Frances E. Anderson is an art therapist. She is a recipient of the Fulbright Senior Scholar Award. [1]
Frances E. Anderson's father was a preacher. She attended a prep school in her childhood. She stated in the book Architects of art therapy: Memoirs and life stories that her sole friend from childhood died in her eighth-grade year. [2] She went on to study art therapy at college.
Anderson began her educational career at Agnes Scott College, a women's college, where she started out as an English major. She decided to change her major to art during her sophomore year. [2] Watercolor, clay, and photography were her preferred media. [3]
During this time, she also took several psychology courses. [2] Upon doing research for one of her psychology papers, she discovered the Bulletin of Art Therapy, which led her to pursue a career in art therapy. In 1964, she transferred to Indiana University Bloomington where she simultaneously earned her master's degree and teaching certificate less than a year after graduating with her bachelor's degree. [2]
After completing her undergraduate degree, Anderson began work as a teacher in a small schoolhouse for children with disabilities in Southern Indiana. [2] This led to her interest in working with children with disabilities. [2] In 1968 she returned to Indiana University Bloomington in 1968 to earn her doctorate in art education. [2] Her doctoral research primarily focused on the use of art in mental hospitals.
Anderson was later diagnosed with a learning disability. [4] She supplied dozens of adaptations and suggestions for teachers of children with any kind of disability in her text entitled, Art-centered Education and Therapy for Children with Disabilities. [5]
After she graduated, Anderson continued publishing articles. It was then that her research began shifting focus to special populations and traumatized adults and children. She completed a major research study that incorporated a review of all the published research articles involving quantifiable data in art, music, dance, and drama for people with disabilities. Funded by the National Committee on Arts for the Handicapped, the goal of the study was to demonstrate the knowledge and quality of life that the arts bring to a person. [2]
Anderson attended the founding meeting of the American Art Therapy Association (AATA), in Louisville, Kentucky on June 29, 1969, upon graduating with her doctorate degree. [2] When the AATA started the registration process of dividing its membership into regions, Anderson declined the title of research chair and instead became the first Midwest standards chair in 1972. [2] Anderson set the expectations for research, stating that more research needed to be conducted to provide evidence for the effects and benefits of art therapy. [2]
In 1972, Anderson conducted research with Helen Landgarten documenting the interest and need for art therapy in mental health facilities in the Midwest and Southern California. [6] Anderson and Landgarten presented their findings in Columbus, Ohio at the fifth annual AATA Conference, and publications of the results were also included in the Bulletin of Art Therapy and Studies in Art Education. [2]
In 1977, she took part in the seventh annual AATA conference, and sat on a panel titled Art therapy: An exploration of values. [2] Here, she advocated for the immersion of art education. Anderson was able to continue to advocate and provide research for her field by serving on AATA's Education and Program Approval Board (EPAB). [2]
Anderson's research helped aid the creation of a graduate training program at Illinois State University (ISU), in 1989. Anderson became the director of the program and worked to obtain grants that would be used for assistantships and tuition waivers. She assisted in the expansion of the program by seeking funding to support more art therapy educators, and by continuing research. [2] Anderson recruited recognized doctorate-level art therapists such as Marcia Rosal, Doris Arrington, and Valeria Appleton among others, to teach weekend courses at ISU. [2]
Anderson began volunteering in the lab school at ISU, where she worked as part of a treatment team for children with auditory, visual, physical, mental and emotional disabilities. She learned methods for working with children from her mentor, Larry Barnfield. [2] Anderson also later assisted in the establishment of the art therapy graduate program at Florida State University. [7]
Anderson wrote her first book: Art for All the Children: A Creative Sourcebook for the Impaired Child. In 1988, Anderson revised her first book and published Art for All the Children: Approaches to Art Therapy for Children with Disabilities. [2]
In Anderson's third book, she wrote an additional chapter on “developing a sense of self through art” [8]
When AATA established its first journal in 1982, Anderson became a member of the journal's committee. In 2000, Anderson became the editor for the journal. While working as editor, she was battling breast cancer, in which she survived. [2]
Alongside Sandra Packard, she published an article titled "A Shared Identity Crisis: Art Education and Art Therapy?" that detailed the similarities and overlapping qualities of art therapy and art education. [2]
At one point during her career, Anderson was approached by a former student and asked to work with a group of female survivors of childhood sexual abuse; a project that ended up being eight years of clinical work. [2] Anderson had previously been affected by sexual harassment in the workplace. [2]
While working with these groups of women, Anderson developed what she called "People Pots". [2] With her first clay group, one of the directives (or art exercises) was to create a clay sculpture of a pet or animal. Anderson reflected on the experience as facing "the evils" and also adding the spiritual aspects to the process helped empower the women. [2] As these groups were part of a grant project, Anderson documented the outcome with a journal article, four conference presentations, a monograph, and a video entitled Courage! Together We Heal. [2]
In April 2001, Anderson was recognized as the first art therapist to ever receive the Fulbright Senior Scholar Award (FSSA). [2] In 2002, Anderson resigned as editor of the AATA journal, and retired from her post at ISU so that she could travel to teach a research course for four months in Buenos Aires. [2] Here, she also collected data to add to her artistic development scale. [2] In 2005, Anderson became the second art therapist to win the Fulbright Specialist Grant, which allowed her to travel to Taiwan, Thailand, and Pakistan, and eventually play a role in establishing the first Taiwan art therapy program. [7]
Florida State University offers the Frances E. Anderson Scholarship which offers financial support to art therapy graduate students. [9]
Anderson is active in CHART and AATA.
Music therapy, an allied health profession, "is the clinical and evidence-based use of music interventions to accomplish individualized goals within a therapeutic relationship by a credentialed professional who has completed an approved music therapy program." It is also a vocation, involving a deep commitment to music and the desire to use it as a medium to help others. Although music therapy has only been established as a profession relatively recently, the connection between music and therapy is not new. In addition there are several researches of sound healing on different patients with positive outcome.
Dance/movement therapy (DMT) in USA and Australia or dance movement psychotherapy (DMP) in the UK is the psychotherapeutic use of movement and dance to support intellectual, emotional, and motor functions of the body. As a modality of the creative arts therapies, DMT looks at the correlation between movement and emotion.
Art therapy is a distinct discipline that incorporates creative methods of expression through visual art media. Art therapy, as a creative arts therapy profession, originated in the fields of art and psychotherapy and may vary in definition. Art therapy encourages creative expression through painting, drawing, or modelling. It may work by providing a person with a safe space to express their feelings and allow them to feel more in control over their life.
Inclusion in education refers to all students being able to access and gain equal opportunities to education and learning. It arose in the context of special education with an individualized education program or 504 plan, and is built on the notion that it is more effective for students with special needs to have the said mixed experience for them to be more successful in social interactions leading to further success in life. The philosophy behind the implementation of the inclusion model does not prioritize, but still provides for the utilization of special classrooms and special schools for the education of students with disabilities. Inclusive education models are brought into force by educational administrators with the intention of moving away from seclusion models of special education to the fullest extent practical, the idea being that it is to the social benefit of general education students and special education students alike, with the more able students serving as peer models and those less able serving as motivation for general education students to learn empathy.
Harriet Claire Wadeson Ph.D., LCSW, ATR-BC, HLM was a pioneer in the art therapy profession, as well as an accomplished author, researcher, and educator, who established and directed the Art Therapy Graduate Program at the University of Illinois at Chicago and the Art Therapy Certificate Program at Northwestern University where she taught up to her passing. She was the author of 8 books on art therapy and over 70 articles in professional journals. She was an international guest lecturer, and educator who has presented papers, led professional delegations, and conducted workshops in 14 countries throughout Europe and Asia.
The American Art Therapy Association (AATA) is a U.S. not-for-profit 501(c)(3), non-partisan national professional association of approximately 5,000 practicing art therapy professionals, including students, educators, and related practitioners in the field of art therapy based in Alexandria, VA. It establishes criteria for training and licensing of art therapists, maintains job banks, sponsors conferences, and publishes a newsletter and a journal Art Therapy: the journal of the American Art Therapy Association. Founded in 1969, the AATA is one of the world's leading art therapy membership organizations.
Robert Ault (1936–2008) was an art therapist in Kansas, co-founder of American Art Therapy Association, founder of the Master's of Science in Art Therapy program at Emporia State University, and founder of the Kansas Art Therapy Association. He was a recipient of 10th Honorary Life Member of the American Art Therapy Association and the Kansas Outstanding Educator award.
Rawley Silver is an American art therapist, artist, author and educator. She has worked with different populations with her strong belief in using art as a form of language. She has created tests to screen for cognitive and emotional disturbances in children with hearing impairments, stroke patients and individuals with learning disabilities and those with emotional issues such as aggression and depression. Through her work in the field, Silver has contributed over eighty published works, including journal articles, books and other publications, and she has presented at over seventy conferences and universities. A collection of her journal articles is archived with the American Art Therapy Association, The National Museum of Women in the Arts and with the Smithsonian Institution. Two traveling exhibits, held by the Smithsonian Institution, circulated her work with artwork from both children and adults with hearing impairments - "Shout In Silence" - and adult stroke patients - "Art As Language". Silver has been an honorary member of the American Art Therapy Association (AATA) since 1983, and has earned awards for her research in the field in 1976, 1989, 1992 and 1996. Silver is an honorary lifetime member of AATA and has been further honored by AATA creating an award in her name, the Rawley Silver Award for Excellence. This award is given to one student every year that has been accepted into an art therapy program and has at least a 3.5 grade point average. Silver finds passion and appreciation with the use of art in art therapy within her assessments and in her own artwork. She urges that a passion for art does not have to lose its importance while pursuing a career path as an art therapist. Her artwork creations consist of portraits including poetic verses as well as nature related paintings. Some of these were exhibited at the George Washington University Art Therapy Gallery during summer 2014.
Don Jones was an American artist and art therapist, fourth American Art Therapy Association (AATA) President, Honorary Life Member of AATA, and one of five founders of the American Art Therapy Association.
Bruce L. Moon is an American art therapist, educator, artist, and author. He is also a singer/songwriter who has recorded several albums. He is an Honorary Life Member (HLM) of the American Art Therapy Association (AATA), their most prestigious honor in the field of Art Therapy.
Judith A. Rubin is an American art therapist with 50 years of experience. She is best known for her writing and her films on art therapy for differently abled children, as well for her role as the "Art Lady" on the popular television show, Mister Rogers' Neighborhood.
Edith Kramer (1916–2014) was an Austrian social realist painter, a follower of psychoanalytic theory and an art therapy pioneer.
Janie Lee Rhyne was a pioneer in art therapy who used art as expression and communication. She was also a pioneer of Gestalt art therapy, which integrated Gestalt therapy and art therapy. She encouraged clients themselves to interpret and express their feelings and emotions from art works.
Frances Moran Rutherford was an artist, an occupational therapist and educator who was instrumental in gaining recognition for occupational therapy in New Zealand.
Frances Ekstam, a native of Des Moines, Iowa, was founder of the physical therapy program at Indiana University School of Medicine.
Elnora M. Gilfoyle is a retired American occupational therapist, researcher, educator, and university administrator. She worked at several hospitals before accepting a professorship at Colorado State University, later serving as Dean of the College of Applied Human Sciences and Provost/Academic Vice President at that university. She is also a past president of the American Occupational Therapy Association. With research interests in child development, developmental disabilities, and child abuse, she has led studies on the state and federal levels. The co-author of two books and many articles, she was inducted into the Colorado Women's Hall of Fame in 1996.
Helen Landgarten was an American psychotherapist. Alongside Edith Kramer and Judith A. Rubin, she was one of the leading pioneers of art therapy.
Cathy Malchiodi is an American licensed professional mental health counselor, registered expressive arts therapist, and art therapist, best known for her work on trauma-informed treatment in expressive arts therapy.
Frances Fisher Kaplan (1937-2018) was known for her work in the field of art therapy. She was the editor of Art Therapy: Journal of the American Art Therapy Association from 2001 until 2005.
Odelia Fitoussi is an art therapist (M.A.) and advocate of persons with disabilities (PWDs). She is the first person to be elected to serve on behalf of Israel in the UN Committee of Experts on Disability (CRPD). She currently serves as Chairperson of the Advisory Committee to the Commission for Equal Rights of Persons with Disabilities at the Israeli Ministry of Justice (2013-) and is co-director of the Civil Forum for Promoting the Convention on the Rights of Persons with Disabilities (CRPD).