"While You See a Chance" | ||||
---|---|---|---|---|
Single by Steve Winwood | ||||
from the album Arc of a Diver | ||||
B-side | "Vacant Chair" | |||
Released | 1 February 1981 [1] | |||
Recorded | 1980 | |||
Genre | ||||
Length | 5:15 (album) 3:55 (single) | |||
Label | Island | |||
Songwriter(s) | ||||
Producer(s) | Steve Winwood | |||
Steve Winwood singles chronology | ||||
|
"While You See a Chance" is a song performed by Steve Winwood in 1980, [6] written by Winwood and Will Jennings. [7] It was released on his album Arc of a Diver [7] and peaked at number 7 on the Billboard Hot 100 in April 1981 [6] and number 68 on the Billboard Top 100 for 1981. [8]
The song was a bigger hit in Canada, where it peaked at number 3. [9] It reached number 45 in the UK.
The song's well-known introduction primarily features the organ – apparently, the other instrumentation was accidentally erased. [10]
Chart (1981) | Peak position |
---|---|
Australia (Kent Music Report) | 16 |
Belgium (Ultratop 50 Flanders) [11] | 8 |
Canada Top Singles ( RPM ) [9] | 3 |
Netherlands (Dutch Top 40) [12] | 10 |
Netherlands (Single Top 100) [13] | 21 |
New Zealand (Recorded Music NZ) [14] | 28 |
UK Singles (OCC) [15] | 45 |
US Billboard Hot 100 [16] | 7 |
US Adult Contemporary ( Billboard ) [17] | 17 |
US Mainstream Rock ( Billboard ) [18] | 2 |
US Cash Box Top 100 [19] | 10 |
Chart (1981) | Position |
---|---|
Canada Top Singles (RPM) [20] | 23 |
Netherlands (Dutch Top 40) [21] | 96 |
US Billboard Hot 100 [22] | 68 |
US Cash Box [23] | 72 |
"Reflections" is a 1967 song recorded by American soul music group The Supremes for the Motown label. The single release was the first Supremes record credited to "Diana Ross and the Supremes", and the song was one of the last Motown hits to be written and produced by Holland–Dozier–Holland before they left the label.
"Afternoon Delight" is a song recorded by Starland Vocal Band. It was written by band member Bill Danoff. In the US, it became a #1 single on July 10, 1976, and earned a gold record.
"Love Is Here and Now You're Gone" is a 1967 song recorded by the Supremes for the Motown label.
Arc of a Diver is the second solo studio album by singer/multi-instrumentalist Steve Winwood. Released in 1980, Winwood played all of the instruments on the album.
"Valerie" is a song written by English musician and songwriter Steve Winwood and Will Jennings, and originally recorded by Winwood for his third solo album, Talking Back to the Night (1982).
"Got a Hold on Me" is a song by Christine McVie, released as the lead single from her eponymous second solo album in 1984.
"Baby, Come to Me", a love ballad from Patti Austin's 1981 album Every Home Should Have One, was her duet with James Ingram. It was written by Rod Temperton. The song was released as a single in April 1982, initially peaking at No. 73 on the US Billboard Hot 100. Several months later, American soap opera General Hospital began to feature the song heavily as the love theme for character Luke Spencer. It was re-released in October of that same year and reached No. 1 on the US chart in February 1983.
"Tired of Toein' the Line" is a song by Rocky Burnette, who co-wrote it with Ron Coleman, former bass player of the Brothers Grim and the Everly Brothers.
"When I Need You" is a popular song written by Albert Hammond and Carole Bayer Sager. Its first appearance was as the title track of Hammond's 1976 album When I Need You. Leo Sayer's version, produced by Richard Perry, was a massive hit worldwide, reaching number 1 on the UK Singles Chart for three weeks in February 1977 after three of his earlier singles had stalled at number 2. It also reached number 1 on both the Billboard Hot 100 for a single week in May 1977; and the Hot Adult Contemporary Tracks. Billboard ranked it as the No. 24 song of 1977. Sayer performed it on the second show of the third season of The Muppet Show.
"More Love" is a 1967 hit single recorded by the American soul group The Miracles for Motown Records' Tamla label. The single, included on the group's 1967 album Make It Happen, later reissued in 1970 as The Tears of a Clown. Kim Carnes's 1980 cover of the song reached the Top 10 of Billboard's Adult Contemporary and Hot 100 charts.
Chronicles is the first compilation album by Steve Winwood as a solo artist. The album contains some of his major hits up to this point and new remixes produced by Tom Lord-Alge, who had helped commercialize Winwood's sound on his previous album, Back in the High Life. One track, "Valerie", was originally released as a single for Winwood's 1982 album, Talking Back to the Night. Despite the original single being a commercial flop, the remix of the song included in this album peaked at No. 9 on the US charts and No. 19 in the UK. The album peaked at No. 26 on the Billboard 200 album chart and No. 12 in the UK.
"Blue Eyes" is a song performed by English musician Elton John with music and lyrics written by John and Gary Osborne. It was released in 1982, as the UK lead single from John's 16th studio album, Jump Up! (1982). It was released as the album's second single in the US. It hit No. 8 in the UK; in the US, it spent three weeks at No. 10 on the Cash Box chart, went to No. 12 on the Billboard Hot 100, and spent two weeks at No. 1 on the Billboard AC chart. John performed this song often in his concerts until 2012.
"This Is It" is a song by American musician Kenny Loggins. It was released in 1979 as the lead single from his 1979 album Keep the Fire. It reached number 11 on the Billboard Hot 100 and number 17 on the Adult Contemporary chart. "This Is It" was also successful on the Hot Soul Singles chart, reaching number 19; it was one of two entries on this chart.
"Lonely Night (Angel Face)" is a song written by Neil Sedaka. The song was first recorded by Sedaka and appeared as a track on his 1975 studio album, The Hungry Years. The following year the song was made popular when covered by the pop music duo Captain & Tennille, who took their version to number 3 on the Billboard Hot 100.
"Always and Forever" is an R&B song written by Rod Temperton and produced by Barry Blue. It was first recorded by the British-based multinational funk-disco band Heatwave in 1976. Released as a single on December 3, 1977, the song is included on Heatwave's debut album Too Hot to Handle (1976) and has been covered by numerous artists, becoming something of a standard.
The solo discography of Steve Winwood, a British rock artist, consists of nine studio albums, two live albums, nine compilation albums, and twenty-nine singles. After performing in the bands the Spencer Davis Group, Traffic, Blind Faith, Ginger Baker's Air Force and Go, he launched a solo career in 1977.
"Mama Can't Buy You Love" is a hit single for English musician Elton John from the EP The Thom Bell Sessions. The song was written by LeRoy Bell and Casey James. Bowing at number 69 on the Hot 100 on 9 June 1979, the track became John's first US top ten hit in almost three years when it peaked at number 9 on 25 August 1979. "Mama Can't Buy You Love" also spent one week at number 1 on the Adult Contemporary chart. In the US, it was certified gold on 17 August 1979 by the RIAA.
"Back in the High Life Again" is a song with music by English artist Steve Winwood and lyrics by American songwriter Will Jennings. It was performed by Winwood, and included backing vocals by James Taylor and a prominent mandolin played by Winwood. The song was released in January 1987 as the fifth single from his fourth studio album Back in the High Life. The song was Winwood's second number-one single on the US Adult Contemporary chart, where it stayed for three weeks. It also reached number 13 on the US Billboard Hot 100. It was nominated for the Grammy Award for Record of the Year in 1988.
"Bad Time" is a song written by Mark Farner and performed by Grand Funk. It reached number 4 on the Billboard Hot 100 in June 1975 and appeared on the band's 1974 album, All the Girls in the World Beware!!!
"How Much Love" is a popular song from 1977 by the British singer Leo Sayer. It was the third of three single releases from Sayer's 1976 album, Endless Flight. The song was co-written by Sayer with Barry Mann.