Girlboss is a neologism that denotes a woman "whose success is defined in opposition to the masculine business world in which she swims upstream". [1] She's the confident and capable woman who is successful in her career, or the one who pursues her own ambitions, instead of working for others or otherwise settling in life. [2] [3] Popularised by Sophia Amoruso in her 2014 book Girlboss, the concept's ethos has been described as "convenient incrementalism". [1] The term is conversely used with sarcastic and pejorative undertones, to denote women who attempt to raise their professional lives by practicing the same abusive and materialistic practices found in the patriarchal society. [4]
The term became popular in 2014 after Sophia Amoruso used it with a hashtag prefix in her bestselling autobiography, which was adapted into a TV show of the same name. [5] Its early usage was defined by perceived empowerment. [5] Its popularity led to it becoming "a template for marketing and writing about powerful women in virtually every industry". [6] By 2019, the concept had begun to derive disdain from some women and viewed as ironic; others still believed in it had worth. [7] In 2022, Amoruso herself tweeted "Please stop using the word Girlboss thank you." [8]
Some audiences began to critique the girlboss for pursuing individual successes instead of working to weaken the forces of the patriarchy and pursue broader structural change. However, some believe that individual women's achievements can still be praised, and that this is not mutually exclusive with also working towards better workplaces and positive change on the societal level. Martha Gill of The Guardian writes that feminist movements can "push for change and help women in an imperfect world," yet still "celebrate women who succeed anyway." [9]
In early 2020, the self-regulatory organisation Advertising Standards Authority (ASA) in the United Kingdom banned a billboard, advertising PeoplePerHour, which read: "You do the girl boss thing we'll do the SEO thing". [5] Later in 2020, the George Floyd protests saw a number of high-profile women executives resign after accusations of creating toxic and racist workplaces. [10] According to Amanda Mull of The Atlantic , this time saw the "end of the girlboss" manifest in a "cultural pushback". [6] Judy Berman of Time stated that the rise of anti-capitalist sentiment among youth had turned the term "into a joke, a meme, something hopelessly cheugy." [11] Alex Abad-Santos of Vox argued that the term has "shifted culturally from a noun to a verb, one that described the sinister process of capitalist success and hollow female empowerment," pointing to the parody phrase "Gaslight, Gatekeep, Girlboss." [12] [13]
In 2021, some social media influencers attempted to redefine the term as "a sort of post-ironic area in which female evil is celebrated", such as over the trial of Elizabeth Holmes. [14] [15] To some, Holmes served as "the quintessential girlboss," [9] and her trial revealed many of the shortcomings present within the girlboss ideology and, more broadly, the attempts to use feminism in order to minimize women's accountability regarding their decisions. [16] A number of 2021 films and television series were criticised for exemplifying the term, such as Physical . [17] In September 2021, University of Sydney Dean of the Faculty of Arts and Social Sciences Annamarie Jagose referenced the term while defending proposed cuts at the university, stating "Girlboss feminism? I’m not sure what girlboss feminism is." [18]
For a time, female wealth was treated as feel-good news unto itself. The reality of girlbossing, however, was always a little bit messier...The confident, hardworking, camera-ready young woman of a publicist’s dreams apparently had an evil twin: a woman, pedigreed and usually white, who was not only as accomplished as her male counterparts, but just as cruel and demanding too. [6]
Amanda Mull, The Atlantic
According to Magdalena Zawisza, associate professor of Gender Psychology at Anglia Ruskin University, "It is very difficult to escape the deeply rooted gender stereotypes, and many such linguistic attempts backfire ... While 'girl boss' immediately draws attention to the feminine, it also infantilizes the role of a female as a boss". [5] Mull critiqued the idea for reinforcing power structures created by men. [6]
Similarly, some claim that while it is important to draw attention towards women's successes, placing too much of an emphasis on their gender can imply that these successes are merely abnormal exceptions to common gender norms or are inherently different from the successes of men. Stav Atir from the University of Wisconsin-Madison suggests that "we intuitively understand that using a different word for women in male-dominated fields suggests that these women are aberrations –exceptions that prove the rule," and 'girlboss' is one of these terms that many insinuate a woman's natural inability to lead. [19]
Gargi Agrawal of Elle argued that "the idea propagates sexism, racism and class elitism." [20] Journalist Vicky Spratt argued that the term was "a sexist Trojan horse ... if we weren't so scared of women’s power we wouldn't need to do this, to make it more palatable by rolling it in glitter and pinkwashing it." [21]
Hannah Ewens of Vice noted that, although the idea is one of the 2010s, its roots go back to the 1980s: "The Working Woman of the Thatcher and Reagan era, strutting in wearing her power suit, had both the boss and the baby on a leash". [7] Emma Maguire, in an article for The Conversation , echoed a similar sentiment, saying that the idea of girlboss was only possible through feminist achievements. She chose June Dally-Watkins as an example of a historical girlboss. [22] Ewens viewed a girlboss as a multi-tasking woman who doesn't view family as a priority and "deceptively dissolves class without understanding or interacting with it". [7] Maguire wrote that "Girlboss rhetoric often works to propagate sexism, racism, and class elitism, among other forms of oppression". [22]
Ewens highlighted Paris Hilton, Gwyneth Paltrow, Jessica Alba and Sarah Michelle Gellar as examples of girlbosses. [7] Mull called The Wing "an incubator of sorts for girlbosses". [6] Former Teen Vogue executive editor Samhita Mukhopadhyay argued that "for women, navigating the workplace has always been about figuring out which tropes to avoid –we quickly learn not to be the doormat or the shrew, the secretary or the nag –and it seemed as though the death of the girlboss had set another trap." [23]
Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism holds the position that modern societies are patriarchal—they prioritize the male point of view—and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women.
Radical feminism is a perspective within feminism that calls for a radical re-ordering of society in which male supremacy is eliminated in all social and economic contexts, while recognizing that women's experiences are also affected by other social divisions such as in race, class, and sexual orientation. The ideology and movement emerged in the 1960s.
The New Women was a feminist ideal that emerged in the late 19th century and had a profound influence well into the 20th century. In 1894, writer Sarah Grand (1854–1943) used the term "new woman" in an influential article to refer to independent women seeking radical change. In response the English writer Ouida used the term as the title of a follow-up article. The term was further popularized by British-American writer Henry James, who used it to describe the growth in the number of feminist, educated, independent career women in Europe and the United States. The New Woman pushed the limits set by a male-dominated society. Independence was not simply a matter of the mind; it also involved physical changes in activity and dress, as activities such as bicycling expanded women's ability to engage with a broader, more active world.
Liberal feminism, also called mainstream feminism, is a main branch of feminism defined by its focus on achieving gender equality through political and legal reform within the framework of liberal democracy and informed by a human rights perspective. It is often considered culturally progressive and economically center-right to center-left. As the oldest of the "Big Three" schools of feminist thought, liberal feminism has its roots in 19th century first-wave feminism seeking recognition of women as equal citizens, focusing particularly on women's suffrage and access to education, the effort associated with 19th century liberalism and progressivism. Liberal feminism "works within the structure of mainstream society to integrate women into that structure." Liberal feminism places great emphasis on the public world, especially laws, political institutions, education and working life, and considers the denial of equal legal and political rights as the main obstacle to equality. As such liberal feminists have worked to bring women into the political mainstream. Liberal feminism is inclusive and socially progressive, while broadly supporting existing institutions of power in liberal democratic societies, and is associated with centrism and reformism. Liberal feminism tends to be adopted by white middle-class women who do not disagree with the current social structure; Zhang and Rios found that liberal feminism with its focus on equality is viewed as the dominant and "default" form of feminism. Liberal feminism actively supports men's involvement in feminism and both women and men have always been active participants in the movement; progressive men had an important role alongside women in the struggle for equal political rights since the movement was launched in the 19th century.
Third-wave feminism is a feminist movement that began in the early 1990s, prominent in the decades prior to the fourth wave. Grounded in the civil-rights advances of the second wave, Gen X third-wave feminists born in the 1960s and 1970s embraced diversity and individualism in women, and sought to redefine what it meant to be a feminist. The third wave saw the emergence of new feminist currents and theories, such as intersectionality, sex positivity, vegetarian ecofeminism, transfeminism, and postmodern feminism. According to feminist scholar Elizabeth Evans, the "confusion surrounding what constitutes third-wave feminism is in some respects its defining feature."
Transfeminism, or trans feminism, is a branch of feminism focused on transgender women and informed by transgender studies. Transfeminism focuses on the effects of transmisogyny and patriarchy on trans women. It is related to the broader field of queer theory. The term was popularized by Emi Koyama in The Transfeminist Manifesto.
Socialist feminism rose in the 1960s and 1970s as an offshoot of the feminist movement and New Left that focuses upon the interconnectivity of the patriarchy and capitalism. However, the ways in which women's private, domestic, and public roles in society has been conceptualized, or thought about, can be traced back to Mary Wollstonecraft's A Vindication of the Rights of Woman (1792) and William Thompson's utopian socialist work in the 1800s. Ideas about overcoming the patriarchy by coming together in female groups to talk about personal problems stem from Carol Hanisch. This was done in an essay in 1969 which later coined the term 'the personal is political.' This was also the time that second wave feminism started to surface which is really when socialist feminism kicked off. Socialist feminists argue that liberation can only be achieved by working to end both the economic and cultural sources of women's oppression.
Kay Cannon is an American screenwriter, producer, director, and actress. She is best known for writing and producing the Pitch Perfect film series (2012–2017). She made her directorial debut with the comedy film Blockers (2018). Cannon was also a writer and producer for the NBC comedy series 30 Rock (2007–2012) and the FOX comedy series New Girl (2012–2014). She created, wrote and produced the short-lived Netflix comedy-drama series Girlboss (2017).
Queen bee syndrome is a phenomenon first defined by Carol Tavris and two collaborators in 1973. "Queen bee" is a derogatory term applied to women who have achieved success in traditionally male-dominated fields. These women often take on "masculine" traits and distance themselves from other women in the workplace in order to succeed. They may also view or treat subordinates more critically if they are female, and refuse to help other women rise up the ranks as a form of self-preservation.
Nasty Gal is an American fast-fashion retailer that specializes in fashion for young women. The company has customers in over 60 countries. Founded by Sophia Amoruso in 2006, Nasty Gal was named "Fastest Growing Retailer" in 2012 by Inc. magazine. Nasty Gal is based in Los Angeles. In 2017, the company was purchased by the BooHoo Group out of Chapter 11 of the U.S. Bankruptcy Code.
Feminist views on transgender topics vary widely.
Networked feminism is a phenomenon that can be described as the online mobilization and coordination of feminists in response to sexist, misogynistic, racist, and other discriminatory acts against minority groups. This phenomenon covers all possible definitions of what feminist movements may entail, as there have been multiple waves of feminist movements and there is no central authority to control what the term "feminism" claims to be. While one may hold a different opinion from another on the definition of "feminism", all those who believe in these movements and ideologies share the same goal of dismantling the current patriarchal social structure, where men hold primary power and higher social privileges above all others. Networked feminism is not spearheaded by one singular women's group. Rather, it is the manifestation of feminists' ability to leverage the internet to make traditionally unrepresented voices and viewpoints heard. Networked feminism occurs when social network sites such as Facebook, Twitter and Tumblr are used as a catalyst in the promotion of feminist equality and in response to sexism. Users of these social media websites promote the advancement of feminism using tools such as viral Facebook groups and hashtags. These tools are used to push gender equality and call attention to those promoting anything otherwise. Online feminist work is a new engine of contemporary feminism. With the possibility of connecting and communicating all around the world through the Internet, no other form of activism in history has brought together and empowered so many people to take action on a singular issue.
The strong female character is a stock character, the opposite of the damsel in distress. In the first half of the 20th century, the rise of mainstream feminism and the increased use of the concept in the later 20th century have reduced the concept to a standard item of pop culture fiction. This narrative cliche is separate and distinct from the notion of a female character who is well written, granted some form of agency, and whose actions and desires occupy a central place in the story in a way that is unusual in the history of women in literature and women in film.
The feminist movement, also known as the women's movement, refers to a series of social movements and political campaigns for radical and liberal reforms on women's issues created by inequality between men and women. Such issues are women's liberation, reproductive rights, domestic violence, maternity leave, equal pay, women's suffrage, sexual harassment, and sexual violence. The movement's priorities have expanded since its beginning in the 1800s, and vary among nations and communities. Priorities range from opposition to female genital mutilation in one country, to opposition to the glass ceiling in another.
Sophia Christina Amoruso is an American businesswoman. Amoruso founded Nasty Gal, a women's fashion retailer, which went on to be named one of "the fastest growing companies" by Inc. Magazine in 2012. In 2016, she was named one of the richest self-made women in the world by Forbes. However, Nasty Gal filed for bankruptcy. In 2017, Amoruso founded Girlboss Media, a company that creates content for women in the millennial generation to progress as people in their personal and professional life.
Native American feminism or Native feminism is, at its root, understanding how gender plays an important role in indigenous communities both historically and in modern-day. As well, Native American feminism deconstructs the racial and broader stereotypes of indigenous peoples, gender, sexuality, while also focusing on decolonization and breaking down the patriarchy and pro-capitalist ideology. As a branch of the broader Indigenous feminism, it similarly prioritizes decolonization, indigenous sovereignty, and the empowerment of indigenous women and girls in the context of Native American and First Nations cultural values and priorities, rather than white, mainstream ones. A central and urgent issue for Native feminists is the Missing and murdered Indigenous women crisis.
Social justice feminism is the practice of recognizing issues of oppression dealing with race, class, sexuality, and citizenship and challenging them through practice rather than theory. This form of feminism allows for a broader audience beyond the white middle aged women who began the movement. It actively fights racism and class privilege by “ensuring that those most affected by policies and practices are at the decision making table.” It advocates for more women of color in leadership roles and allows recognition for global gender justice and women's rights.
Girlboss is an American comedy television series created by Kay Cannon. The series was released on Netflix on April 21, 2017. The show was cancelled after one season.
White feminism is a term which is used to describe expressions of feminism which are perceived as focusing on white women but are perceived as failing to address the existence of distinct forms of oppression faced by ethnic minority women and women lacking other privileges. Whiteness is crucial in structuring the lived experiences of white women across a variety of contexts. The term has been used to label and criticize theories that are perceived as focusing solely on gender-based inequality. Primarily used as a derogatory label, "white feminism" is typically used to reproach a perceived failure to acknowledge and integrate the intersection of other identity attributes into a broader movement which struggles for equality on more than one front. In white feminism, the oppression of women is analyzed through a single-axis framework, consequently erasing the identity and experiences of ethnic minority women the space. The term has also been used to refer to feminist theories perceived to focus more specifically on the experience of white, cisgender, heterosexual, able-bodied women, and in which the experiences of women without these characteristics are excluded or marginalized. This criticism has predominantly been leveled against the first waves of feminism which were seen as centered around the empowerment of white middle-class women in Western societies.
A tradwife, in recent Western culture, typically denotes a woman who believes in and practices traditional sex roles and marriages. Many tradwives believe that they do not sacrifice women's rights by choosing to take a homemaking role within their marriage. Some may choose to leave careers to focus instead on meeting their family's needs in the home.