In 2003 Extraordinary Machine, which was originally produced by Jon Brion, was submitted to Sony Music executives, who were reportedly unenthusiastic about the finished product and shelved it. On February 26, 2005 radio DJ Andrew Harms at 107.7 The End in Seattle began playing previously unheard tracks from a bootleg copy of Extraordinary Machine, and before long, poor quality copies of "Not about Love", "Get Him Back" and "Used to Love Him" were circulating on the internet.[2][3] Soon after, CD-quality versions of all the tracks were released through the BitTorrent website TorrentBox. An extensively reworked version of Extraordinary Machine, co-produced by Mike Elizondo and Brian Kehew, was released in October 2005.
The Chicago Tribune published a track-by-track comparison of the leaked and official versions of the album, and wrote of "Get Him Back": "Brion's drum fills are more pronounced and strings underscore the vocals, while the Roots' Ahmir Thompson gives the Elizondo-Kehew version a more linear groove."[4]Blender magazine ranked the official version of the song at number thirty-five on its list of "The 100 Greatest Songs of 2005".[5]
Formats & track listing
Acetate promo CD single: 1. Get Him Back (Radio Edit) 2. Get Him Back (Album Version)
Fiona Apple McAfee-Maggart is an American singer-songwriter. She released five albums from 1996 to 2020, all of which reached the top 20 on the U.S. Billboard 200 chart. Apple has received numerous awards and nominations, including three Grammy Awards, two MTV Video Music Awards, and a Billboard Music Award.
The Beatles' bootleg recordings are recordings of performances by the Beatles that have attained some level of public circulation without being available as a legal release. The term most often refers to audio recordings, but also includes video performances. Starting with vinyl releases in the 1970s, through CD issues in the late 1980s, and continuing with digital downloads starting in the mid 1990s, the Beatles have been, and continue to be, among the most bootlegged artists.
"In da Club" is a song by American rapper 50 Cent from his debut studio album Get Rich or Die Tryin' (2003). Written by 50 Cent alongside producers Dr. Dre and Mike Elizondo, the song, which uses an unconventional off-beat rhythm, was released on January 7, 2003 as the album's lead single and peaked at number one on the US Billboard Hot 100, becoming 50 Cent's first number-one single.
Jon Brion is an American singer, songwriter, multi-instrumentalist, record producer, and composer. He performed with the Excerpts, the Bats, 'Til Tuesday and the Grays before becoming an established producer and film score composer.
Extraordinary Machine is the third studio album by American singer-songwriter Fiona Apple, released by Epic Records in the United States on October 4, 2005. Produced by Jon Brion, it was expected to be released in 2003 but was delayed several times by the record label without explanation, leading to speculation that a dispute had arisen over its commercial appeal. The controversy surrounding the album and leaked recordings of the Jon Brion sessions were the subject of substantial press attention, as well as a highly publicized fan-led campaign to see the album officially released. In collaboration with producers Mike Elizondo and Brian Kehew, Apple re-recorded the album over 2004 and 2005, and it was eventually released more than three years after the original recording sessions began.
Late Registration is the second studio album by American rapper and producer Kanye West. It was released on August 30, 2005, through Def Jam Recordings and Roc-A-Fella Records. West recorded the album over the course of a year during sessions held at studios in Hollywood and New York City, in collaboration with Jon Brion. The album features guest appearances from Adam Levine, Jamie Foxx, Common, Brandy, Jay-Z, and Nas, among others.
Brian Kehew is an American musician and record producer. He is a member of The Moog Cookbook and co-author of the Recording The Beatles book, an in-depth look at the Beatles' studio approach.
Mike Elizondo is an American producer, songwriter, and multi-instrumentalist. A protege of Dr. Dre, Elizondo has worked with 50 Cent, Eminem, Carrie Underwood, Fiona Apple, Mastodon, Ry Cooder, Skylar Grey, Twenty One Pilots, Nelly Furtado, and Lin-Manuel Miranda, among others. His songwriting credits include "In da Club" by 50 Cent, Eminem's "Just Lose It" and "The Real Slim Shady", "Family Affair" by Mary J. Blige, and Carrie Underwood's "Cowboy Casanova". A Grammy award-winner and five-time nominee, he has twice been nominated in the Producer of the Year category.
"O' Sailor" is a song written by American singer Fiona Apple and recorded for her third album Extraordinary Machine (2005). On August 15, 2005, ahead of the album's release in early October, Epic Records made available for streaming both "Parting Gift" and "O' Sailor" on Apple's website. The following day, the songs were released for digital download at the online iTunes Music Store.
"Parting Gift" is a song written by American singer Fiona Apple and recorded for her third album Extraordinary Machine (2005). It was produced by Mike Elizondo and Brian Kehew and is the only song from Extraordinary Machine not to have been originally recorded during the Jon Brion-produced sessions. Apple was able to record it on her first take. MTV News described the song as "a characteristically bitter breakup song", and its protagonist chastises a former beau whilst lamenting their failed relationship: "It ended bad but I loved what we started".
"Not About Love" is a song written by American singer-songwriter Fiona Apple and produced by Mike Elizondo and Brian Kehew for her third album Extraordinary Machine (2005). It was released as the album's third single in January 2006.
"Fast as You Can" is a song written by Fiona Apple, and produced by Jon Brion for her second album, When the Pawn.... It was released as the album's lead single in the United States on October 5, 1999, and in the United Kingdom on February 14, 2000. It became one of Apple's most successful singles in both countries, and its music video, directed by Paul Thomas Anderson, was well received. The video and track were popular on MTV Europe's US Top 20, resulting in some popularity for Apple across Europe.
"Criminal" is a song by American recording artist Fiona Apple, the third single from her debut studio album, Tidal. The single was shipped to radio on June 2, 1997, and was physically released in September. Apple has stated that the song is about "feeling bad for getting something so easily by using your sexuality". Apple's highest-charting single, it peaked at No. 21 on the Billboard Hot 100, as well as No. 4 on the Billboard Modern Rock Tracks.
iTunes Originals – Fiona Apple is an iTunes Originals release by American singer-songwriter Fiona Apple, released in the United States on February 14, 2006 and later released in the UK in December 2007. It consists of live tracks, previously released studio tracks, and interview tracks.
When the Pawn... is the second studio album by the American singer-songwriter Fiona Apple. Released by Epic Records in the United States on November 9, 1999, When the Pawn... was wholly written by Apple, with production by Jon Brion.
"I Want You" is a song written by Elvis Costello and recorded with his backing band the Attractions. It was released on his 1986 album Blood & Chocolate.
The discography of American singer-songwriter and pianist Fiona Apple consists of five studio albums, one compilation album, 2 video albums, 16 singles and 17 music videos.
"Every Single Night" is a song written and recorded by American singer-songwriter Fiona Apple. It was released as the lead single from her fourth studio album, The Idler Wheel..., on April 24, 2012, by Epic Records.
"Gone" is a song by American rapper Kanye West from his second studio album, Late Registration (2005). The song features guest appearances from fellow rappers Cam'ron and Consequence. It was solely produced by West, who served as a songwriter alongside the rappers and Chuck Willis, the latter of which received credit due to having written the sampled work. A hip hop track, it contains samples of Otis Redding's version of "It's Too Late". The song's production is largely orchestral, featuring string arrangements set in two chords. Lyrically, it sees West speaking of potentially abandoning fame and moving elsewhere for seeking a simpler life.
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