Giorgione was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art.
Giuseppe Maria Alberto Giorgio de Chirico was an Italian artist and writer born in Greece. In the years before World War I, he founded the scuola metafisica art movement, which profoundly influenced the surrealists. His best-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, and for the mythology of his birthplace.
Post-expressionism is a term coined by the German art critic Franz Roh to describe a variety of movements in the post-war art world which were influenced by expressionism but defined themselves through rejecting its aesthetic. Roh first used the term in an essay in 1925, "Magic Realism: Post-Expressionism", to contrast to Gustav Friedrich Hartlaub's "New Objectivity", which more narrowly characterized these developments within German art. Though Roh saw "post-expressionism" and "magic realism" as synonymous, later critics characterized distinctions between magic realism and other artists initially identified by Hartlaub and have also pointed out other artists in Europe who had different stylistic tendencies but were working within the same trend.
Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula respectively. The very numerous rock drawings in Valcamonica are as old as 8,000 BC, and there are rich remains of Etruscan art from thousands of tombs, as well as rich remains from the Greek colonies at Paestum, Agrigento and elsewhere. Ancient Rome finally emerged as the dominant Italian and European power. The Roman remains in Italy are of extraordinary richness, from the grand Imperial monuments of Rome itself to the survival of exceptionally preserved ordinary buildings in Pompeii and neighbouring sites. Following the fall of the Roman Empire, in the Middle Ages Italy remained an important centre, not only of the Carolingian art, Ottonian art of the Holy Roman Emperors, Norman art, but for the Byzantine art of Ravenna and other sites.
Carlo Carrà was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art. He taught for many years in the city of Milan.
Metaphysical painting or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which cannot be seen". De Chirico, his younger brother Alberto Savinio, and Carrà formally established the school and its principles in 1917.
The Song of Love is a 1914 painting by Italian metaphysical painter Giorgio de Chirico. It is one of the most famous works by Chirico and an early example of the surrealist style, though it was painted ten years before the movement was "founded" by André Breton in 1924.
Alberto Savinio, born as Andrea Francesco Alberto de Chirico was a Greek-Italian writer, painter, musician, journalist, essayist, playwright, set designer and composer. He was the younger brother of 'metaphysical' painter Giorgio de Chirico. His work often dealt with philosophical and psychological themes, and he was also heavily concerned with the philosophy of art.
Gare Montparnasse (The Melancholy of Departure) (Italian: La stazione di Montparnasse) (1914) is a painting by the Italian metaphysical painter Giorgio de Chirico. Many of de Chirico's works were inspired by the introspective feelings evoked by travel. He was born in Greece to Italian parents. This work was painted during a period when he lived in Paris.
The Double Dream of Spring is a painting by the Italian metaphysical painter Giorgio de Chirico.
The Melancholy of Departure is a 1916 painting by the Italian metaphysical painter Giorgio de Chirico. This painting was created after Chirico returned to Italy from Paris to join the Italian Army in World War I.
Metaphysical Interior with Biscuits is a 1916 painting by Italian metaphysical painter Giorgio de Chirico. It is one of the earliest editions in a series of works that extended late into Chirico's career.
Metaphysical Interior with Large Factory (1916) is an oil-on-canvas painting by the Italian metaphysical painter Giorgio de Chirico. It is part of a series that extended late into de Chirico's career.
Giorgio Morandi was an Italian painter and printmaker who specialized in still lifes. His paintings are noted for their tonal subtlety in depicting simple subjects, mainly vases, bottles, bowls, flowers, and landscapes.
The Enigma of the Hour is a painting by the Italian metaphysical painter Giorgio de Chirico. He created the work during his early period, in Florence, when he focused on metaphysical depictions of town squares and other urban environments. It is not clear whether it was dated 1910 or 1911.
The Difficult Crossing(La traversée difficile) is the name given to two oil-on-canvas paintings by the Belgian surrealist René Magritte. The original version was completed in 1926 during Magritte's early prolific years of surrealism and is currently held in a private collection. A later version was completed in 1963 and is also held in a private collection.
Armando Spadini was an Italian painter and one of the representatives of the so-called Scuola Romana.
Mama, Papa is Wounded! is a 1927 oil-on-canvas painting by French surrealist painter Yves Tanguy.
Lady with a her Dressing Table is a painting by the French artist Jean Metzinger. This distilled synthetic form of Cubism exemplifies Metzinger's continued interest, in 1916, towards less surface activity, with a strong emphasis on larger, flatter, overlapping abstract planes. The manifest primacy of the underlying geometric configuration, rooted in the abstract, controls nearly every element of the composition. The role of color remains primordial, but is now restrained within sharp delineated boundaries in comparison with several earlier works. The work of Juan Gris from the summer of 1916 to late 1918 bears much in common with that of Metzinger's late 1915 – early 1916 paintings.
Venecia, Puente de Rialto is an 1950 oil painting by Giorgio of Chirico from 1950. The style of this work moves away from his metaphysical landscapes, characterized by the inclusion of architecture, sculptures and big empty spaces.
