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Metaphysical Interior with Large Factory | |
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Artist | Giorgio de Chirico |
Year | 1916 |
Medium | Oil on canvas |
Location | Staatsgalerie Stuttgart, Stuttgart |
Metaphysical Interior with Large Factory (1916) is an oil-on-canvas painting by the Italian metaphysical painter Giorgio de Chirico. [1] It is part of a series that extended late into de Chirico's career.
Like the other works in this series it depicts a small room cluttered with surreal objects. This time the main focus is a framed picture of a factory complex.
Giuseppe Maria Alberto Giorgio de Chirico was an Italian artist and writer born in Greece. In the years before World War I, he founded the scuola metafisica art movement, which profoundly influenced the surrealists. His best-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, and for the mythology of his birthplace.
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Carlo Carrà was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art. He taught for many years in the city of Milan.
Metaphysical painting or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which cannot be seen". De Chirico, his younger brother Alberto Savinio, and Carrà formally established the school and its principles in 1917.
The Nostalgia of the Infinite is a painting by Italian metaphysical painter Giorgio de Chirico, painted in the early 1910s.
The Song of Love is a 1914 painting by Italian metaphysical painter Giorgio de Chirico. It is one of the most famous works by Chirico and an early example of the surrealist style, though it was painted ten years before the movement was "founded" by André Breton in 1924.
Alberto Savinio, born as Andrea Francesco Alberto de Chirico was a Greek-Italian writer, painter, musician, journalist, essayist, playwright, set designer and composer. He was the younger brother of 'metaphysical' painter Giorgio de Chirico. His work often dealt with philosophical and psychological themes, and he was also heavily concerned with the philosophy of art.
Gare Montparnasse (The Melancholy of Departure) (Italian: La stazione di Montparnasse) (1914) is a painting by the Italian metaphysical painter Giorgio de Chirico. Many of de Chirico's works were inspired by the introspective feelings evoked by travel. He was born in Greece to Italian parents. This work was painted during a period when he lived in Paris.
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The Melancholy of Departure is a 1916 painting by the Italian metaphysical painter Giorgio de Chirico. This painting was created after Chirico returned to Italy from Paris to join the Italian Army in World War I.
Metaphysical Interior with Biscuits is a 1916 painting by Italian metaphysical painter Giorgio de Chirico. It is one of the earliest editions in a series of works that extended late into Chirico's career.
The Disquieting Muses is a painting by the Italian metaphysical painter Giorgio de Chirico.
Le Rêve Transformé is a 1913 painting by the Italian metaphysical painter Giorgio de Chirico. This work contains the classic Chirico's images of an empty urban scene at late evening with a ghostly train on the horizon. In this case in the foreground is an arrangement of bananas, pineapples and a Greek sculpture.
The Enigma of the Hour is a painting by the Italian metaphysical painter Giorgio de Chirico. He created the work during his early period, in Florence, when he focused on metaphysical depictions of town squares and other urban environments. It is not clear whether it was dated 1910 or 1911.
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"Thieves Like Us" is a single by British band New Order, released in April 1984 by Factory Records, catalogue number FAC 103. It is named after the 1974 film Thieves Like Us, directed by Robert Altman. Guitarist and lead singer Bernard Sumner stated during a TV interview in 1984 that the song's title was suggested by John Benitez.
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The Child's Brain is an oil-on-canvas painting by the Italian artist Giorgio de Chirico. It was completed in 1914 in Italy and is an example of the metaphysical art style. The painting measures 80 by 65 centimeters and is now housed at Moderna Museet, Stockholm. The subject of The Child's Brain is a nude young man, seen from the waist up, who is standing in back of a table with his eyes closed.
The Prodigal Son is a painting by the Greek-born Italian artist Giorgio de Chirico. It is painted in tempera on canvas and was completed in 1922 as de Chirico was in transition from the Metaphysical style of his earlier works to the neoclassicism he essayed in the 1920s. The biblical subject matter is interpreted by de Chirico as a stone effigy of a father placing his hand on the shoulder of a mannequin representing the son. The dimensions of the painting are 87 by 59 centimeters. It is housed at Museo del Novecento, Milan, Italy.
Hebdomeros is a 1929 book by Italian painter Giorgio de Chirico. Chirico did not produce any other long-form writing. The book is narrated in the third person and loosely concerns the movement of a man, Hebdomeros, westward. Writing in The Kenyon Review, Alan Burns referred to the text as a "surrealist dream novel".