"Freedom Overspill" | ||||
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Single by Steve Winwood | ||||
from the album Back in the High Life | ||||
B-side | "Help Me Angel" | |||
Released | August 1986 | |||
Recorded | Autumn 1985 | |||
Studio | Unique Recording Studio, New York City [1] | |||
Genre | Dance-rock, blue-eyed soul, funk rock | |||
Length | 5:33 (album version) 4:09 (single version) | |||
Label | Island - IS 294 | |||
Songwriter(s) | Steve Winwood, George Fleming, James Hooker | |||
Producer(s) | Russ Titelman | |||
Steve Winwood singles chronology | ||||
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Review scores | |
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Source | Rating |
Number One | [2] |
"Freedom Overspill" is a 1986 song by Steve Winwood that reached number 20 on the Billboard Hot 100 pop chart. [3] It was the second single released from his fourth solo album, Back in the High Life . It was produced by Russ Titelman and Winwood. James Hooker, Winwood's touring keyboard player and a former member of the Amazing Rhythm Aces, was credited with co-writing the song with Winwood and George Fleming. [1]
It appeared in the 1987 Ridley Scott film Someone to Watch Over Me , as well as the 1987 film Big Shots .
7": Island / IS 294 United Kingdom
7": Island / 7-28595 United States
12": Island / 12 IS 294 United Kingdom
12": Island / 0-20537 United States
Chart (1986) | Peak position |
---|---|
UK Singles (OCC) [4] | 69 |
US Billboard Hot 100 [5] | 20 |
Junction Seven is the seventh solo studio album by English musician and songwriter Steve Winwood, released in June 1997. The album broke the Top 40 in the UK but did not sell well in the US, and Winwood took a six-year break from making solo albums. This album was co-produced with Narada Michael Walden, while Winwood's wife Eugenia co-wrote several songs. Des'ree provided vocals on 'Plenty Lovin'.
Back in the High Life is the fourth solo album by English singer, songwriter, and multi-instrumentalist Steve Winwood, released on 30 June 1986. The album proved to be Winwood's biggest success to that date, certified Gold in the UK and 3× Platinum in the US, and it reached the top twenty in most Western countries. It collected three Grammy Awards and generated five hit singles, starting with "Higher Love", which became Winwood's first Billboard Hot 100 number-one chart topper, coming 20 years after he first entered that chart with "Keep on Running" by the Spencer Davis Group. Other global hit singles from the album were "Freedom Overspill", "Back in the High Life Again" and "The Finer Things". The single "Split Decision", with ex-Eagles guitarist Joe Walsh, was a US hit.
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Here's to Future Days is the fifth studio album by the British pop group Thompson Twins, released on 20 September 1985 by Arista Records. It was the third and final release for the band as a trio, which was their most successful and recognisable line-up. It peaked at No. 5 on the UK Albums Chart and No. 20 on the US Billboard 200.
Far from Home is the eighth and final studio album by the rock band Traffic. The project began as a revival of the writing collaboration between Steve Winwood and Jim Capaldi, but soon blossomed into the first Traffic project since 1974.
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The solo discography of Steve Winwood, a British rock artist, consists of nine studio albums, two live albums, nine compilation albums, and twenty-nine singles. After performing in the bands the Spencer Davis Group, Traffic, Blind Faith, Ginger Baker's Air Force and Go, he launched a solo career in 1977.
"The Finer Things" is a 1987 song written and performed by Steve Winwood. It was released as the fourth single from Winwood's 1986 album Back in the High Life. It went to number one for three weeks on the Adult Contemporary chart in 1987 and peaked at number eight on the Billboard Hot 100.
"Back in the High Life Again" is a song with music by English artist Steve Winwood and lyrics by American songwriter Will Jennings. It was performed by Winwood, and included backing vocals by James Taylor and a prominent mandolin played by Winwood. The song was released in January 1987 as the fifth single from his fourth studio album Back in the High Life. The song was Winwood's second number-one single on the US Adult Contemporary chart, where it stayed for three weeks. It also reached number 13 on the US Billboard Hot 100. It was nominated for the Grammy Award for Record of the Year in 1988.
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