"Legal Man" is the debut single of Scottish indie pop band Belle and Sebastian. The track features Isobel Campbell, Sarah Martin, and Rozanne Suarez on vocals and Snow Patrol drummer Jonny Quinn on congas. The cover artwork—designed by Andrew Symington—features band members Stevie Jackson and Campbell along with Adrienne Payne and Suarez. Two B-sides were released with the single: "Judy Is a Dick Slap", an instrumental, and "Winter Wooskie", which was the last time bass player Stuart David sang lead vocals before departing the band in 2000.
"Jonathan David" is a song by Scottish indie pop band Belle and Sebastian. The song gets its name from the biblical duo of Jonathan and David, while B-side "The Loneliness of a Middle Distance Runner" is a reference to Alan Sillitoe's short story "The Loneliness of the Long Distance Runner." The front cover features band members Mick Cooke and Bobby Kildea with Gill Dodds. All three tracks from the single were later collected on the Push Barman to Open Old Wounds compilation. The title track was the band's first single to feature lead vocals from guitarist Stevie Jackson.
"Can't Stand Me Now" is the first single from English rock band the Libertines' self-titled second album. The song was their biggest hit, and peaking at number two on the UK Singles Chart and number 28 on the Irish Singles Chart. In the United Kingdom, it is their second highest-selling single after "Don't Look Back into the Sun".
"Move Your Feet" is a song by Danish pop duo Junior Senior from their debut studio album, D-D-Don't Don't Stop the Beat (2002). The song, originally released in June 2002 in the duo's native Denmark, was issued worldwide in 2003 and became Junior Senior's biggest hit, reaching No. 4 in Denmark, No. 3 in the United Kingdom, and No. 20 in Australia. A music video for the song, directed by British art collective Shynola, was created using low-resolution pixel art.
"I'm a Cuckoo" is the second single from Scottish indie pop band Belle & Sebastian's sixth studio album, Dear Catastrophe Waitress (2003). Produced by Trevor Horn, the track was released as a single on 16 February 2004. B-side "Stop, Look and Listen" merges into "Passion Fruit" at the end of a song—an instrumental piece which was performed live prior to its release. The front cover features Shantha Roberts.
"The Blues Are Still Blue" is the second single from Scottish indie pop band Belle & Sebastian's seventh studio album, The Life Pursuit (2006). The track was released on 3 April 2006 on Rough Trade Records and was produced by Tony Hoffer. The single reached number 25 on the UK Singles Chart, becoming the band's last top 40 hit to date. The song is their only top-50 hit in Australia, where it peaked at number 43 in June 2006 as an extended play.
"Sewn" is the first properly released single of British rock group the Feeling, following the 7-inch only single "Fill My Little World". It was released in the UK on 27 February 2006 and entered the UK Singles Chart at No. 7 on 5 March 2006. "Sewn" gained the band a lot of support and went on to become one of the most successful songs of the year on British radio, with Chris Moyles of BBC Radio 1 championing the band.
"Crash" is a song by English indie pop band the Primitives, written by band members Paul Court, Steve Dullaghan, and Tracy Cattell. The song was first recorded for the band's 1988 debut album, Lovely. "Crash" was released as a single in February 1988, peaking at number five on UK Singles Chart, number three on the US Modern Rock Tracks chart, and number two on the Swedish Singles Chart.
"Fill My Little World" is a song by English rock band the Feeling, originally released in the UK on 7 November 2005 as their debut single but was unable to chart due to chart rules. The following year, it was re-released as a digital single in the UK, entering the UK Singles Chart at number 28 on 21 May 2006 based on download sales alone. The following week, it climbed to number 10 after a physical single became available on 22 May.
"Goodnight Girl" is the third single from Scottish band Wet Wet Wet's fourth studio album, High on the Happy Side (1992). It was released on 23 December 1991 and was the second of the band's three UK number-one singles, but the only one to be self-penned. Writer Graeme Clark was inspired to write the song for his then girlfriend, but has never publicly named her.
"Jenny Don't Be Hasty" is a song by Scottish singer-songwriter Paolo Nutini, written with Jimmy Hogarth and produced by Ken Nelson. The song was released as Nutini's second single on 25 September 2006 from his debut album, These Streets (2006).
"Same Jeans" is the third single by Dundee band the View, appearing on their debut album, Hats Off to the Buskers (2007). It was Radio 1's Jo Whiley's record of the week commencing 27 November 2006 and was released on 15 January 2007. It followed the singles "Wasted Little DJs" and "Superstar Tradesman" and was the third and final release before the album on 22 January 2007.
"She Sells Sanctuary" is a song by British rock band the Cult. It is from their second studio album, Love (1985), and was released as a single on 13 May 1985, peaking at number 15 on the UK Singles Chart in July of the same year. In July 2020, the British Phonographic Industry (BPI) awarded the song a gold certification for sales and streams of over 400,000. In January 1993, the song was re-released as "Sanctuary MCMXCIII" and experienced chart success once more, matching its original peak on the UK Singles Chart and entering the top 10 in New Zealand.
"Cut Some Rug" / "Castle Rock" is a double A-side single by English indie rock band the Bluetones, released as the third single from their 1996 debut album, Expecting to Fly. The single reached number seven on the UK Singles Chart. Both tracks were included on the band's 2006 compilation, A Rough Outline: The Singles & B-Sides 95 – 03.
"Marblehead Johnson" is a song by English indie rock band the Bluetones, released as a standalone single in 1996. It peaked at number seven on the UK Singles Chart in late September 1996. It was also included on the band's 2006 compilation, A Rough Outline: The Singles & B-Sides 95 – 03. The song was written as a tribute to Bill Hicks.
"Ghetto Musick" and "Prototype" are two songs by American hip-hop duo OutKast, released as the fourth and final single from their fifth studio album, Speakerboxxx/The Love Below (2003). "Ghetto Musick" is on Disc 1 (Speakerboxxx) and "Prototype" is on Disc 2 (The Love Below). "Ghetto Musick" was released as a CD single in the United Kingdom on September 22, 2003, and "Prototype" was serviced to US radio in September 2004. The double A-side version was issued in Australia in November 2004, and "Ghetto Musick" was added to US radio during the same month.
"The Ballad of Tom Jones" is a song by English band Space and Cerys Matthews, lead singer of Welsh band Catatonia. Lead singer Tommy Scott described Tom Jones as 'brilliant'. The song became a highly successful radio single, and resulted in Space performing with Jones in Jools Holland's' New Year's Eve television programme.
"I Know What I'm Here For" is a song by British rock band James. It was the first single released from their eighth studio album, Millionaires, and reached number 22 on the UK Singles Chart.
"Little Black Book" is the fourth and final single from American singer Belinda Carlisle's fourth studio album, Live Your Life Be Free (1991). Released on August 17, 1992, it was Carlisle's first single containing a co-writing credit from her. American singer-songwriter Sheryl Crow performs the background vocals under the name "Cherryl Crowe". One of the single's B-side, "The Air You Breathe", was originally performed by Stéphanie in 1991 under the title "You Don't Die from Love".
"Pain Killer" (also titled "Pain Killer (Summer Rain)") is a song written by Olly Knights and Gale Paridjanian, produced by Tony Hoffer, and recorded by British band Turin Brakes. It was included on Turin Brakes' second album, Ether Song (2003), and was released as the second single from the album in February 2003. The song debuted at its peak of number five on the UK Singles Chart, at which point the single's formats were deleted. Outside the United Kingdom, the song charted in Italy and the Netherlands at numbers 50 and 64, respectively.
