The Enigma of the Hour | |
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Artist | Giorgio de Chirico |
Year | 1910 or 1911 |
Medium | Oil on canvas |
Dimensions | 54.6 cm× 71.1 cm(21+1⁄2 in× 28 in) |
The Enigma of the Hour is a painting by the Italian metaphysical painter Giorgio de Chirico. He created the work during his early period, in Florence, [1] when he focused on metaphysical depictions of town squares and other urban environments. It is not clear whether it was dated 1910 or 1911. [1]
The Enigma depicts an urban scene with the classical architecture and angular lighting that are Chirico's hallmarks. Several figures around the scene have vague features, to give the sense that they are absent. Above the scene is a large clock that reads five minutes to three. [2] Luca Cottini referred to the clock as "...[suggesting] the paradox of an 'eternal present,' located on the edge of a-temporal revelation and moving temporality, and [enacting] the enigma of its nature." [2] Peter G. Toohey has asserted the figure in white represents Odysseus. [3]
Giuseppe Maria Alberto Giorgio de Chirico was an Italian artist and writer born in Greece. In the years before World War I, he founded the scuola metafisica art movement, which profoundly influenced the surrealists. His most well-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, and for the mythology of his birthplace.
Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula respectively. The very numerous rock drawings in Valcamonica are as old as 8,000 BC, and there are rich remains of Etruscan art from thousands of tombs, as well as rich remains from the Greek colonies at Paestum, Agrigento and elsewhere. Ancient Rome finally emerged as the dominant Italian and European power. The Roman remains in Italy are of extraordinary richness, from the grand Imperial monuments of Rome itself to the survival of exceptionally preserved ordinary buildings in Pompeii and neighbouring sites. Following the fall of the Roman Empire, in the Middle Ages Italy, especially the north, remained an important centre, not only of the Carolingian art and Ottonian art of the Holy Roman Emperors, but for the Byzantine art of Ravenna and other sites.
Carlo Carrà was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art. He taught for many years in the city of Milan.
Metaphysical painting or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which cannot be seen". De Chirico, his younger brother Alberto Savinio, and Carrà formally established the school and its principles in 1917.
The Nostalgia of the Infinite is a painting by Italian metaphysical painter Giorgio de Chirico, painted in the early 1910s.
The Song of Love is a 1914 painting by Italian metaphysical painter Giorgio de Chirico. It is one of the most famous works by Chirico and an early example of the surrealist style, though it was painted ten years before the movement was "founded" by André Breton in 1924.
Alberto Savinio[alˈbɛrto saˈvinjo], born as Andrea Francesco Alberto de Chirico was a Greek-Italian writer, painter, musician, journalist, essayist, playwright, set designer and composer. He was the younger brother of 'metaphysical' painter Giorgio de Chirico. His work often dealt with philosophical and psychological themes, and he was also heavily concerned with the philosophy of art.
Antonio Donghi was an Italian painter of scenes of popular life, landscapes, and still life.
Gare Montparnasse (1914) is a painting by the Italian metaphysical painter Giorgio de Chirico. Many of de Chirico's works were inspired by the introspective feelings evoked by travel. He was born in Greece to Italian parents. This work was painted during a period when he lived in Paris.
The Double Dream of Spring is a painting by the Italian metaphysical painter Giorgio de Chirico.
The Melancholy of Departure is a 1916 painting by the Italian metaphysical painter Giorgio de Chirico. This painting was created after Chirico returned to Italy from Paris to join the Italian Army in World War I.
Metaphysical Interior with Biscuits is a 1916 painting by Italian metaphysical painter Giorgio de Chirico. It is one of the earliest editions in a series of works that extended late into Chirico's career.
The Disquieting Muses is a painting by the Italian metaphysical painter Giorgio de Chirico.
Le Rêve Transformé is a 1913 painting by the Italian metaphysical painter Giorgio de Chirico. This work contains the classic Chirico's images of an empty urban scene at late evening with a ghostly train on the horizon. In this case in the foreground is an arrangement of bananas, pineapples and a Greek sculpture.
Giorgio Morandi was an Italian painter and printmaker who specialized in still life. His paintings are noted for their tonal subtlety in depicting simple subjects, which were limited mainly to vases, bottles, bowls, flowers and landscapes.
Valori plastici was an Italian magazine published in Rome in Italian and French. The magazines existed between 1918 and 1921.
The Child's Brain is an oil on canvas painting by the Italian artist Giorgio de Chirico. The painting was completed in 1914 in Italy. It is an example of the metaphysical art style. The painting measures 80 by 65 centimeters and is now housed at Moderna Museet, Stockholm. The subject of The Child's Brain is a nude young man, seen from the waist up, who is standing in back of a table with his eyes closed.
Raissa Samojlovna Calza was a Ukrainian dancer who became a prominent classical archaeologist of Roman portraiture. When she was young, she fled to Italy and France following the Russian revolution.
Hebdomeros is a 1929 book by Italian painter Giorgio de Chirico. Chirico did not produce any other long-form writing. The book is narrated in the third person and loosely concerns the movement of a man, Hebdomeros, westward. Writing in The Kenyon Review, Alan Burns referred to the text as a "surrealist dream novel".
Giorgio de Chirico: Argonaut of the Soul is a 2010 documentary film produced by EKPOL, co-written and directed by Giorgos Lagdaris and Kostas Anestis. The film attempts to poetically approach the mysterious characteristic of the paintings of Giorgio de Chirico.