2 Blues for Cecil | ||||
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Studio album by | ||||
Released | January 2022 | |||
Recorded | February 1 and 2, 2021 | |||
Studio | Studios Ferber, Paris, France | |||
Genre | jazz | |||
Label | TUM Records TUM CD 059 | |||
Producer | Petri Haussila | |||
Andrew Cyrille chronology | ||||
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2 Blues for Cecil is an album by drummer Andrew Cyrille, bassist William Parker, and trumpeter Enrico Rava. It was recorded in February 2021 at Studios Ferber in Paris, France, and was released by TUM Records in January 2022. [1] [2] The album is a tribute to pianist Cecil Taylor, with whom all three musicians played; despite this, it does not feature a piano, and does not "attempt to reanimate or imitate Cecil Taylor's style of playing." [3]
Review scores | |
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Source | Rating |
AllMusic | [4] |
DownBeat | [5] |
All About Jazz #1 | [6] |
All About Jazz #2 | [7] |
PopMatters | [8] |
Tom Hull – on the Web | A− [9] |
In a review for AllMusic, Thom Jurek wrote: "This group's innate, perhaps even cellular understanding of Taylor's theories are illustrated colorfully and energetically, without attempting to match the pianist's fluid intensity... This trio may not attempt to imitate Taylor's approach, but they do reveal the intricate dimensions in his aesthetic, while simultaneously reflecting and celebrating the long reach of his influence." [4]
DownBeat's Ivana Ng praised the "liberatory improvisation and uninhibited expression between the three established musicians," and stated that they "have had decades-long careers in free-jazz, and it is this very collective creativity that expands our understanding of the genre." [5]
Writing for All About Jazz , Dan McClenaghan commented: "This trio does not try to match the scattershot, free flying wildness of Taylor. Their approach is a measured and spacious thing. Where Taylor sent piano notes and the collective cacophonies of his bands colliding off the quasars in the furthest reaches of the galaxy, Cyrille, Parker and Rava have found a closer star and set up a steady orbit." [6]
In a separate AAJ review, Karl Ackermann stated: "There is a native talent that comes with being top-tier members of the elite old guard of avant-garde and free jazz. For all their collective experiences and influences, Cyrille, Parker, and Rava are beholding to no particular inspiration. Their invoking of Taylor is simply an acclamation of the unprecedented spirit of his creativity. They summon Taylor's essence and do so stunningly, without going quite as far into the unknown as Taylor would likely have ventured. 2 Blues For Cecil offers a metaphorical calm within the storm that embodied the pianist." [7]
John Garratt, writing for PopMatters , remarked: "it's strange to end 2 Blues for Cecil with a standard, let alone one as old as 'My Funny Valentine'. But similar to Miles Davis' reading of the same tune, this one won't cause you to jump out of your chair and shout 'Show tune!' The trio of Cyrille, Parker, and Rava give it the same bluesy treatment as the previously mentioned improvisations. And if you think Taylor himself wouldn't have approved of such a coda, Parker disagrees. 'He was not avant-garde; he was a human being who loves life and music,' he states in the liner notes. 'He would not be boxed in by the music world's value system that asks artists to conform to their standards.' By that yardstick, Cecil should be smiling right about now." [8]
Glide Magazine's Jim Hynes commented: "Using the principles of space and the notion of 'Sing' - not focusing directly on pitch, dynamics, or rhythm but fusing these dimensions, along with tone, texture, and spirit into an energy flow is the essence of this trio's approach. It's what they learned from Taylor. Within lies some awe-inspiring performances but some beautiful moments too... Some fans of avant-garde or free jazz even find Cecil Taylor's music a bit inaccessible, let alone the mainstream crowd. Don't let that be a deterrent here. Cyrille, Parker, and Rava deliver beautifully executed music that is enthralling throughout." [10]
In an article for WBGO Afternoon Jazz, Nate Chinen wrote: "All three improvisers spent important stretches playing with Taylor, though at different times. And their approach with this putative tribute is less about emulation than acknowledgment; they're honoring a common touchstone by being most fully themselves. The album includes some blues and ballads... — and a bristling take on 'Ballerina,' which Rava composed more than 30 years ago. Listen to the way these musicians effervesce through the tune, and the Cecil connection should be clear." [11]
A review by Michael Ullman in The Arts Fuse stated: "The trio shares Taylor's love of rational freedom and adventure, but it doesn't try to reproduce the pianist's rip-roaring intensity. 2 Blues for Cecil is a genial set, its silences as intriguing as its flurries of notes. There are a number of lovely improvised melodies — sprightly, clever, and even transparent interactions... the players are independent, out of the box. Yet they also sound beautifully together." [12]
Writing for The Big Takeover , Michael Toland remarked: "each player knows that emulating Taylor's style is not the way to pay proper tribute to his spirit. Taylor's art encouraged others to channel their own unfiltered vision, rather than attempt to copy him, and it's a notion embraced by his former bandmates. That's not to say that Cyrille, Parker and Rava don't indulge in free improv – of course they do. But there's nothing here that sounds like Unit Structures or Nefertiti, The Beautiful One Has Come. (Note the lack of piano.)... Taylor celebrated the creative impulse by eschewing any barriers on how it could be expressed. While not nearly as boundary-obliterating as Taylor himself – who could be, after all? – Cyrille, Parker and Rava nonetheless stay true to that ideal, letting their own instincts guide the music to an uncommon sphere all their own." [13]
Cecil Percival Taylor was an American pianist and poet.
Peter Brötzmann was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. Throughout his career, he released over fifty albums as a bandleader. Amongst his many collaborators were key figures in free jazz, including Derek Bailey, Anthony Braxton and Cecil Taylor, as well as experimental musicians such as Keiji Haino and Charles Hayward. His 1968 Machine Gun became "one of the landmark albums of 20th-century free jazz".
Andrew Charles Cyrille is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. AllMusic biographer Chris Kelsey wrote: "Few free-jazz drummers play with a tenth of Cyrille's grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety."
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Jeanne Lee was an American jazz singer, poet and composer. Best known for a wide range of vocal styles she mastered, Lee collaborated with numerous distinguished composers and performers who included Gunter Hampel, Andrew Cyrille, Ran Blake, Carla Bley, Anthony Braxton, Marion Brown, Archie Shepp, Mal Waldron, Mark Whitecage and many others.
Student Studies is a live album by Cecil Taylor recorded in November 1966 and released on the Japanese BYG label as an untitled 2-LP set in 1973. It features a performance by Taylor with Jimmy Lyons, Alan Silva and Andrew Cyrille. The album was first released on CD by the Affinity label as Student Studies, later rereleased on the Black Lion label as The Great Paris Concert, and then reissued a third time as Student Studies by Fuel 2000. None of the three CD issues use the original LP cover artwork.
Winged Serpent (Sliding Quadrants) is an album by Cecil Taylor recorded in Milan, Italy on October 22–24, 1984 and released on the Soul Note label. The album features performances by Taylor with Jimmy Lyons, Enrico Rava, Tomasz Stanko, Frank Wright, John Tchicai, Gunter Hampel, Karen Borca, Andre Martinez, William Parker and Rashid Bakr who are billed as The Orchestra of Two Continents.
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Celebrated Blazons is a live album featuring performances by Cecil Taylor with William Parker and Tony Oxley recorded at the Akademie der Künste in Berlin on June 29, 1990, and released on the FMP label.
In the 1970s in jazz, jazz became increasingly influenced by Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments. Artists such as Chick Corea, John McLaughlin and Al Di Meola increasingly influenced the genre with jazz fusion, a hybrid form of jazz-rock fusion which was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, "...as rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." On June 16, 1972, the New York Jazz Museum opened in New York City at 125 West 55th Street in a one and one-half story building. It became the most important institution for jazz in the world with a 25,000 item archive, free concerts, exhibits, film programs, etc.
Nuba is an album by American jazz drummer Andrew Cyrille, vocalist Jeanne Lee, and saxophonist Jimmy Lyons, recorded in 1979 for the Italian Black Saint label.
World Gardens is an album by jazz pianist Roberto Magris released on the JMood label in 2018, featuring performances by Magris with his trio from Kansas City.
2 Ts for a Lovely T is a 10-CD limited-edition live album by American pianist Cecil Taylor. It was recorded during August 27 - September 1, 1990 at Ronnie Scott's Jazz Club in London, and was released in 2002 on the Codanza label. The album features the group known as the "Feel Trio," with Taylor on piano, William Parker on bass, and Tony Oxley on drums.
Incarnation is a live album by American pianist Cecil Taylor. It was recorded on November 4, 1999 during the "Total Music Meeting" at the "Podewil" in Berlin, and was released in 2004 by FMP. On the album, Taylor is joined by guitarist Franky Douglas, cellist Tristan Honsinger, and drummer Andrew Cyrille.
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Da Bang! is an album by violinist Billy Bang. It was recorded on February 2 and 3, 2011, roughly two months before Bang's death, at Studio MI of the Finnish Broadcasting Company in Helsinki, Finland, and was released in 2013 by Tum Records. On the album, Bang is joined by trombonist Dick Griffin, pianist Andrew Bemkey, double bassist Hilliard Greene, and drummer Newman Taylor Baker. The recording features one composition each by Bang, Barry Altschul, Don Cherry, Ornette Coleman, Miles Davis, and Sonny Rollins.