Gerald Peary (born October 30, 1944) is an American film critic, filmmaker, editor of the University Press of Mississippi, and a former curator of the Harvard Film Archive.
Peary graduated from Rider University in 1964, [1] went on to earn an MA in drama from New York University in 1966, and received a Ph.D. in Communications at the University of Wisconsin-Madison in 1977 with the dissertation, The Rise of the American Gangster Film, 1913-1930. [2] Peary was a 1986 Fulbright Fellow in Belgrade, studying Yugoslavian film comedy. [3] [4]
Peary moved to Cambridge, Massachusetts, in 1978 to work as a first-string critic for The Real Paper, an alternative weekly, which closed in 1981. He is married to producer and filmmaker Amy Geller, former artistic director of the Boston Jewish Film Festival. Peary is the brother of American film critic and sportswriter Danny Peary.
He was a reviewer and columnist for the Boston Phoenix from 1996 until its demise in 2012. He is now a critic-at-large [5] for The Arts Fuse, a Boston-based online arts magazine. [6] He was from 1998 to 1999 the Acting Curator of the Harvard Film Archive [2] [7] and was general editor of the University Press of Mississippi Conversations with Filmmakers Series . [8] From 1997-2021, he was the programmer/curator of the Cinematheque at Boston University's College of Communication, bringing independent filmmakers to show their works. He has programmed for the Institute of Contemporary Art-Boston, the Vancouver International Film Festival, and helped choose films for the Edinburgh International Film Festival.
His cinema articles have appeared in the Boston Globe , Los Angeles Times , The Globe and Mail , Chicago Tribune , and The Real Paper . Peary has also contributed to numerous magazines, including Positif, Film Comment , Cineaste , Sight & Sound , the Boston Review , Flare , and Maclean's .
Peary is a member of the Boston Society of Film Critics, [3] the National Society of Film Critics, and FIPRESCI (the International Film Critics Association). [2] He has frequently served as president of international critics' juries at film festivals including Rotterdam, Bangkok, Hong Kong, Karlovy Vary, San Francisco, and Mar del Plata. Peary has taught film studies and screenwriting classes at many universities, including The University of Wisconsin-Whitewater, Livingston College-Rutgers University, Boston University, [6] Concordia University (Montreal), and Simon Fraser University (Vancouver). He taught for over 30 years at Suffolk University, Boston, [9] where he was a professor of communication and journalism. He retired and was named Professor Emeritus in 2015. [10]
Peary also made the feature documentaries Archie’s Betty (2015) and The Rabbi Goes West (2019). [11] He made his acting debut playing a chess champion in Andrew Bujalski’s acclaimed independent feature, Computer Chess (2013). [12]
Upon being asked "What drew you to film criticism?", Peary replied, "I’m a film critic for my love of film. I want other people to see the same films that I saw and love. From the age of four, I was going to movies all the time." [13]
John Woo Yu-sen is a Hong Kong film director known as a highly influential figure in the action film genre. The recipient of various accolades, including a Hong Kong Film Award for Best Picture, Best Director, and Best Editing, as well as a Golden Horse Award, an Asia Pacific Screen Award and a Saturn Award, he is regarded as a pioneer of heroic bloodshed films and the gun fu genre in Hong Kong action cinema. He is known for his highly chaotic "bullet ballet" action sequences, stylized imagery, Mexican standoffs, frequent use of slow motion and allusions to wuxia, film noir and Western cinema.
Frederick Wiseman is an American filmmaker, documentarian, and theater director. His work is primarily about exploring American institutions. In 2017, The New York Times called him "one of the most important and original filmmakers working today".
Jonathan Rosenbaum is an American film critic and author. Rosenbaum was the head film critic for The Chicago Reader from 1987 to 2008. He has published and edited numerous books about cinema and has contributed to such notable film publications as Cahiers du cinéma and Film Comment.
Windows is a 1980 American psychological thriller film directed by Gordon Willis and starring Talia Shire, Joseph Cortese, and Elizabeth Ashley. It was the only film directed by Willis, who was better known as a cinematographer for such films as The Godfather series and several films by Woody Allen.
Elvis Mitchell is an American film critic, host of the public radio show The Treatment, and visiting lecturer at Harvard University. He has served as a film critic for the Fort Worth Star-Telegram, the LA Weekly, The Detroit Free Press, and The New York Times. He had also been an interviewer for Interview Magazine. In the summer of 2011, he was appointed as curator of LACMA's new film series, Film Independent at LACMA. He is also currently a Film Scholar and lecturer at the University of Nevada, Las Vegas.
Gordon Hugh Willis Jr., ASC was an American cinematographer and film director. He is best known for his photographic work on eight Woody Allen films, six Alan J. Pakula films, four James Bridges films, and all three films from Francis Ford Coppola's The Godfather series.
Dannis Peary is an American film critic and sports writer. He has written and edited many books on cinema and sports-related topics. Peary is most famous for his book Cult Movies (1980), which spawned two sequels, Cult Movies 2 (1983) and Cult Movies 3 (1988) and are all credited for providing more public interest in the cult movie phenomenon.
Verna Fields was an American film editor, film and television sound editor, educator, and entertainment industry executive. In the first phase of her career, from 1954 through to about 1970, Fields mostly worked on smaller projects that gained little recognition. She was the sound editor for several television shows in the 1950s. She worked on independent films including The Savage Eye (1959), on government-supported documentaries of the 1960s, and on some minor studio films such as Peter Bogdanovich's first film, Targets (1968). For several years in the late 1960s, she was a film instructor at the University of Southern California. Her one major studio film, El Cid (1961), led to her only industry recognition in this phase of her career, which was the 1962 Golden Reel award for sound editing.
Owen Gleiberman is an American film critic who has been chief film critic for Variety magazine since May 2016, a title he shares with Peter Debruge. Previously, Gleiberman wrote for Entertainment Weekly from 1990 until 2014. From 1981 to 1989, he wrote for The Phoenix.
Reconstruction is a 2001 documentary made by Irene Lusztig that investigates the Ioanid Gang bank heist committed in 1959 in Communist Romania. The film focuses on Monica Sevianu, Lusztig's grandmother, and the only female involved in the heist.
Psychotronic Video was an American film magazine founded by publisher/editor Michael J. Weldon in 1980 in New York City, covering what he dubbed "psychotronic movies", which he defined as "the ones traditionally ignored or ridiculed by mainstream critics at the time of their release: horror, exploitation, action, science fiction, and movies that used to play in drive-ins or inner city grindhouses." It was published through 2006. Most of the magazine's hundreds of reviews were written by Weldon himself. Other contributors provided career histories/interviews with cult filmmakers and actors such as Radley Metzger, Larry Cohen, Jack Hill, William Rotsler, David Carradine, Sid Haig, Karen Black, and Timothy Carey. Regular features included "Record Reviews" by Art Black, "Spare Parts" by Dale Ashmun, and "Never To Be Forgotten", an obituary column.
Rel J. Dowdell is an American screenwriter, film director, film producer, and film studies/screenwriting/English educator. Born and raised in Philadelphia, after graduating from the prestigious Central High School in Philadelphia, he received his bachelor's degree in English with magna cum laude honors from Fisk University and his advanced degree in film and screenwriting with highest distinction from Boston University. He won the top prize in filmmaking at Boston University's noted Redstone Film Festival in 1995. He is also a full-time university professor, Director of Film Studies, English scholar, and film historian. Additionally, he has done prominent and extensive interviews with veteran award-winning actors such as Ving Rhames, Keith David, Tony Todd, Roger Guenveur Smith, Larenz Tate, and Mykelti Williamson. In spring of 2023, he participated in a major interview on The 700 Club where he spoke about the impact of the casting of an African-American female actress in the remake of The Little Mermaid which was very well received and praised for Dowdell's remarks of inclusion and youth inspiration for African-Americans.
Stephen Schiff is an American screenwriter, producer, and journalist. He is best known for his work at The New Yorker and Vanity Fair, his screenplays for Lolita, True Crime, and Wall Street: Money Never Sleeps, and his work as a writer and producer on the FX television series The Americans.
David Sterritt is a film critic, author and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until his retirement in 2005, he championed avant garde cinema, theater and music. He has a Ph.D. in Cinema Studies from New York University and is the Chairman of the National Society of Film Critics.
The Conversations with Filmmakers Series is part of the University Press of Mississippi which is sponsored by Mississippi's eight state universities. The mission of the Series is to publish collected interviews with world-famous directors. The current Filmmakers Series editor is Gerald Peary, a noted film critic and Professor of Communications and Journalism at Suffolk University, Boston. Peary was appointed to this position following the death of the Series' original general editor, Dr. Peter Brunette.
For the Love of Movies: The Story of American Film Criticism is a 2009 documentary film dramatizing a hundred years of American film criticism through film clips, historic photographs, and on-camera interviews with many of today’s important reviewers, mostly print but also Internet. It was produced by Amy Geller, written and directed by long-time Boston Phoenix film critic Gerald Peary, and narrated by Patricia Clarkson. Critics featured include Roger Ebert of The Chicago Sun-Times, A.O. Scott of The New York Times, Lisa Schwarzbaum of Entertainment Weekly, Kenneth Turan of The Los Angeles Times, and Elvis Mitchell, host of the public radio show The Treatment.
Richard Franklin Chew is an American film editor, best known for his Academy Award-winning work on Star Wars (1977), alongside Paul Hirsch and Marcia Lucas. Other notable films include One Flew Over the Cuckoo's Nest (1975), Risky Business (1983), Waiting to Exhale (1995), That Thing You Do! (1996), and I Am Sam (2001). His career over a variety of films spans more than four decades.
Gene D. Phillips, S.J. was an American author, educator, and Catholic priest.
Nat Turner: A Troublesome Property is a 2003 documentary film about Nat Turner co-written and directed by Charles Burnett.
Jerome Thoms was an American film editor.