Ghosts (Techno Animal album)

Last updated

Ghosts
Techno Animal Ghosts.jpeg
Studio album by
Released1991
Genre Industrial, experimental
Length72:01
Label Pathological Records
Producer Justin Broadrick
Techno Animal chronology
Ghosts
(1991)
Re-Entry
(1995)

Ghosts is the debut album of the Illbient band Techno Animal, released on Pathological Records in 1991.

Contents

Reception

Simon Reynolds, in reviewing the album for Melody Maker , said, "Ghosts isn't quite the long-awaited breakthrough, the one that makes The Young Gods seem ancient, but it's a brave stab in the right direction." [1]

Track listing

All tracks are written by Techno Animal.

No.TitleLength
1."Burn"2:57
2."Walk Then Crawl"11:41
3."White Dog"4:07
4."Freak Fucker"3:47
5."The Dream Forger"7:56
6."Tough Cop/Soft Cop"11:29
7."God vs. Flesh"23:21
8."Spineless"6:47

Personnel

Related Research Articles

Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical.

Ambient techno is a subgenre of techno that incorporates the atmospheric textures of ambient music with the rhythmic elements and production of techno. It was pioneered by 1990s electronic artists such as Aphex Twin, Carl Craig, the Black Dog, Pete Namlook and Biosphere.

A ghost is a spirit of a dead person that may appear to the living.

<i>Lazer Guided Melodies</i> 1992 studio album by Spiritualized

Lazer Guided Melodies is the debut studio album by English space rock band Spiritualized. The album was recorded by the inaugural line up of the band, consisting of Jason Pierce, Mark Refoy (guitars), Will Carruthers (bass), Jonny Mattock (drums) and Kate Radley (keyboards) from 1990 to 1991, and mixed by Pierce in London in January 1992. The album was first released on Dedicated Records in March 1992, on cassette, Compact Disc and Vinyl.

<i>Analogue Bubblebath</i> First record released by Aphex Twin

Analogue Bubblebath, also released as Aphex Twin ep, is the first record by musician and producer Richard D. James. The EP was released under his alias The Aphex Twin through Mighty Force Records in September 1991. It was the inaugural release for the label, which at the time was a record shop in Exeter. The record was hugely influential on the development of electronic music, particularly techno and ambient techno. Its release has been described as a key event in the history of dance music. It is the first release in what became the Analogue Bubblebath series.

Techno Animal is an electronic duo formed in 1990 in London, England by British musicians Justin Broadrick and Kevin Martin. The duo released six LPs beginning with their 1991 debut Ghosts. They blended dub production with dark, beat-oriented ambient music and paranoiac themes.

<span class="mw-page-title-main">Seefeel</span> British electronic/post-rock band

Seefeel are a British electronic and post-rock band formed in the early 1990s by Mark Clifford, Daren Seymour (bass), Justin Fletcher, and Sarah Peacock. Their work became known for fusing guitar-based shoegaze with the production techniques of ambient techno and electronica.

<span class="mw-page-title-main">Been Caught Stealing</span> 1990 single by Janes Addiction

"Been Caught Stealing" is a song by American rock band Jane's Addiction, released in November 1990 as the third single from their second album, Ritual de lo Habitual (1990). The song is also the band's biggest hit, spending four weeks at No. 1 on the US Billboard Modern Rock chart. Different versions appear on the compilations Kettle Whistle, Up from the Catacombs – The Best of Jane's Addiction and Rev.

<i>Godflesh</i> (EP) 1988 EP by Godflesh

Godflesh is the debut EP by English industrial metal band Godflesh. It was originally released in 1988 through Swordfish Records and later saw several reissues on Earache Records with two additional songs. An unexpected underground success, the eponymous EP made it onto the UK Indie Chart and peaked at position 20. Though not supported by any singles or music videos at the time, a fan-made video for "Avalanche Master Song" has since been made official by the band.

<i>Quique</i> (album) 1993 studio album by Seefeel

Quique is the debut album by British music group Seefeel. It was released through Too Pure in October 1993. A predominantly instrumental record which utilises elements of both rock and electronic music, it blends styles including techno, dream pop, ambient, and dub. Guitarist Mark Clifford worked continually on tracks while other members either completed them or provided component ideas.

<span class="mw-page-title-main">Always on the Run</span> 1991 single by Lenny Kravitz

"Always on the Run" is a song by American rock musician Lenny Kravitz, released as the first single from his second album, Mama Said (1991). It features a contribution by Guns N' Roses guitarist Slash. Slash had written the music for the song with the original intention of releasing it on a Guns N' Roses studio album but since former drummer Steven Adler had difficulty playing the song, he saved it for this eventual collaboration with Kravitz.

<span class="mw-page-title-main">Simon Reynolds</span> English music critic (born 1963)

Simon Reynolds is an English music journalist and author who began his professional career on the staff of Melody Maker in the mid-1980s. He has since gone on to freelance and publish a number of full-length books on music and popular culture, ranging from historical tomes on rave music, glam rock, and the post-punk era to critical works such as Retromania: Pop Culture's Addiction to Its Own Past (2011).

<i>Ice Hockey Hair</i> 1998 EP by Super Furry Animals

Ice Hockey Hair is an EP by the Welsh alternative rock band Super Furry Animals, released in 1998. The record contains four songs which the band felt did not fit in with either their previous album, 1997's Radiator, or its follow-up Guerrilla. The title track refers to an alternative name for the mullet hairstyle. The EP's opening song, "Smokin'", was commissioned by British television station Channel 4 for a programme about sloth presented by Howard Marks. "Ice Hockey Hair" was later included on 'greatest hits' compilation Songbook: The Singles, Vol. 1, issued in 2004, while "Smokin'" appeared on 1998's B-side and rarities compilation Out Spaced.

<i>The Young Gods</i> (album) 1987 studio album by The Young Gods

The Young Gods is the eponymous debut studio album by the Swiss industrial rock band The Young Gods, released in 1987 by Play It Again Sam, Organik and Wax Trax! Records. The album employs a sample-based approach to rock music: the tracks are composed from samples from metal guitar riffs and classical compositions. The Young Gods was produced by Roli Mosimann, who went on to become a frequent collaborator of the band. It is the band's only record to feature their original drummer, Frank Bagnoud.

<i>Perverse</i> (album) 1993 studio album by Jesus Jones

Perverse is the third studio album by British rock band Jesus Jones, released in 1993 on Food Records. After their international success following the release of Doubt (1991), Jesus Jones, especially band leader Mike Edwards, conceived Perverse as a darker, more contemporary album. Fusing rave and techno music into more traditional rock and pop song structures, the album is heavier than its predecessors with a much greater inclusion of industrial music and features lyrics that concern the future. Edwards wrote the lyrics of the album during the band's 1991 tour, using a Roland W-30 sampler to conceive songs in their earliest stages.

<i>Selected Ambient Works 85–92</i> 1992 studio album by Aphex Twin

Selected Ambient Works 85–92 is the debut studio album by Aphex Twin, the pseudonym of British electronic musician Richard D. James. It was released on 9 November 1992 through Apollo Records, a subsidiary of Belgian label R&S Records. The album consists of ambient techno tracks recorded onto cassette reputedly dating as far back as 1985, when James was thirteen to fourteen years old. Upon release it received widespread acclaim. It entered the Dance Albums Chart at No. 6 on 26 December 1992.

Sampledelia is sample-based music that uses samplers or similar technology to expand upon the recording methods of 1960s psychedelia. Sampledelia features "disorienting, perception-warping" manipulations of audio samples or found sounds via techniques such as chopping, looping or stretching. Sampladelic techniques have been applied prominently in styles of electronic music and hip hop, such as trip hop, jungle, post-rock, and plunderphonics.

Avant-funk is a music style in which artists combine funk and disco rhythms with an avant-garde or art rock mentality. Its most prominent era occurred in the late 1970s and 1980s among post-punk and no wave acts who embraced black dance music.

Bleep techno is a regional subgenre of techno which developed in the late 1980s in Northern England, specifically Yorkshire. Named after its minimalistic synthesizer sounds, bleep techno combined influence from American techno and house with electro elements and heavy sub-bass inspired by reggae. The style was commercially successful between 1989 and 1991, and became associated with artists on the Sheffield label Warp Records. It has been characterized as the first uniquely British style of electronic dance music.

Belgian hardcore techno is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been described as an "apocalyptic, almost Wagnerian, bombastic techno", due to its use of dramatic orchestral stabs and menacing synth tones that set it apart from earlier forms of electronic dance music. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.

References

  1. Reynolds, Simon. "Techno Animal: Ghosts". Melody Maker. 1991. Retrieved on July 18, 2011.