A mannequin is an often articulated doll used by artists, tailors, dressmakers, windowdressers and others especially to display or fit clothing. The term is also used for life-sized dolls with simulated airways used in the teaching of first aid, CPR, and advanced airway management skills such as tracheal intubation and for human figures used in computer simulation to model the behavior of the human body. During the 1950s, mannequins were used in nuclear tests to help show the effects of nuclear weapons on humans.
Giorgio de Chirico was an Italian artist and writer born in Greece. In the years before World War I, he founded the scuola metafisica art movement, which profoundly influenced the surrealists. His most well-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Nietzsche and for the mythology of his birthplace.
Paul Delvaux was a Belgian painter noted for his dream-like scenes of women, classical architecture, trains and train stations, and skeletons, often in combination. He is often considered a surrealist, although he only briefly identified with the Surrealist movement. He was influenced by the works of Giorgio de Chirico.
Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula respectively. The very numerous Rock Drawings in Valcamonica go to 8,000 BC, and there are rich remains of Etruscan art from thousands of tombs, as well as rich remains from the Greek colonies at Paestum, Agrigento and elsewhere. Ancient Rome finally emerged as the dominant Italian and European power. The Roman remains in Italy are of extraordinary richness, from the grand Imperial monuments of Rome itself to the survival of exceptionally preserved ordinary buildings in Pompeii and neighbouring sites. Following the fall of the Roman Empire, in the Middle Ages Italy, especially the north, remained an important centre, not only of the Carolingian art and Ottonian art of the Holy Roman Emperors, but for the Byzantine art of Ravenna and other sites.
Mr. Toad's Wild Ride is a dark ride at Disneyland Park, also formerly located at the Magic Kingdom. Originally planned to be a roller coaster, it became a dark ride attraction because Walt Disney wanted only attractions that were appropriate for all ages. It is one of the few remaining attractions that was operational on the park's opening day in 1955. The ride's story is loosely based on Disney's adaptation of The Wind in the Willows (1908), one of the two segments of the film The Adventures of Ichabod and Mr. Toad (1949). It is currently operating in Fantasyland.
Metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1911 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which cannot be seen". De Chirico, his younger brother Alberto Savinio, and Carrà formally established the school and its principles in 1917.
The Nostalgia of the Infinite is a painting by the Italian metaphysical painter Giorgio de Chirico.
The Song of Love is a painting by the Italian metaphysical painter Giorgio de Chirico. It is one of the most famous works by de Chirico and an early example of the surrealist style, though it was painted ten years before the movement was "founded" by André Breton in 1924.
Alberto Savinio[alˈbɛrto saˈvinjo], born Andrea Francesco Alberto de Chirico was an Italian writer, painter, musician, journalist, essayist, playwright, set designer and composer. He was the younger brother of 'metaphysical' painter Giorgio de Chirico. His work often dealt with philosophical and psychological themes, and he also was heavily concerned with the philosophy of art.
The Melancholy of Departure (1916) is a painting by the Greek-Italian metaphysical painter Giorgio de Chirico. This painting was created after de Chirico returned to Italy from Paris to join the Italian Army in World War I.
The Elephant Celebes is a 1921 painting by the German Dadaist and surrealist Max Ernst. It is among the most famous of Ernst's early surrealist works and "undoubtedly the first masterpiece of Surrealist painting in the de Chirico tradition." It combines the vivid dreamlike atmosphere of Surrealism with the collage aspects of Dada.
Metaphysical Interior with Biscuits (1916) is a painting by the Italian metaphysical painter Giorgio de Chirico. It is one of the earliest editions in a series of works that extended late into de Chirico's career.
The Disquieting Muses is a painting by the Italian metaphysical painter Giorgio de Chirico.
Modern Greek art is art from the period between the emergence of the new independent Greek state and the 20th century. As Mainland Greece was under Ottoman rule for all four centuries, it was not a part of the Renaissance and artistic movements that followed in Western Europe. However, Greek islands such as Crete, and the Ionian islands in particular were for large periods under Venetian or other European powers' rule and thus were able to better assimilate the radical artistic changes that were occurring in Europe during the 14th-18th century. The Cretan School and in particular the Heptanese School of art are two typical examples of artistic movements in Greece that followed parallel routes to Western Europe. As such, there were different artistic trends in the emerging Greek society. Modern Greek art can be said to have been predominantly shaped by the particular socioeconomic conditions of Greece, the large Greek diaspora across Europe, and the new Greek social elite, as well as external artistic influences, predominantly from Germany and France.
Acis and Galatea are characters from Greek mythology later associated together in Ovid's Metamorphoses. The episode tells of the love between the mortal Acis and the Nereid (sea-nymph) Galatea; when the jealous Cyclops Polyphemus kills Acis, Galatea transforms her lover into an immortal river spirit. The episode was made the subject of poems, operas, paintings, and statues in the Renaissance and after.
The art collection of Holkham Hall in Norfolk, England, remains very largely that which the original owner intended the house to display; the house was designed around the art collection acquired by Thomas Coke, 1st Earl of Leicester, during his Grand Tour of Italy during 1712–18. To complete the scheme it was necessary to send Matthew Brettingham the younger to Rome between 1747 and 1754 to purchase further works of art.
The Difficult Crossing(La traversée difficile) is the name given to two oil-on-canvas paintings by the Belgian surrealist René Magritte. The original version was completed in 1926 during Magritte's early prolific years of surrealism and is currently held in a private collection. A later version was completed in 1963 and is also held in a private collection.
The Museum of Fine Arts of Lyon is a municipal museum of fine arts in the French city of Lyon. Located near Place des Terreaux, it is housed in a former Benedictine convent which was active during the 17th and 18th centuries. It was restored between 1988 and 1998, remaining open to visitors throughout this time despite the restoration works. Its collections range from ancient Egyptian antiquities to the Modern art period, making the museum one of the most important in Europe. It also hosts important exhibitions of art, for example the exhibitions of works by Georges Braque and Henri Laurens in the second half of 2005, and another on the work of Théodore Géricault from April to July 2006. It is one of the largest art museums in France.
The Sacro Bosco, colloquially called Park of the Monsters, also named Garden of Bomarzo, is a Mannerist monumental complex located in Bomarzo, in the province of Viterbo, in northern Lazio, Italy.
The Soothsayers Recompense is a 1913 painting by the Italian artist Giorgio de Chirico. It is currently housed in the Philadelphia Museum of Art as part of the permanent collection. It was accessioned in 1950 as one of the thousand items donated to the institution by Walter and Louise Arensberg. The piece was created in France, through a process of "squaring-up" in which De Chirico drew a version of the piece divided into nine squares, and subsequently used this draft to quickly create the fleshed-out painting.
