Good to Go, with a Tribute to Bu | ||||
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Studio album by | ||||
Released | 1997 | |||
Recorded | October 17 and 18, 1995 | |||
Studio | Mu Rec Studio, Milan, Italy | |||
Genre | Jazz | |||
Label | Soul Note 121292-2 | |||
Producer | Flavio Bonandrini | |||
Andrew Cyrille chronology | ||||
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Good to Go, with a Tribute to Bu is an album by drummer Andrew Cyrille. It was recorded in October 1995 at Mu Rec Studio, Milan, Italy, and was released by Soul Note in 1997. [1] On the album, Cyrille is joined by flutist James Newton and bassist Lisle Atkinson. "Bu" was Art Blakey's nickname, and was derived from Abdullah Ibn Buhaina, the name he adopted after converting to Islam. [2]
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz | [3] |
Tom Hull – on the Web | A− [4] |
In a review for AllMusic, Scott Yanow called the album "an intriguing set," and wrote: "Due to the variety of the material (mostly originals) and the consistent brilliance of Newton, this CD is recommended to fans of advanced jazz." [1]
The authors of The Penguin Guide to Jazz awarded the album 4 stars, and stated: "The set is bracketed by two takes of Cyrille's brilliant impersonation of Art Blakey in excelsis. They and the other title-piece are essays in freedom and responsiveness." [3]
Amiri Baraka commented: "With James Newton on flute and Lisle Atkinson on bass, one does get the expected subtlety, measured color, and intimacy that that orchestration would predict. Certainly, Newton's introspective 'Oblong' speaks from this context very movingly. A deep lingering touching piece. But that is not nearly the whole story. Lisle Atkinson's emphatic bass voice makes certain of this. Atkinson, a highly respected, widely sought-after, and constantly gigging yeoman at the other rhythm post, not only powerfully and dynamically paddles this furthership, but allows Cyrille to circle back and forth inside the main flow without the least loss of drive." [5] He concluded: "This album, with its modest construct yet powerful presence, is a gem! It will be a real find for the humble stumbler, but actually a confirmation of just how musically important and gratifying Andrew Cyrille is and has been, for a while now! And his friends, James Newton and Lisle Atkinson, don't leave them out. They contribute with equal persona to this wonderful effort. This is the kind of album you like to pull your friends' coats to, so they’ll know you know." [6]
Andrew Charles Cyrille is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. AllMusic biographer Chris Kelsey wrote: "Few free-jazz drummers play with a tenth of Cyrille's grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety."
Curtis DuBois Fuller was an American jazz trombonist. He was a member of Art Blakey's Jazz Messengers and contributed to many classic jazz recordings.
James W. Newton is an American jazz and classical flutist.
Soul Time is a 1960 album by jazz pianist Bobby Timmons featuring Blue Mitchell on trumpet, Sam Jones on bass, and Art Blakey on drums.
The African Beat is a jazz album by Art Blakey and the Afro-Drum Ensemble recorded for Blue Note on January 24, 1962 and released later that year.
Crystals is an album by Sam Rivers released by Impulse! Records in 1974 in a stereo/quadraphonic format.
Metamusicians' Stomp is an album by American jazz drummer Andrew Cyrille, recorded in 1978 for the Italian Black Saint label.
The Navigator is an album by American jazz drummer Andrew Cyrille, recorded in 1982 for the Italian Soul Note label.
Special People is an album by American jazz drummer Andrew Cyrille, recorded in 1980 for the Italian Soul Note label.
A Tribute to Stuff Smith is an album by the American jazz violinist Billy Bang recorded in 1992. The album was released on the Italian Soul Note label and features songs written by or associated with violinist Stuff Smith (1909-1967). Bang is supported by pianist and former Smith collaborator Sun Ra, bassist John Ore and drummer Andrew Cyrille.
Not Yet is an album by drummer Art Blakey and the Jazz Messengers recorded in Italy in 1988 and released on the Soul Note label.
I Get a Kick Out of Bu is an album by drummer Art Blakey and the Jazz Messengers recorded in Italy in 1988 and released on the Soul Note label.
Orgasm is an album by jazz hornist Alan Shorter recorded in 1968 and released on the Verve label. It was also released under the title Parabolic during the same year in the UK.
Flute Talk is an album by Buddy Collette's Quintet featuring James Newton recorded in 1988 in Italy and released on the Soul Note label.
Attainment is the third album led by saxophonist Charles Brackeen which recorded in 1987 and released on the Swedish Silkheart label.
Lisle Arthur Atkinson was an American jazz double-bassist.
Route de Frères is an album by drummer Andrew Cyrille. It was recorded in December 2005 at Clinton Studios in New York City, and was released by Tum Records in 2011. On the album, Cyrille is joined by members of the group known as Haitian Fascination: Hamiet Bluiett on baritone saxophone, Alix Pascal on acoustic guitar, Lisle Atkinson on bass, and Frisner Augustin on percussion and vocals.
X Man is an album by drummer Andrew Cyrille. It was recorded in May 1993 at Sear Sound in New York City, and was released by Soul Note in 1994. On the album, Cyrille is joined by flutist James Newton, guitarist Alix Pascal, and bassist Anthony Cox.
My Friend Louis is an album by drummer Andrew Cyrille. It was recorded in November 1991 at Power Station in New York City, and was released by DIW Records in 1992. On the album, Cyrille is joined by saxophonist Oliver Lake, trumpeter Hannibal, pianist Adegoke Steve Colson, and bassist Reggie Workman. "Louis" refers to drummer Louis Moholo, to whom the album is dedicated.
Junction is a live album by drummer Andrew Cyrille. It was recorded in May and June 1976 at two different venues in New York City, and was released later that year by the Institute of Percussive Studies. On the album, Cyrille is joined by members of the band Māōnō: saxophonist David S. Ware, trumpeter Ted Daniel, and bassist Lisle Atkinson. Liner notes were provided by Stanley Crouch. In 1977, the album was reissued by the Japanese label Whynot with different track names and sequence, and with the two shorter tracks replaced by different material from the same concerts.