Geoffrey Batchen (born 21 November 1956, Melbourne, Australia) is an Australian art historian. Since 2020, Batchen has been Professor of Art History at the University of Oxford. [1]
Assistant Professor, Visual Arts, University of California, San Diego, 1991–1996; Associate Professor, Art and Art History, University of New Mexico, Albuquerque, 1996–2001; Professor of Art History: City University of New York Graduate Center, New York City, 2002–2010; Victoria University of Wellington, New Zealand, 2010–2019. [1] [2] Much of Batchen's work as a professor and curator focuses on the history of photography. [3]
His curated exhibitions have been shown at the Museu Nacional de Belas Artes in Rio de Janeiro; the New England Regional Art Museum in Amridale, Australia; the Van Gogh Museum in Amsterdam; the National Media Museum in Bradford, England; the International Center of Photography in New York; the Wallraf-Richartz-Museum in Cologne, Germany; the Izu Photo Museum in Shizuoka, Japan; the National Museum of Iceland in Reykjavik; the Adam Art Gallery in Wellington, New Zealand; the Govett-Brewster Art Gallery in New Plymouth, NZ; and the Centre for Contemporary Photography in Melbourne, Australia. [4]
The Victoria University of Wellington is a public university in Wellington, New Zealand. It was established in 1897 by Act of Parliament, and was a constituent college of the University of New Zealand.
The Museum of New Zealand Te Papa Tongarewa is New Zealand's national museum and is located in Wellington. Usually known as Te Papa, it opened in 1998 after the merging of the National Museum of New Zealand and the National Art Gallery. An average of more than 1.5 million people visit every year, making it the 26th-most-visited art gallery in the world. Te Papa operates under a bicultural philosophy, and emphasises the living stories behind its cultural treasures.
The term vernacular photography is used in several related senses. Each is in one way or another meant to contrast with received notions of fine-art photography. Vernacular photography is also distinct from both found photography and amateur photography. The term originated among academics and curators, but has moved into wider usage.
The Centre for Contemporary Photography (CCP), in Fitzroy, Melbourne, Victoria, is a venue for the exhibition of contemporary photo-based arts, providing a context for the enjoyment, education, understanding and appraisal of contemporary practice.
City GalleryTe Whare Toi is a public art gallery in Wellington, New Zealand.
John Puhiatau Pule is a Niuean artist, novelist and poet. The Queensland Art Gallery describes him as "one of the Pacific's most significant artists".
Sarah Jane Parton is a new media artist based in Wellington, New Zealand.
The Govett-Brewster Art Gallery is a contemporary art museum at New Plymouth, Taranaki, New Zealand. The gallery receives core funding from the New Plymouth District Council. Govett-Brewster is recognised internationally for contemporary art.
Richard Orjis is an artist based in Auckland, New Zealand.
Fiona Dorothy Pardington is a New Zealand artist, her principal medium being photography.
Anne Lysbeth Noble is a New Zealand photographer and Distinguished Professor of Fine Art (Photography) at Massey University's College of Creative Arts. Her work includes series of photographs examining Antarctica, her own daughter's mouth, and our relationship with nature.
Christina Joy Barton, known as Tina Barton, is a New Zealand art historian, curator and gallery director. She is currently director of the Adam Art Gallery.
Douglas Kerr MacDiarmid was a New Zealand expatriate painter, known for his diversity and exceptional use of colour, and involved with key movements in twentieth-century art. He lived in Paris, France, for most of his career.
Natalie King is an Australian curator and writer working in Melbourne, Australia. She specializes in Australian and international programs for contemporary art and visual culture. This includes exhibitions, publications, workshops, lectures and cultural partnerships across contemporary art and indigenous culture.
Bridget Reweti is a New Zealand photographer and moving image artist of Ngāti Ranginui and Ngāi Te Rangi descent. Reweti is a member of the artist group Mata Aho Collective.
Denis O'Connor is a New Zealand-based ceramicist, sculptor, and writer who has exhibited both in New Zealand and internationally.
Marie Shannon is a New Zealand artist and educator who makes photography, video and drawing.
David John O'Donnell is a theatre director, actor and academic based in Wellington, New Zealand. He has been a full professor at Victoria University of Wellington since 2019.
Jasmine Togo-Brisby is a South Sea Islander artist known for her sculpture installations and portrait photographs. She currently resides in Te Whanganui-a-Tara/Wellington and is one of few artists that centres Pacific slave labour as the focus of her practice.
David Stephenson is an American-Australian fine art photographer known for his representations of the sublime. His photographic subjects have included landscapes from America to Australia, the Arctic and Antarctica, the Southern Ocean, European sacred architecture, and day- and nighttime skyscapes. He has lived in Tasmania since 1982.