"Girlboss" is a neologism that denotes a woman "whose success is defined in opposition to the masculine business world in which she swims upstream". [1] [ attribution needed ] They are described as confident and capable women who are successful in their career, or the one who pursues her own ambitions, instead of working for others or otherwise settling in life. [2] [3]
Popularised by Sophia Amoruso in her 2014 book Girlboss, the concept's ethos has been described as "convenient incrementalism"; the goal being not to dismantle the disproportionate power acquired by men under the coexistence of patriarchy and capitalism, but to take that power for women themselves. [4] This has led to sarcastic and pejorative undertones when using the term, denoting women who attempt to raise their professional lives by practicing the same abusive and materialistic practices found in patriarchal society. [5] It has become closely associated with phrases like "gaslight" and "gatekeep", forming a cynical trifecta that critiques the shallow optics of empowerment often associated with white feminism. [6]
The term became popular in 2014 after Sophia Amoruso used it with a hashtag prefix in her bestselling autobiography, which was adapted into a TV show of the same name. [7] Its early usage was defined by perceived empowerment. [7] Its popularity led to it becoming "a template for marketing and writing about powerful women in virtually every industry". [8] By 2019, the concept had begun to derive disdain from some women and viewed as ironic; others still believed it had worth. [9] In 2022, Amoruso herself tweeted "Please stop using the word Girlboss thank you." [10]
Some audiences began to critique the girlboss for pursuing individual successes instead of working to weaken the forces of the patriarchy and pursue broader structural change. However, some believe that individual women's achievements can still be praised, and that this is not mutually exclusive with also working toward better workplaces and positive change on the societal level. Martha Gill of The Guardian writes that feminist movements can "push for change and help women in an imperfect world", yet still "celebrate women who succeed anyway". [11]
In early 2020, the self-regulatory organisation Advertising Standards Authority (ASA) in the United Kingdom banned a billboard, advertising PeoplePerHour, which read: "You do the girl boss thing we'll do the SEO thing". [7] Later in 2020, the George Floyd protests saw a number of high-profile women executives resign after accusations of creating toxic and racist workplaces. [12] According to Amanda Mull of The Atlantic , this time saw the "end of the girlboss" manifest in a "cultural pushback". [8] Judy Berman of Time stated that the rise of anti-capitalist sentiment among youth had turned the term "into a joke, a meme, something hopelessly cheugy." [13] Alex Abad-Santos of Vox argued that the term has "shifted culturally from a noun to a verb, one that described the sinister process of capitalist success and hollow female empowerment," pointing to the parody phrase "Gaslight, Gatekeep, Girlboss." [14] [15]
In 2021, some social media influencers attempted to redefine the term as "a sort of post-ironic area in which female evil is celebrated", such as over the trial of Elizabeth Holmes. [16] [17] To some, Holmes served as "the quintessential girlboss," [11] and her trial revealed many of the shortcomings present within the girlboss ideology and, more broadly, the attempts to use feminism in order to minimize women's accountability regarding their decisions. [18] A number of 2021 films and television series were criticised for exemplifying the term, such as Physical . [19] In September 2021, University of Sydney Dean of the Faculty of Arts and Social Sciences Annamarie Jagose referenced the term while defending proposed cuts at the university, stating "Girlboss feminism? I’m not sure what girlboss feminism is." [20]
For a time, female wealth was treated as feel-good news unto itself. The reality of girlbossing, however, was always a little bit messier...The confident, hardworking, camera-ready young woman of a publicist’s dreams apparently had an evil twin: a woman, pedigreed and usually white, who was not only as accomplished as her male counterparts, but just as cruel and demanding too. [8]
According to Magdalena Zawisza, associate professor of Gender Psychology at Anglia Ruskin University, "It is very difficult to escape the deeply rooted gender stereotypes, and many such linguistic attempts backfire ... While 'girl boss' immediately draws attention to the feminine, it also infantilizes the role of a female as a boss". [7] Mull critiqued the idea for reinforcing power structures created by men. [8]
Similarly, some claim that while it is important to draw attention towards women's successes, placing too much of an emphasis on their gender can imply that these successes are merely abnormal exceptions to common gender norms or are inherently different from the successes of men. Stav Atir from the University of Wisconsin-Madison suggests that "we intuitively understand that using a different word for women in male-dominated fields suggests that these women are aberrations –exceptions that prove the rule," and 'girlboss' is one of these terms that many insinuate a woman's natural inability to lead. [21]
Gargi Agrawal of Elle argued that "the idea propagates sexism, racism and class elitism." [22] Journalist Vicky Spratt argued that the term was "a sexist Trojan horse ... if we weren't so scared of women’s power we wouldn't need to do this, to make it more palatable by rolling it in glitter and pinkwashing it." [23]
Hannah Ewens of Vice noted that, although the idea is one of the 2010s, its roots go back to the 1980s: "The Working Woman of the Thatcher and Reagan era, strutting in wearing her power suit, had both the boss and the baby on a leash". [9] Emma Maguire, in an article for The Conversation , echoed a similar sentiment, saying that the idea of girlboss was only possible through feminist achievements. She chose June Dally-Watkins as an example of a historical girlboss. [24] Ewens viewed a girlboss as a multi-tasking woman who doesn't view family as a priority and "deceptively dissolves class without understanding or interacting with it". [9] Maguire wrote that "Girlboss rhetoric often works to propagate sexism, racism, and class elitism, among other forms of oppression". [24]
Ewens highlighted Paris Hilton, Gwyneth Paltrow, Jessica Alba and Sarah Michelle Gellar as examples of girlbosses. [9] Mull called The Wing "an incubator of sorts for girlbosses". [8] Former Teen Vogue executive editor Samhita Mukhopadhyay argued that "for women, navigating the workplace has always been about figuring out which tropes to avoid –we quickly learn not to be the doormat or the shrew, the secretary or the nag –and it seemed as though the death of the girlboss had set another trap." [25]
Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism holds the position that modern societies are patriarchal—they prioritize the male point of view—and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women.
Womxn and womyn are alternative political spellings of the English word woman, used by some feminists. There are other spellings, including womban or womon (singular), and wombyn or wimmin (plural). Some writers who use such alternative spellings, avoiding the suffix "-man" or "-men", see them as an expression of female independence and a repudiation of traditions that define women by reference to a male norm.
Third-wave feminism is a feminist movement that began in the early 1990s, prominent in the decades prior to the fourth wave. Grounded in the civil-rights advances of the second wave, Gen X third-wave feminists born in the 1960s and 1970s embraced diversity and individualism in women, and sought to redefine what it meant to be a feminist. The third wave saw the emergence of new feminist currents and theories, such as intersectionality, sex positivity, vegetarian ecofeminism, transfeminism, and postmodern feminism. According to feminist scholar Elizabeth Evans, the "confusion surrounding what constitutes third-wave feminism is in some respects its defining feature."
Girl power is a slogan that encourages and celebrates women's empowerment, independence, confidence and strength. The slogan's invention is credited to the US punk band Bikini Kill, who published a zine called Bikini Kill #2: Girl Power in 1991. It was then popularized in the mainstream by the British girl group Spice Girls in the mid-1990s. According to Rolling Stone magazine, the Spice Girls' usage of "girl power" was one of the defining cultural touchstones that shaped the Millennial generation, particularly during their childhood in the 1990s. The usage of the slang term is still considered relevant three decades later in the 2020s through continued feminist movements.
Womanism is a feminist movement, primarily championed by Black feminists, originating in the work of African American author Alice Walker in her 1983 book In Search of Our Mothers' Gardens. Walker coined the term "womanist" in the short story "Coming Apart" in 1979. Her initial use of the term evolved to envelop a spectrum of issues and perspectives facing black women and others. Walker defined "womanism" as embracing the courage, audacity, and self-assured demeanor of Black women, alongside their love for other women, themselves, and all of humanity. Since its inception by Walker, womanism has expanded to encompass various domains, giving rise to concepts such as Africana womanism and womanist theology or spirituality.
Cultural feminism is a term used to describe a variety of feminism that attempts to revalue and redefine attributes culturally ascribed to femaleness. It is also used to describe theories that commend innate differences between women and men.
Lipstick feminism is a variety of feminism that seeks to embrace traditional concepts of femininity, including the sexual power of women, alongside traditional feminist ideas. The concept emerged within the third-wave as a response to ideals created by previous movements, where women felt that they could not both be feminine and a feminist.
Kay Cannon is an American screenwriter, producer, director, and actress. She is best known for writing and producing the Pitch Perfect film series (2012–2017). She made her directorial debut with the comedy film Blockers (2018). Cannon was also a writer and producer for the NBC comedy series 30 Rock (2007–2012) and the FOX comedy series New Girl (2012–2014). She created, wrote and produced the short-lived Netflix comedy-drama series Girlboss (2017).
African feminism includes theories and movements which specifically address the experiences and needs of continental African women. From a western perspective, these theories and movements fall under the umbrella label of Feminism, but this categorization is misleading for many branches of African "feminism". African women have been engaged in gender struggle since long before the existence of the western-inspired label "African feminism," and this history is often neglected. Despite this caveat, this page will use the term feminism with regard to African theories and movements in order to fit into a relevant network of Wikipedia pages on global feminism. Because Africa is not a monolith, no single feminist theory or movement reflects the entire range of experiences African women have. African feminist theories are sometimes aligned, in dialogue, or in conflict with Black Feminism or African womanism. This page covers general principles of African feminism, several distinct theories, and a few examples of feminist movements and theories in various African countries.
Feminist psychology is a form of psychology centered on social structures and gender. Feminist psychology critiques historical psychological research as done from a male perspective with the view that males are the norm. Feminist psychology is oriented on the values and principles of feminism.
Nasty Gal is an American fast-fashion retailer that specializes in fashion for young women. The company has customers in over 60 countries. Founded by Sophia Amoruso in 2006, Nasty Gal was named "Fastest Growing Retailer" in 2012 by Inc. magazine. Nasty Gal is based in Los Angeles. In 2017, the company was purchased by the BooHoo Group out of Chapter 11 of the U.S. Bankruptcy Code.
The strong female character is a stock character, the opposite of the damsel in distress. In the first half of the 20th century, the rise of mainstream feminism and the increased use of the concept in the later 20th century have reduced the concept to a standard item of pop culture fiction. This narrative cliche is separate and distinct from the notion of a female character who is well written, granted some form of agency, and whose actions and desires occupy a central place in the story in a way that is unusual in the history of women in literature and women in film.
The feminist movement, also known as the women's movement, refers to a series of social movements and political campaigns for radical and liberal reforms on women's issues created by inequality between men and women. Such issues are women's liberation, reproductive rights, domestic violence, maternity leave, equal pay, women's suffrage, sexual harassment, and sexual violence. The movement's priorities have expanded since its beginning in the 1800s, and vary among nations and communities. Priorities range from opposition to female genital mutilation in one country, to opposition to the glass ceiling in another.
Sophia Christina Amoruso is an American businesswoman. Amoruso founded Nasty Gal, a women's fashion retailer, which went on to be named one of "the fastest growing companies" by Inc. Magazine in 2012. In 2016, she was named one of the richest self-made women in the world by Forbes. However, Nasty Gal filed for bankruptcy. In 2017, Amoruso founded Girlboss Media, a company that creates content for women in the millennial generation to progress as people in their personal and professional life.
Native American feminism or Native feminism is, at its root, understanding how gender plays an important role in indigenous communities both historically and in modern-day. As well, Native American feminism deconstructs the racial and broader stereotypes of indigenous peoples, gender, sexuality, while also focusing on decolonization and breaking down the patriarchy and pro-capitalist ideology. As a branch of the broader Indigenous feminism, it similarly prioritizes decolonization, indigenous sovereignty, and the empowerment of indigenous women and girls in the context of Native American and First Nations cultural values and priorities, rather than white, mainstream ones. A central and urgent issue for Native feminists is the Missing and murdered Indigenous women crisis.
Indigenous feminism is an intersectional theory and practice of feminism that focuses on decolonization, Indigenous sovereignty, and human rights for Indigenous women and their families. The focus is to empower Indigenous women in the context of Indigenous cultural values and priorities, rather than mainstream, white, patriarchal ones. In this cultural perspective, it can be compared to womanism in the African-American communities.
Girlboss is an American comedy television series created by Kay Cannon. The series was released on Netflix on April 21, 2017. The show was cancelled after one season.
White feminism is a term which is used to describe expressions of feminism which are perceived as focusing on white women while failing to address the existence of distinct forms of oppression faced by ethnic minority women and women lacking other privileges. Whiteness is crucial in structuring the lived experiences of white women across a variety of contexts. The term has been used to label and criticize theories that are perceived as focusing solely on gender-based inequality. Primarily used as a derogatory label, "white feminism" is typically used to reproach a perceived failure to acknowledge and integrate the intersection of other identity attributes into a broader movement which struggles for equality on more than one front. In white feminism, the oppression of women is analyzed through a single-axis framework, consequently erasing the identity and experiences of ethnic minority women in the space. The term has also been used to refer to feminist theories perceived to focus more specifically on the experience of white, cisgender, heterosexual, able-bodied women, and in which the experiences of women without these characteristics are excluded or marginalized. This criticism has predominantly been leveled against the first waves of feminism which were seen as centered around the empowerment of white middle-class women in Western societies.
Purplewashing is a term used to describe the practice of using feminist or LGBTQ+ issues to mask discriminatory or harmful practices. It involves selectively promoting certain aspects of feminism or LGBTQ+ rights to improve a company's or organization's image, while often neglecting or undermining these same issues in other contexts.
Ratchet feminism emerged in the United States from hip hop culture in the early 2000s, largely as a critique of, and a response to, respectability politics. It is distinct from black feminism, womanism, and hip hop feminism. Ratchet feminism coopts the derogatory term (ratchet). Other terms used to describe this concept include ratchet womanism as used by Georgia Tech professor Joycelyn Wilson or ratchet radicalism used by Rutgers professor Brittney Cooper. Ratchet is an identity embraced by many millennials and Gen Z black women and girls. The idea of ratchetness as empowering, or of ratchet feminism, has been articulated by artists and celebrities like Nicki Minaj, City Girls, Amber Rose, and Junglepussy, scholars like Brittney Cooper and Mikki Kendall, and through events like Amber Rose's SlutWalk. Many view ratchet feminism as a form of female empowerment that doesn't adhere to respectability politics.