Dialogue of the Drums | ||||
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Live album by | ||||
Released | 1974 | |||
Recorded | January 1974 | |||
Genre | jazz, percussion music | |||
Length | 49:11 | |||
Label | Institute of Percussive Studies IPS ST001 | |||
Producer | Andrew Cyrille, Milford Graves | |||
Andrew Cyrille chronology | ||||
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Dialogue of the Drums is a live album by American percussionists Andrew Cyrille and Milford Graves, recorded in January 1974 and released later that year by Cyrille's and Graves's Institute of Percussive Studies. [1]
The album is the culmination of a musical association that dated back to April 1969, and that involved appearances in concert halls and cultural centers, as well as work for NBC Television. Many of the concerts also included drummer Rashied Ali. [2]
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Rolling Stone Jazz Record Guide | [3] |
In a review for AllMusic, Brian Olewnick wrote: "Both musicians are steeped in African drum traditions as well as being free improvisers of the highest order, so it's not surprising that the resulting concert is highly rhythmic, densely 'noisy,' and always very imaginative. Utilizing an enormous arsenal of percussive instruments in addition to the standard drum set, Cyrille and Graves, as the album title suggests, engage in intense conversations with each other, interacting with loose precision and exploding into frenzies of clattering assault. Isolating the individual contributions is virtually fruitless, but one can discern Cyrille's patented foot stomps and body smackings, as well as Graves' vocalizations and call and response activities with the audience. The LP release is something of a collector's item, but the bracing and unusual music make it one well worth seeking out." [1]
Writing for The Wire , Alan Licht commented: "Affirmation of African heritage is all-pervasive in this meeting of kindred spirits. Cyrille, like Graves, has an expansive grasp of percussion techniques, and they share awareness of music's broader cultural significance in terms of health, communication and collective identity. During this concert... their instrumentation includes gongs, bongos, osi drums, agogo bells, balafon and temple blocks. Such varied percussion calls for different ways of playing. Both players carry that knowledge back to their kit drumming. They use their voices too, articulate bodies generating meaning within a vibrantly alive field of transmission, reception and exchange." [4]
Andrew Charles Cyrille is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. AllMusic biographer Chris Kelsey wrote: "Few free-jazz drummers play with a tenth of Cyrille's grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety."
Milford Graves was an American jazz drummer, percussionist, Professor Emeritus of Music, researcher/inventor, visual artist/sculptor, gardener/herbalist, and martial artist. Graves was noteworthy for his early avant-garde contributions in the 1960s with Paul Bley, Albert Ayler, and the New York Art Quartet, and is considered to be a free jazz pioneer, liberating percussion from its timekeeping role. The composer and saxophonist John Zorn referred to Graves as "basically a 20th-century shaman."
Donald Moye, Jr., known as Famoudou Don Moye, is an American jazz percussionist and drummer. He is most known for his involvement with the Art Ensemble of Chicago and is noted for his mastery of African and Caribbean percussion instruments and rhythmic techniques.
Middle of the Moment is a soundtrack by English guitarist, composer and improvisor Fred Frith, of the 1995 documentary film, Middle of the Moment by Nicolas Humbert and Werner Penzel.
The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
3D Family is an album by David Murray released on the Swiss Hat Hut label. It was released in 1980 as a double LP and features a live performance by Murray, Johnny Mbizo Dyani and Andrew Cyrille recorded September 3, 1978, at the Jazzfestival Willisau.
Nuba is an album by American jazz drummer Andrew Cyrille, vocalist Jeanne Lee, and saxophonist Jimmy Lyons, recorded in 1979 for the Italian Black Saint label.
Afternoon of a Georgia Faun is an album by American jazz saxophonist Marion Brown recorded on August 10, 1970 and released on ECM later that year. The sextet features fellow saxophonists Anthony Braxton and Bennie Maupin, pianist Chick Corea, and vocalists Jeanne Lee and Gayle Palmore, backed by two percussionists on one side and five on the other.
Jungle Cowboy is the debut album by guitarist Jean-Paul Bourelly which was recorded in late 1986 and released on the JMT label with distribution by Polygram.
More is the second album by American jazz saxophonist Giuseppi Logan, recorded in May 1965 and released in 1966 by the ESP-Disk label. The album features Logan on alto saxophone, bass clarinet, flute, and piano along with pianist Don Pullen, bassists Eddie Gómez and Reggie Johnson, and drummer Milford Graves.
Burnt Offering is a live album by American jazz saxophonist Jimmy Lyons and American jazz drummer Andrew Cyrille. It was recorded in May 1982 in Allentown, Pennsylvania, and released by the Black Saint label in 1991.
Pieces of Time is an album by jazz drummers Kenny Clarke, Andrew Cyrille, Milford Graves, and Famoudou Don Moye. It was recorded in September 1983, and was released by the Soul Note label in 1984. The album, the catalyst for which was Cyrille, presents compositions by all four musicians, along with four two-minute "personal statements." Liner notes were provided by Max Roach, who wrote: "This idea of four percussionists, using sounds as their premise in creating a work as profound as Pieces of Time, is pure artistic design."
Grand Unification is an album by American percussionist Milford Graves, recorded in October 1997 and released in 1998 by Tzadik Records.
Bäbi is a live album by American percussionist Milford Graves, recorded in March 1976 and released in 1977 by the Institute of Percussive Studies, a label owned and run by Graves and Andrew Cyrille. The album features Graves on drums and percussion, along with reed players Arthur Doyle and Hugh Glover.
Meditation Among Us is an album by American percussionist Milford Graves, recorded in July 1977 and released later that year by Kitty Records. The album features Graves on drums, percussion, and piano, along with Kaoru Abe on alto and sopranino saxophones, Mototeru Takagi on tenor saxophone, Toshinori Kondo on trumpet and alto horn, and Toshiyuki Tsuchitori on drums and percussion. It was recorded while Graves was visiting Japan with dancer Min Tanaka.
Route de Frères is an album by drummer Andrew Cyrille. It was recorded in December 2005 at Clinton Studios in New York City, and was released by Tum Records in 2011. On the album, Cyrille is joined by members of the group known as Haitian Fascination: Hamiet Bluiett on baritone saxophone, Alix Pascal on acoustic guitar, Lisle Atkinson on bass, and Frisner Augustin on percussion and vocals.
Space Minds, New Worlds, Survival of America is an album by violinist and composer Leroy Jenkins. It was recorded in August and September 1978, and was released on LP by Tomato Records in 1979. On the album, Jenkins is joined by George Lewis on electronics and trombone, Richard Teitelbaum on synthesizer, Anthony Davis on electric piano and piano, and Andrew Cyrille on percussion.
Galaxies is a live album by percussionists Andrew Cyrille and Vladimir Tarasov, recorded in 1990 at multiple concerts, and released in 1991 by Music & Arts.
Junction is a live album by drummer Andrew Cyrille. It was recorded in May and June 1976 at two different venues in New York City, and was released later that year by the Institute of Percussive Studies. On the album, Cyrille is joined by members of the band Māōnō: saxophonist David S. Ware, trumpeter Ted Daniel, and bassist Lisle Atkinson. Liner notes were provided by Stanley Crouch. In 1977, the album was reissued by the Japanese label Whynot with different track names and sequence, and with the two shorter tracks replaced by different material from the same concerts.
An Evening with Ornette Coleman is a live album by Ornette Coleman. It was recorded in August 1965 at Fairfield Halls in Croydon, London, and was initially released by Polydor International in 1967. The album opens with a recording of a wind quintet by Coleman performed by London's Virtuoso Ensemble, followed by trio performances featuring Coleman on alto saxophone, violin, and trumpet, accompanied by bassist David Izenzon and drummer Charles Moffett.
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