"Regret" is the twentieth single by British alternative rock band New Order. It was released on 5 April 1993 by London Records as the lead single from their sixth studio album, Republic (1993). Stephen Hague is credited as both the producer and as a co-writer. It was the band's first single released on CentreDate Co Ltd following the collapse of Factory Records.
"MMMBop" is a song written and performed by American pop rock band Hanson. It was released on April 15, 1997, as the lead single from their first full-length studio album, Middle of Nowhere (1997). The song was nominated for two Grammys at the 40th Annual Grammy Awards and is the band's most successful single to date. "MMMBop" was a major success worldwide, reaching number one in at least 12 countries, including Australia, Canada, Germany, New Zealand, the United Kingdom and the United States.
"Building a Mystery" is a song by Canadian singer-songwriter Sarah McLachlan from her fourth studio album, Surfacing (1997). At a live performance, Sarah explains the song as being "basically about the fact that we all... have insecurities to hide, and we often do that by putting on a facade." She also goes on to say that "unfortunately, if we just be who we are, that's usually the more attractive and beautiful thing".
"No Rain" is a song by American rock band Blind Melon. It was released in 1993 as the second single from the band's debut album Blind Melon. The song is well known for its accompanying music video, which features the "Bee Girl" character. The music video, directed by Samuel Bayer, received heavy airplay on MTV at the time of its release. It subsequently helped propel Blind Melon to multi-platinum level.
"Monkey Wrench" is a song by American rock band Foo Fighters. It was released as the lead single from their second album, The Colour and the Shape. The lyrics chronicle the 1997 disintegration of singer/songwriter Dave Grohl's four-year marriage to Jennifer Youngblood. The song peaked at number 9 on the Billboard Mainstream Rock Tracks chart, and at number 12 on the UK Singles Chart.
"What I Got" is a song from American band Sublime's self-titled third album (1996). The song's chorus is a lift from "Loving" by reggae artist Half Pint, who is credited as a co-writer. The melody and pacing of the verses is identical to the Beatles' "Lady Madonna".
"Angel of Mine" is a song by British R&B girl group Eternal from their first compilation album, Greatest Hits (1997). It was written by Rhett Lawrence and Travon Potts, produced by Lawrence, and released on 29 September 1997. The song became Eternal's 12th and final top-10 hit on the UK Singles Chart, peaking at number four. "Angel of Mine" was the ensemble's final single as a three-piece, as after its release, Kéllé Bryan left the group. In June 2019, "Angel of Mine" was ranked at number 91 on the Official Charts Company's "Top 100 Girl Band Singles of the Last 25 Years".
"Lightning Crashes" is a song by American rock band Live. It was released in September 1994 as the third single from their second studio album, Throwing Copper. Although the track was not released as a single in the United States, it received enough radio airplay to peak at No. 12 on the Billboard Hot 100 Airplay chart in 1995. The song also topped the Billboard Album Rock Tracks chart for 10 weeks and the Modern Rock Tracks chart for nine weeks. Internationally, the song reached No. 3 in Canada, No. 8 in Iceland, and No. 13 in Australia.
"A Change Would Do You Good" is the fourth single from American singer-songwriter Sheryl Crow's 1996 self-titled album. The song uses a series of non sequitur lyrics to describe what one should change in life. It became Crow's third top-five single from the album in Canada, where it reached number two, and peaked at number eight in the United Kingdom.
"The Way" is a song by American alternative rock band Fastball. It was released on January 7, 1998, as the lead single from their second studio album, All the Pain Money Can Buy (1998). The song was written by the band's lead vocalist, Tony Scalzo, and was produced by the band and Julian Raymond. Scalzo was inspired to write the song after reading about the disappearance of an elderly couple who were found dead in their car many miles away from their intended destination.
"Take a Picture" is a song by American rock band Filter, released to radio in September 1999 as the second single from their second studio album, Title of Record (1999). The song became a hit at the start of 2000 following its January 18 retail release, peaking at number 12 on the US Billboard Hot 100 and number three in Canada. It also became a top-10 hit in New Zealand, peaking at number eight on the RIANZ Singles Chart.
"Everyday Is a Winding Road" is the second single from American singer and songwriter Sheryl Crow's 1996 eponymous album. Neil Finn, lead singer of Crowded House, provides backing vocals. Paul Hester, another member of Crowded House, was the inspiration for the song. The single was issued in the United Kingdom in November 1996 and was released in the United States the following year.
"One Headlight" is a song by American rock band the Wallflowers. The song was written by lead singer Jakob Dylan, and produced by T Bone Burnett. It was released in January 1997 as the second single from the band's second studio album, Bringing Down the Horse (1996).
"A Long December" is a song by American rock band Counting Crows. The ballad is the second single and 13th track from their second album, Recovering the Satellites (1996). Lead singer Adam Duritz was inspired to write the track after his friend was hit by a motorist and injured, making the song about reflecting on tragedy with a positive disposition.
"How Bizarre" is a song written and performed by New Zealand musical group OMC. It was released in December 1995 as the lead single from their album How Bizarre and went on to top the charts of five countries: Australia, Austria, Canada, Ireland and New Zealand. Outside New Zealand, OMC is generally considered a one-hit wonder; they had a further few successful singles in New Zealand, including "On the Run" and "Land of Plenty".
"Fast as You Can" is a song written by Fiona Apple, and produced by Jon Brion for her second album, When the Pawn.... It was released as the album's lead single in the United States on October 5, 1999, and in the United Kingdom on February 14, 2000. It became one of Apple's most successful singles in both countries, and its music video, directed by Paul Thomas Anderson, was well received.
"The Impression That I Get" is a song by American ska punk band the Mighty Mighty Bosstones, released as the lead single from their fifth studio album, Let's Face It (1997), in February 1997. The track reached number one on the US Billboard Modern Rock Tracks chart and number 23 on the Billboard Hot 100 Airplay chart while also charting highly in Australia, Canada, and the United Kingdom. The song was certified gold in the United States and Australia. Chris Applebaum directed the song's music video while Adam Stern produced it.
"Barely Breathing" is a song by American singer-songwriter Duncan Sheik from his eponymous debut studio album (1996). It was released as the lead single from the album on May 3, 1996, by Atlantic Records. Sheik is the sole writer of the song, while production was helmed by Rupert Hine. The song became a chart hit in North America in early 1997, receiving several accolades in the years following its release.
"I Don't Want to Wait" is a song written, recorded, and produced by American singer-songwriter Paula Cole. Cole wrote the song in mid-1996 and released it as second single from her second studio album, This Fire (1996), on October 14, 1997. The single release was successful, reaching no. 11 in the United States and no. 5 in Canada. VH1 ranked "I Don't Want to Wait" as one of the 100 Greatest Songs of the '90s at no. 81. The song later served as the opening theme for the American teen drama television series Dawson's Creek, which ran from 1998 to 2003.
"Nobody Knows" is a song by R&B singer Tony Rich from his 1996 debut album, Words. Released as his debut single on November 7, 1995, the song peaked at number two on both the Billboard Hot 100 and Billboard Hot Adult Contemporary Tracks charts. It also became a hit in several other countries, topping the Irish Singles Chart and reaching number two in Australia and Canada, number four in the United Kingdom, and the top 20 in the Netherlands, New Zealand, and Sweden. Rich received a nomination for the 1997 Grammy Award for Best Male Pop Vocal Performance.
