The Prodigal Son | |
---|---|
Italian: Il figliol prodigo | |
Artist | Giorgio de Chirico |
Year | 1922 |
Medium | Tempera on canvas |
Dimensions | 87 cm× 59 cm(34 in× 23 in) |
Location | Museo del Novecento, Milan |
The Prodigal Son (Italian: Il figliol prodigo) is a painting by the Greek-born Italian artist Giorgio de Chirico. It is painted in tempera on canvas and was completed in 1922 [1] as de Chirico was in transition from the Metaphysical style of his earlier works to the neoclassicism he essayed in the 1920s. [2] The biblical subject matter is interpreted by de Chirico as a stone effigy of a father placing his hand on the shoulder of a mannequin representing the son. [3] The dimensions of the painting are 87 by 59 centimeters. It is housed at Museo del Novecento, Milan, Italy. [4]
A mannequin is a doll, often articulated, used by artists, tailors, dressmakers, window dressers and others, especially to display or fit clothing and show off different fabrics and textiles. Previously, the English term referred to human models and muses ; the meaning as a dummy dating from the start of World War II.
Giuseppe Maria Alberto Giorgio de Chirico was an Italian artist and writer born in Greece. In the years before World War I, he founded the scuola metafisica art movement, which profoundly influenced the surrealists. His best-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, and for the mythology of his birthplace.
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