Gare Montparnasse (The Melancholy of Departure) | |
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Artist | Giorgio de Chirico |
Year | 1914 |
Catalogue | 80538 |
Medium | Oil on canvas |
Dimensions | 140 cm× 184.5 cm(55+1⁄8 in× 72+7⁄8 in) |
Location | Museum of Modern Art, New York |
Accession | 1077.1969 |
Gare Montparnasse (The Melancholy of Departure) (Italian: La stazione di Montparnasse) is an oil on canvas painting by the Italian metaphysical painter Giorgio de Chirico, from 1914. It is held at the Museum of Modern Art, in New York. [1]
Many of de Chirico's works were inspired by the introspective feelings evoked by travel. He was born in Greece to Italian parents. This work was painted during a period when he lived in Paris.
The painting depicts the Gare Montparnasse railway station in Paris, France. It is a classic example of de Chirico's style, depicting an angular perspective on an outdoor architectural setting in the long shadows and deep colours of early evening. On the horizon is a steam train with a plume of white smoke billowing away from it. The train image appears several times in de Chirico's work. In the foreground is a bunch of bananas, another recurring image in de Chirico's work (cf. The Transformed Dream ). [2] [3]
In 1916, de Chirico painted another work simply titled The Melancholy of Departure .
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Giuseppe Maria Alberto Giorgio de Chirico was an Italian artist and writer born in Greece. In the years before World War I, he founded the scuola metafisica art movement, which profoundly influenced the surrealists. His best-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, and for the mythology of his birthplace.
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The Melancholy of Departure is an oil on canvas painting by the Italian metaphysical painter Giorgio de Chirico, from 1916. This painting was created after Chirico returned to Italy from Paris to join the Italian Army in World War I. It is held at the Tate Modern, in London.
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