball Adderley released on the Riverside label featuring a performance by Adderley with Nat Adderley, Victor Feldman, Sam Jones and Louis Hayes.
Dizzy Gillespie at Newport is a 1957 live album by Dizzy Gillespie, featuring his big band, recorded at the 1957 Newport Jazz Festival.
Something Old, Something New is a studio album by Dizzy Gillespie, recorded and released in 1963.
Big Bags is an album by vibraphonist Milt Jackson featuring big band performances arranged by Tadd Dameron and Ernie Wilkins recorded in 1962 and released on the Riverside label.
Jaws in Orbit is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott, recorded in 1959 for the Prestige label.
Bebop Revisited!, is the debut album led by American jazz alto saxophonist Charles McPherson recorded in 1964 and released on the Prestige label.
The Jumpin' Blues is an album by saxophonist Dexter Gordon which was recorded in 1970 and released on the Prestige label.
Bottoms Up is an album by jazz saxophonist Illinois Jacquet which was recorded in 1968 and released on the Prestige label.
Heart is a Melody is a live album led by saxophonist Pharoah Sanders recorded in 1982 and released on the Theresa label.
Tete! is an album by pianist Tete Montoliu's Trio recorded in 1974 and released on the Danish label, SteepleChase.
Lullaby for a Monster is an album led by saxophonist Dexter Gordon, recorded in 1976 and released on the Danish SteepleChase label in 1981.
Please Send Me Someone to Love is an album by American jazz pianist Phineas Newborn Jr. recorded in 1969 and released on the Contemporary label. The album was recorded at the same sessions that produced Harlem Blues.
Phil Woods/Lew Tabackin is an album by saxophonists Phil Woods and Lew Tabackin, recorded in 1980 for the Omnisound label and rereleased on Evidence.
Lee Konitz Nonet is an album by American jazz saxophonist Lee Konitz recorded in 1977 and released on the Chiaroscuro label.
Soul Mates is an album by saxophonists Charlie Rouse and Sahib Shihab which was recorded in 1988 and released on the Uptown label in 1993.
To Tadd with Love is an album by drummer Philly Joe Jones' Dameronia which was recorded and released on the Uptown label in 1982.
Live at the Theatre Boulogne-Billancourt Paris is a live album by Dameronia, a jazz ensemble founded by Don Sickler and Philly Joe Jones that performed the compositions and arrangements of Tadd Dameron. It was recorded on May 30, 1989, roughly four years after Jones's death, in a suburb of Paris, and was released in 1994 by the Soul Note label. The ensemble is conducted by Sickler, who also appears on trumpet, and features saxophonists Clifford Jordan, Cecil Payne, and Frank Wess, trumpeter Virgil Jones, trombonist Benny Powell, pianist Walter Davis Jr., double bassist Larry Ridley, and drummer Kenny Washington.