Frik

Last updated • 3 min readFrom Wikipedia, The Free Encyclopedia
Statue of Frik at Matenadaran 2014 Erywan, Matenadaran (09).jpg
Statue of Frik at Matenadaran

Frik (Armenian : Ֆրիկ) was an Armenian poet of the 13th and 14th centuries. He wrote on both secular and religious topics, and many of his poems are characterized by social criticism. He was the first Armenian poet to compose almost all of his works in the vernacular language (Middle Armenian).

Contents

Biography

Frik lived approximately from 1230 to 1310, during the time of Mongol rule over Armenia. Very little is known about his life. It is not known whether his name was really Frik or not. It may be a pseudonym or an abbreviated form of his original name, [1] possibly a shortening of the name Frederik. His father's name was Tagvorshah. [2] The scholar Hakob Zhamkochian considers it likely that Frik was from Western Armenia due to the similarity of his Armenian to the literary language of Cilician Armenia. [1] Based on information and allusions in his poetry, it is believed that Frik was an educated and once wealthy man who was plagued by debts and misfortunes, perhaps due to an unsuccessful business endeavor. Frik's son was kidnapped by Mongols, and he traveled the kingdom searching for his son (alternatively, he was forced to give up his son as security for a debt). [1] [3] Scholars disagree on whether Frik was a layman or a member of the clergy. He spent the last years of his life in a monastery, although it is not known for certain if he became a monk. [1]

Poetry

More than 50 of Frik's poems have survived. [1] He apparently collected them in one book, which was called Frik Girk’ (The Book of Frik). [2] [4] Frik wrote his secular poems in colloquial language, while his religious and other works are written in literary Middle Armenian sprinkled with vernacular and foreign words. [1] He was the first Armenian poet whose works are almost all in Middle Armenian. His writing shows that he had a knowledge of the Bible and other religious texts. It also displays the influence of the famed religious poet Nerses the Gracious. In turn, he is said to have had a great influence on the works of later Armenian poets such as Hovhannes Tlkurantsi, Mkrtich Naghash, and Grigoris Aghtamartsi. Frik's poems were meant to be sung, and some of them are preserved with notes that indicate to which tune they should be sung. His poems were sung by Armenian bards over the course of the medieval period. [2]

Many of Frik's poems contain criticisms of Mongol rule, the wealthy, the clergy, social inequality, injustice, and human vices, sometimes in a satirical manner. [1] [5] A greater number of his poems, however, are on religious and moral topics; Norair Bogharian compares these to sermons. [2] Two of his well-known poems are "Complaint to Christ" ("Gangat") and "Against Fate" ("Ënddem falak’in"). Both express doubts regarding religious faith and questioned the values of those who called themselves Christians and did not act through with their words or beliefs. [5] Frik was a devoted Christian, but his poems contemplate fate and question how a just God could allow so much injustice and misery to exist in the world. [1] [6] As Peter Cowe notes, Soviet scholars regarded the poems "Complaint to Christ" and "Against Fate" as expressing a "novel iconoclastic attitude towards organized religion," but, in reality, this type of poem has a long history in the Judeo-Christian tradition. [5]

Frik remained popular until the 16th century, and interest in him was revived in the second half of the 19th century. The first (incomplete) collection of Frik's poems was published in 1930. [1]

Related Research Articles

The history of literature is the historical development of writings in prose or poetry that attempt to provide entertainment or education to the reader, as well as the development of the literary techniques used in the communication of these pieces. Not all writings constitute literature. Some recorded materials, such as compilations of data are not considered literature, and this article relates only to the evolution of the works defined above.

<span class="mw-page-title-main">Gregory of Narek</span> Armenian monk and mystical poet (c. 950 – 1003/1011)

Grigor Narekatsi was an Armenian mystical and lyrical poet, monk, and theologian. He is venerated as a saint in the Armenian Apostolic and Catholic Churches and was declared a Doctor of the Church by Pope Francis in 2015.

<span class="mw-page-title-main">Alexander Shirvanzade</span>

Alexander Minasi Movsisian, better known by his pen name Alexander Shirvanzadeh was an Armenian playwright and novelist. He was one of the main representatives of the realist movement in Armenian literature.

<span class="mw-page-title-main">Kirakos Gandzaketsi</span> 13th-century Armenian historian

Kirakos Gandzaketsi was an Armenian historian of the 13th century and author of the History of Armenia, a summary of events from the 4th to the 12th century and a detailed description of the events of his own days. The work concentrates primarily on the history of Medieval Armenia and events occurring in the Caucasus and Near East. The work serves as a primary source for the study of the Mongol invasions and even contains the first recorded word list of the Mongolian language. The work has been translated into several languages including Latin, French and Russian.

<span class="mw-page-title-main">Khosrovidukht</span> 8th-century Armenian hymnographer and poet

Khosrovidukht was an Armenian hymnographer and poet who lived during the early 8th century. After her slightly earlier contemporary Sahakdukht, she is the first known woman of Armenian literature and music, and among the earliest woman composers in the history of music.

<span class="mw-page-title-main">Sahakdukht</span> 8th-century Armenian hymnographer, poet and pedagogue

Sahakdukht was an Armenian hymnographer, poet and pedagogue who lived during the early 8th century. She is the first known woman of Armenian literature and music. Along with her slightly later contemporary Khosrovidukht, she is among the earliest woman composers in history.

The history of Gujarati literature may be traced to 1000 AD, and this literature has flourished since then to the present. It is unique in having almost no patronage from a ruling dynasty, other than its composers.

<span class="mw-page-title-main">Ghevont Alishan</span>

Ghevont Alishan was an Armenian Catholic priest, historian, educator and poet. He was a prolific author throughout his long career and gained recognition from Armenians and European academic circles for his contributions to Armenian literature and scholarship.

<span class="mw-page-title-main">Eznik of Kolb</span> Fifth-century Armenian Christian writer

Eznik of Kolb was an Armenian Christian writer of the 5th century. He was one of the students of Mesrop Mashtots, the inventor of the Armenian alphabet. His only surviving work is an untitled treatise which refutes various religious and philosophical ideas. Scholars refer to this work as Refutation of the Sects or On God. Travelling to Edessa and Constantinople, Eznik participated in the translation of the Bible and other Christian literature from Greek and Syriac into Armenian. He is believed to be identical with a bishop of Bagrevand named Eznik.

<span class="mw-page-title-main">Manuk Abeghyan</span> Armenian academic

Manuk Khachaturi Abeghyan was an Armenian philologist, literary scholar, folklorist, lexicographer and linguist. He authored numerous scholarly works, including a comprehensive two-volume history of old Armenian literature titled Hayots’ hin grakanut’yan patmut’yun (1944–1946), and a volume on Armenian folklore, the German version of which is titled Der armenische Volksglaube. He worked extensively on the compilation and study of the Armenian national epic Daredevils of Sassoun. He is also remembered as the main designer of the reformed Armenian orthography used in Armenia to this day. He was one of the first professors of Yerevan State University and was a founding member of the Armenian National Academy of Sciences. The Institute of Literature of the National Academy of Sciences of Armenia is named in his honor.

<span class="mw-page-title-main">Aristakes Lastivertsi</span>

Aristakes Lastivertsi was a medieval Armenian historian and chronicler. The author of many works, Aristakes's most valuable contribution in the field of the historiography was his History About the Sufferings Occasioned by Foreign Peoples Living Around Us, which describes Bagratid Armenia's relations with the Byzantine Empire and Georgia and the devastating Seljuk invasions of the 11th century and the torture of Christians by the Seljuks.

<span class="mw-page-title-main">Bedros Tourian</span> 19th-century Ottoman Armenian poet

Bedros Tourian was an Armenian poet, playwright and actor. His career was cut short when he died of tuberculosis at the age of twenty, but he gained lasting renown for his highly personal and innovative lyric poetry.

<span class="mw-page-title-main">Raphael Patkanian</span> Armenian poet

Raphael Patkanian, also known by the penname Gamar Katipa, was a nineteenth-century Russian Armenian writer and educator. He was born into a noted family of Armenian intellectuals in Nakhichevan-on-Don and began writing in his student years. He gained popularity for his poetry, much of which is written on patriotic themes.

<span class="mw-page-title-main">Derenik Demirchian</span> Armenian writer

Derenik Karapeti Demirchian was a Soviet and Armenian writer, novelist, poet, translator and playwright. He began his career as a poet, but later transitioned into prose writing. He was a prolific writer whose works deal with a wide variety of subjects. He is perhaps best known for his historical novel Vardanank (1943), which is a dramatization of the 5th-century Armenian rebellion led by Vardan Mamikonian.

Paghtasar Dpir, or Baghdasar Tbir, was an Armenian poet, musician, scientist, printer, and a luminary of national and educational movements. He is considered a leading figure during the revitalization period of Armenian culture.

<span class="mw-page-title-main">Hovhannes Imastaser</span>

Hovhannes Imastaser, also known as Hovhannes Sarkavag, was a medieval Armenian multi-disciplinary scholar known for his works on philosophy, theology, mathematics, cosmology, and literature. He was also a gifted hymnologist and pedagogue.

<span class="mw-page-title-main">Poetry of Scotland</span> Poetry written within the boundaries of modern Scotland

Poetry of Scotland includes all forms of verse written in Brythonic, Latin, Scottish Gaelic, Scots, French, English and Esperanto and any language in which poetry has been written within the boundaries of modern Scotland, or by Scottish people.

<span class="mw-page-title-main">Artem Harutyunyan</span> Armenian writer (born 1945)

Artem Harutyunyan is an Armenian writer, translator, critic, Doctor of Philology, Professor, member of Writers Union of Armenia,

<span class="mw-page-title-main">Hovhannes Hovhannisyan</span> Armenian poet and translator (1864–1929)

Hovhannes Hovhannisyan was an Armenian poet, translator and educator. While he was not very prolific, his melancholic poetry has been praised for its lyrical quality and form and was influential for subsequent Armenian poets.

<span class="mw-page-title-main">Ancient Armenian poetry</span>

Alongside old Armenian historiography and translated literature, poetry constituted a significant part of Armenian literature from the 5th to the 18th centuries. The rich tradition of oral literature preceded written poetry.

References

  1. 1 2 3 4 5 6 7 8 9 Hacikyan, Agop Jack; Basmajian, Gabriel; Franchuk, Edward S.; Ouzounian, Nourhan (2000). The Heritage of Armenian Literature, Volume II: From the Sixth to the Eighteenth Century. Detroit: Wayne State University Press. pp. 524–33. ISBN   9780814330234.
  2. 1 2 3 4 Stone, Michael; Pōłarean, Norayr (October 2023). "Two Mediaeval Armenian Poems by Frik and Aṙak'el Bałišec'i: Translations and Comments" (PDF). Armeniaca. 2: 80–81. eISSN   2974-6051.
  3. Pivazyan, E. "Frik". Haykakan sovetakan hanragitaran [Armenian Soviet Encyclopedia] (in Armenian). Vol. 12. pp.  735-736.
  4. Cowe, S. Peter (1 January 1995). "Models for the Interpretation of Medieval Armenian Poetry" . New Approaches to Medieval Armenian Language and Literature. Brill. pp. 31–32. doi:10.1163/9789004455139_004. ISBN   978-90-04-45513-9.
  5. 1 2 3 Cowe, Peter (1997). "Medieval Armenian Literary and Cultural Trends" . In Hovannisian, Richard G. (ed.). The Armenian People from Ancient to Modern Times, Volume I: The Dynastic Periods: From Antiquity to the Fourteenth Century. New York: St. Martin's Press. pp.  317–18. ISBN   0-312-10169-4.
  6. Arnavoudian, Eddie (23 March 2009). "A Taste of Medieval Armenian Poetry". Armenian News Network/Groong. Archived from the original on 25 February 2022. Retrieved 26 April 2012.

Further reading

In English

In Armenian