Fountains of Rome (Italian : Fontane di Roma), P 106, is a tone poem in four movements completed in 1916 by the Italian composer Ottorino Respighi. It is the first of his three tone poems about Rome, preceding Pines of Rome (1924) and Roman Festivals (1928). Each movement depicts a setting at one of Rome's fountains at a different time of the day, specifically the Valle Giulia, Triton, Trevi, and Villa Medici. The premiere was held at the Teatro Augusteo on 11 March 1917, with Antonio Guarnieri conducting the Augusteo Orchestra. Respighi was disheartened at its initial mild reception and put away the score, until the piece was re-evaluated by the public following a February 1918 performance by conductor Arturo Toscanini which brought the composer international fame. [1] The piece was published by Casa Ricordi in 1918. [2]
The work has four movements:
Fountains of Rome calls for the following large orchestra, including piano, celesta, harps, chimes, and organ ad lib.:
It was also transcribed for piano four hands (duet) by the composer. [2]
Arturo Toscanini originally planned to conduct the work in 1916, but the Italian composer refused to appear for the performance after a disagreement over his having included some of Wagner's music on a program played during World War I.[ clarification needed ] Consequently, it did not premiere until March 11, 1917, at the Teatro Augusteo in Rome, with Antonio Guarnieri as conductor. Although the premiere was unsuccessful, Toscanini finally conducted the work in Milan in 1918 with tremendous success. It "was acclaimed [as] one of the loveliest of symphonic writings". [4]
The piece was first performed in the United States on February 13, 1919. Toscanini recorded the music with the NBC Symphony Orchestra in Carnegie Hall in 1951; the high fidelity monaural recording was issued on LP and then digitally remastered for release on CD by RCA Victor. The work has since become one of the most eminent examples of the symphonic poem.[ citation needed ]
The Trevi Fountain is an 18th-century fountain in the Trevi district in Rome, Italy, designed by Italian architect Nicola Salvi and completed by Giuseppe Pannini in 1762 and several others. Standing 26.3 metres (86 ft) high and 49.15 metres (161.3 ft) wide, it is the largest Baroque fountain in the city and one of the most famous fountains in the world.
Ottorino Respighi was an Italian composer, violinist, teacher, and musicologist and one of the leading Italian composers of the early 20th century. His compositions range over operas, ballets, orchestral suites, choral songs, chamber music, and transcriptions of Italian compositions of the 16th–18th centuries, but his best known and most performed works are his three orchestral tone poems which brought him international fame: Fountains of Rome (1916), Pines of Rome (1924), and Roman Festivals (1928).
Fontana del Tritone is a seventeenth-century fountain in Rome, by the Baroque sculptor Gian Lorenzo Bernini. Commissioned by his patron, Pope Urban VIII, the fountain is located in the Piazza Barberini, near the entrance to the Palazzo Barberini that Bernini helped to design and construct for the Barberini, Urban's family. This fountain should be distinguished from the nearby Fontana dei Tritoni by Carlo Francesco Bizzaccheri in Piazza Bocca della Verità which features two Tritons.
Villa Borghese is a landscape garden in Rome, containing a number of buildings, museums and attractions. It is the third-largest public park in Rome, after the ones of the Villa Doria Pamphili and Villa Ada. The gardens were developed for the Villa Borghese Pinciana, built by the architect Flaminio Ponzio, developing sketches by Scipione Borghese, who used it as a villa suburbana, or party villa, at the edge of Rome, and to house his art collection. The gardens as they are now were remade in the late 19th century.
The Villa Giulia is a villa in Rome, Italy. It is named after Pope Julius III, who had it built in 1551–1553 on what was then the edge of the city. Today it is publicly owned, and houses the Museo Nazionale Etrusco, a collection of Etruscan art and artifacts.
Roman Festivals, P 157 is a tone poem in four movements for orchestra completed in 1928 by the Italian composer Ottorino Respighi. It is the last of his three tone poems about Rome, following Fountains of Rome (1916) and Pines of Rome (1924), which he referred to as a triptych. Each movement depicts a scene of celebration in ancient and contemporary Rome, specifically gladiators battling to the death, the Christian Jubilee, a harvest and hunt festival, and a festival in the Piazza Navona. Musically, the piece is the longest and most demanding of Respighi's Roman trilogy.
Pines of Rome, P 141, is a tone poem in four movements for orchestra completed in 1924 by the Italian composer Ottorino Respighi. It is the second of his three tone poems about Rome, following Fontane di Roma (1916) and preceding Feste Romane (1928). Each movement depicts a setting in the city with pine trees, specifically those in the Villa Borghese gardens, near a catacomb, on the Janiculum Hill, and along the Appian Way. The premiere was held at the Teatro Augusteo in Rome on 14 December 1924, with Bernardino Molinari conducting the Augusteo Orchestra, and the piece was published by Casa Ricordi in 1925.
Victor Alberto de Sabata was an Italian conductor and composer. He is widely recognized as one of the most distinguished operatic conductors of the twentieth century, especially for his Verdi, Puccini and Wagner.
Valle Giulia is a valley area of Rome, immortalised in Fontane di Roma.
The Fountain of Valle Giulia is a fountain in the Valle Giulia area of Rome. It was immortalised in the symphonic poem Fontane di Roma by Ottorino Respighi.
Bernardino Molinari was an Italian conductor.
Barberini–Fontana di Trevi is an underground station on Line A of the Rome Metro, inaugurated in 1980 and situated under Piazza Barberini in Trevi. Originally, the station was simply named Barberini, and the name was extended in 2000.
The Birds is a suite for small orchestra by the Italian composer Ottorino Respighi. Dating from 1928, the work is based on music from the 17th and 18th century and represents an attempt to transcribe birdsong into musical notation, and illustrate bird actions, such as fluttering wings, or scratching feet. The work is in five movements:
Giovanni Battista Falda was an Italian architect, engraver, and artist. He is known for his engravings of both contemporary and antique structures of Rome.
Giovanni Fontana was a late-Mannerist architect, as well as brother of Domenico Fontana, and uncle of architect Carlo Maderno.
Belfagor is an Italian-language opera by the composer Ottorino Respighi to a libretto by Claudio Guastalla (1880–1948) based on the comedy Belfagor of Ercole Luigi Morselli (1882–1921), itself loosely based on the novella Belfagor arcidiavolo by Niccolò Machiavelli. It was premiered in 1923 at La Scala in Milan, under the baton of Antonio Guarnieri, since Toscanini was unavailable. The cast featured Irish soprano Margaret Burke Sheridan as Candida, baritone Mariano Stabile as her lover Baldo, and tenor Francesco Merli as the titular Belfagor, an arcidiavolo (Archdemon) who tries to marry a human maiden while in disguise as a nobleman, using gifts of money to her father.
Overture Respighiana is an overture composed by Salvatore Di Vittorio in 2008, as an homage to Ottorino Respighi, one year after completing Respighi's rediscovered first Violin Concerto in A Major.
La bella dormente nel bosco is an opera in three acts by Ottorino Respighi to a libretto by Gian Bistolfi based on Charles Perrault's fairy tale "Sleeping Beauty".
Bonaventura Somma was an Italian Romantic composer, conductor and organist.