Push Barman to Open Old Wounds | ||||
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Compilation album by | ||||
Released | 24 May 2005 | |||
Recorded | 1995-2001 | |||
Genre | Indie pop | |||
Length | 107:10 | |||
Label | Jeepster | |||
Producer | Belle and Sebastian and Tony Doogan except where noted | |||
Belle and Sebastian chronology | ||||
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Push Barman to Open Old Wounds is a 2005 two-disc/triple-LP compilation released by Belle and Sebastian. Blender Magazine described the collection as "25 charming tales of shy girls dabbling in photography and bookish boys dabbling in shy girls." [ citation needed ]
The compilation contains the singles and EPs they released for Jeepster Records:
The track listing features every song on the aforementioned EPs, listed in chronological order.
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 89/100 [1] |
Review scores | |
Source | Rating |
AllMusic | [2] |
Entertainment Weekly | A− [3] |
The Irish Times | [4] |
Mojo | [5] |
NME | 8/10 [6] |
Pitchfork | 9.2/10 [7] |
Q | [8] |
Rolling Stone | [9] |
The Times | [10] |
Uncut | [11] |
Push Barman to Open Old Wounds received widespread critical acclaim from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 89, based on 18 reviews, which indicates "universal acclaim". [1]
Scott Plagenhoef of Pitchfork gave the album a very favorable review, stating, "The most beloved indie pop band since The Smiths, Belle and Sebastian are also probably the best. This collection would work like their own Hatful of Hollow and Louder Than Bombs were the first half not sadly missing their early BBC Sessions, and the second forced to omit their Dear Catastrophe Waitress singles and Peel Session tracks. As it stands, the first is a testament to the power and pull of one of the most singular and instantly lovable pop bands of our time; the second is a gentle suggestion that they took the correct post-mainstream fame steps after all, avoiding self-parody (see: Morrissey) and finding a way to be playful without becoming too precious (see: Lawrence in his post-Felt years). In combination, it's a perfect way into the world of Belle and Sebastian, even if the band spends the second half of the disc trying to redecorate that space." [7]
No. | Title | Length |
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1. | "Dog on Wheels" | 3:11 |
2. | "The State I Am In" | 4:59 |
3. | "String Bean Jean" | 4:43 |
4. | "Belle and Sebastian" | 4:36 |
5. | "Lazy Line Painter Jane" | 5:49 |
6. | "You Made Me Forget My Dreams" | 3:50 |
7. | "A Century of Elvis" | 4:29 |
8. | "Photo Jenny" | 3:14 |
9. | "A Century of Fakers" | 4:29 |
10. | "Le Pastie de la Bourgeoisie" | 3:10 |
11. | "Beautiful" | 5:13 |
12. | "Put the Book Back on the Shelf/Songs for Children" (Hidden track) | 6:24 |
Total length: | 54:07 |
No. | Title | Length |
---|---|---|
1. | "This Is Just a Modern Rock Song" | 7:12 |
2. | "I Know Where the Summer Goes" | 4:37 |
3. | "The Gate" | 4:27 |
4. | "Slow Graffiti" | 3:25 |
5. | "Legal Man" | 2:42 |
6. | "Judy Is a Dick Slap" | 4:05 |
7. | "Winter Wooskie" | 2:41 |
8. | "Jonathan David" | 2:59 |
9. | "Take Your Carriage Clock and Shove It" | 3:35 |
10. | "The Loneliness of a Middle Distance Runner" | 4:34 |
11. | "I'm Waking Up to Us" (Produced by Mike Hurst and Belle and Sebastian) | 3:49 |
12. | "I Love My Car" | 5:12 |
13. | "Marx and Engels" | 3:45 |
Total length: | 53:03 |
Belle & Sebastian are a Scottish indie pop band formed in Glasgow in 1996. Led by Stuart Murdoch, the band has released twelve studio albums. They are often compared with acts such as the Smiths and Nick Drake. The name "Belle & Sebastian" comes from Belle et Sébastien, a 1965 children's book by French writer Cécile Aubry later adapted for television. Though consistently lauded by critics, Belle & Sebastian's "wistful pop" has enjoyed only limited commercial success.
Jeepster Records is an English, London-based independent record label, founded in 1995, and specializing in British indie and alternative bands, particularly Glasgow-based acts. It is most notable for its signing of Belle and Sebastian and Snow Patrol.
Tigermilk is the 1996 debut album from Scottish pop group Belle and Sebastian. Originally given a limited release by Electric Honey, the album was subsequently re-released in 1999 by Jeepster Records.
If You're Feeling Sinister is the second album by the Scottish indie pop band Belle and Sebastian. It was released in 1996 on Jeepster Records in the United Kingdom and in 1997 by Matador Records in the United States. It is often ranked among the best albums of the 1990s, including being ranked #14 in Pitchfork's list of Top 100 Albums of the 1990s.
Fold Your Hands Child, You Walk Like a Peasant is the fourth album from the Scottish group Belle & Sebastian released in 2000.
The Boy with the Arab Strap is the third studio album by Scottish indie pop band Belle & Sebastian, released in 1998 through Jeepster Records.
Dear Catastrophe Waitress is the sixth studio album by Scottish indie pop band Belle & Sebastian, released on 6 October 2003 on Rough Trade Records. Producer Trevor Horn, former member of the Buggles and producer of groups like Yes and Frankie Goes to Hollywood, oversaw the production of the album, and gave it a more polished, pop-friendly sound, which stood in sharp contrast with their previous lo-fi, folky albums. In particular, the danceable track "Stay Loose" proved to be the first in a series of songs that further diverged from their roots.
Dog on Wheels is the debut EP by Belle & Sebastian, released in 1997 on Jeepster Records. The four recordings on the EP actually pre-date the band's début album Tigermilk, produced whilst bandmembers Stuart Murdoch and Stuart David were on the Beatbox music course at Stow College, Glasgow. Murdoch, David and Mick Cooke are the only long-term members to play on the songs, though Cooke only appears on the title track. The drums were supplied by David Campbell, whilst Brian Nugent played flute on "String Bean Jean", and Gerry Campbell, a tutor at Beatbox, provided keyboards on "The State I Am In" and "Belle & Sebastian" as well as lead guitar on "String Bean Jean". Other contributors to the E.P. include Mark McWhirter, Michael Angus and David Mackenzie, though their roles have not been confirmed.
Lazy Line Painter Jane was Belle & Sebastian's second EP, released in 1997 on Jeepster Records. The title track features guest vocalist Monica Queen and was recorded in a church hall. "A Century of Elvis" features bassist Stuart David reading out a story he had written, over music by the band. The backing music from that track was later used on "A Century of Fakers" from 3.. 6.. 9 Seconds of Light. The front cover features Thea Martin holding Reason and Reality: The Relationship Between Science and Theology by John Polkinghorne. The EP was later re-packaged as part of the Lazy Line Painter Jane box-set, and all four tracks were collected on the Push Barman to Open Old Wounds compilation. The EP narrowly missed out on a top 40 placing in the UK singles chart, reaching #41.
3.. 6.. 9 Seconds of Light was Belle & Sebastian's third EP, released in 1997 on Jeepster Records. The lead track on the EP, "A Century of Fakers," uses the same backing track as "A Century of Elvis" from Lazy Line Painter Jane. Another song, "Songs for Children" plays directly after "Put the Book Back on the Shelf" on both the CD and 12" versions of this release. The front cover features band member Stuart Murdoch with Victoria Morton. The EP was later re-packaged as part of the Lazy Line Painter Jane box-set, and all four tracks were collected on the Push Barman to Open Old Wounds compilation. Both NME and Melody Maker made the release their Single of the Week, and the EP became the band's first to reach the UK top 40 singles chart, peaking at #32.
This Is Just a Modern Rock Song is Belle & Sebastian's fourth EP, released in 1998 on Jeepster Records. The front cover features Alan Horne, founder of Postcard Records. It is the only Belle & Sebastian release never to be issued in North America, although all four tracks from the EP were later collected on the Push Barman to Open Old Wounds compilation. A chart ruling was put into place shortly before the EP was released stating singles or EPs must contain no more than three tracks and last no longer than 20 minutes in total to be eligible for the UK singles sales chart, and thus – with its four tracks and carefully crafted total running time – This Is Just a Modern Rock Song failed to chart.
"Legal Man" is the debut single of Scottish indie pop band Belle and Sebastian. The track features Isobel Campbell, Sarah Martin, and Rozanne Suarez on vocals and Snow Patrol drummer Jonny Quinn on congas. The cover artwork—designed by Andrew Symington—features band members Stevie Jackson and Campbell along with Adrienne Payne and Suarez. Two B-sides were released with the single: "Judy Is a Dick Slap", an instrumental, and "Winter Wooskie", which was the last time bass player Stuart David sang lead vocals before departing the band in 2000.
"Jonathan David" is a song by Scottish indie pop band Belle and Sebastian. The song gets its name from the biblical duo of Jonathan and David, while B-side "The Loneliness of a Middle Distance Runner" is a reference to Alan Sillitoe's short story "The Loneliness of the Long Distance Runner." The front cover features band members Mick Cooke and Bobby Kildea with Gill Dodds. All three tracks from the single were later collected on the Push Barman to Open Old Wounds compilation. The title track was the band's first single to feature lead vocals from guitarist Stevie Jackson.
"I'm Waking Up to Us" is a song by Belle & Sebastian, released as a single and extended play (EP) through Jeepster Records in November 2001. The track saw the band work with another producer besides usual collaborator Tony Doogan for the first time: Mike Hurst, former member of the Springfields and producer of Petula Clark and Cat Stevens.
Storytelling is the fifth studio album by Scottish indie pop band Belle and Sebastian. It is the score to the Todd Solondz movie Storytelling. Belle and Sebastian experienced many problems in communication with Solondz while scoring the film, and as such only about six minutes of their music was actually used in the movie. The album contains five tracks that are recorded dialogues. The instrumental track "Fuck This Shit" uses the prosody of the title phrase in a number of different keys but never the words themselves. The album was the band's final release on Jeepster, as they went on to sign a deal with Rough Trade the following year.
The Life Pursuit is the seventh studio album by Scottish indie pop band Belle & Sebastian. It was released in Europe on 6 February 2006 by Rough Trade Records and in North America on 7 February 2006 by Matador Records.
If You're Feeling Sinister: Live at the Barbican is a live album by Scottish pop group Belle & Sebastian. It features the performance of their 1996 album, If You're Feeling Sinister, in its entirety. It was recorded at the Barbican Arts Centre in London on 25 September 2005.
Underachievers Please Try Harder is the second LP from the indie band Camera Obscura, released in 2003. The album was released in Australia by Popfrenzy.
Last Exit is the debut studio album by Canadian electronic music group Junior Boys. It was released on June 7, 2004 by KIN Records in the United Kingdom and on September 21, 2004 by Domino Recording Company in the United States. The album was promoted by two singles: "Birthday" and "High Come Down".
The Third Eye Centre is the second compilation album by Belle and Sebastian, released on 26 August 2013. It assembles various B-Sides and rarities the band has released since its previous compilation album Push Barman to Open Old Wounds.