Susie Ibarra is a contemporary composer and percussionist who has worked and recorded with jazz, classical, world, and indigenous musicians. One of SPIN's "100 Greatest Drummers of Alternative Music," she is known for her work as a performer in avant-garde, jazz, world, and new music. As a composer, Ibarra incorporates diverse styles and the influences of Philippine Kulintang, jazz, classical, poetry, musical theater, opera, and electronic music. Ibarra remains active as a composer, performer, educator, and documentary filmmaker in the U.S., Philippines, and internationally. She is interested and involved in works that blend folkloric and indigenous tradition with avant-garde. In 2004, Ibarra began field recording indigenous Philippine music, and in 2009 she co-founded Song of the Bird King, an organization focusing on the preservation of Indigenous music and ecology.
Great Bliss, Vol. 1 is an album by American jazz saxophonist David S. Ware recorded in 1990 and released on the Swedish Silkheart label. Great Bliss was conceived as a two-installment project and marks the debut of the David S. Ware Quartet, one of the most highly acclaimed musical groups of the decade.
DAO is an album by the American jazz saxophonist David S. Ware, recorded in 1995 and released on Homestead. In contrast with most of the quartet's previous albums, they didn't undergo the usual rigorous rehearsals for the recording, getting into the studio the day after the Oblations and Blessings sessions. DAO was the fifth and last recording by the David S. Ware Quartet with drummer Whit Dickey, who would be replaced by Susie Ibarra.
Godspelized is an album by the American jazz saxophonist David S. Ware, recorded in 1996 and released on the Japanese DIW label. It was the first recording by the David S. Ware Quartet with drummer Susie Ibarra replacing Whit Dickey. The album includes a version of Sun Ra composition "The Stargazers".
Breath Rhyme is an album by American jazz saxophonist Rob Brown recorded in 1989 and released on the Swedish Silkheart label.
High Wire is an album by the American jazz saxophonist Rob Brown, recorded in 1993 and released on the Italian Soul Note label. It features a trio with bassist William Parker and drummer Jackson Krall playing all original Brown compositions.
Illuminate is an album by a quartet co-led by jazz guitarist Joe Morris and alto saxophonist Rob Brown, which was recorded in 1993 and released on Leo Lab, a sublabel of Leo Records. Rehearsing and recording this album was the first time the quartet worked together as a band, although Morris played with Brown before on Youniverse and the trio without Morris recorded High Wire.
This Dance Is for Steve McCall is an album by American jazz saxophonist Roscoe Mitchell which was recorded in 1992 and released on the Italian Black Saint label.
In Order to Survive is an album by American jazz double bassist William Parker which was recorded live in 1993 and released on the Italian Black Saint label. After the album, Parker groups have been known as In Order To Survive. The cover art was made by Jeff Schlanger, a distinctive artist known for his "MusicWitness" paintings, which are created during live performances.
The Multiplication Table is an album by the American jazz pianist Matthew Shipp, recorded in 1997 and released on the Swiss hatOLOGY label.
Time Is of the Essence Is Beyond Time is the third album by free jazz collective quartet Other Dimensions In Music, composed of trumpeter Roy Campbell, multi-instrumentalist Daniel Carter, bassist William Parker and drummer Rashid Bakr. For this special quintet, recorded live in 1997 and released on the AUM Fidelity label, they are joined by pianist Matthew Shipp.
Sunrise in the Tone World is an album by American jazz double bassist William Parker, which was recorded live in 1995 and released on the AUM Fidelity label.
Posium Pendasem is an album by American jazz double bassist William Parker, which was recorded live during the Workshop Freie Musik '98 at The Akademie der Künste in Berlin, and released on the German FMP label.
Mayor of Punkville is a double live album by American jazz bassist William Parker and his Little Huey Creative Music Orchestra, which was recorded at Tonic in New York City in 1999 and released on the AUM Fidelity label.
The Peach Orchard is a double live album by American jazz bassist William Parker and his group In Order to Survive, which was recorded at various venues in New York City in 1997-98 and released on the AUM Fidelity label.
Mass for the Healing of the World is a live album by American jazz double bassist William Parker & the Little Huey Creative Music Orchestra which was recorded live in 1998 but not released on the Italian Black Saint label until 2003.
Live in Paris is an album by American jazz saxophonist Jemeel Moondoc, which was recorded in 1999 at the Banlieues Bleues Festival, in the northern suburbs of Paris, and released on Cadence Jazz. His All-Stars quintet features two longtime associates: trumpeter Roy Campbell and bassist William Parker, and two members of the Jus Grew Orchestra: saxophonist Zane Massey and drummer Cody Moffett. It was the first of Moondoc's small group releases with another saxman.
ConSequences is an album by American jazz trumpeter Raphe Malik, which was recorded live at the 2nd Fire in the Valley Festival in 1997 and released on the Eremite label. He leads a quartet with tenor saxophonist Sabir Mateen, bassist William Parker and drummer Denis Charles in one of his last recorded performances.
Live in the World is a live album by the David S. Ware Quartets. Six tracks were recorded in Switzerland in 1998, and feature Ware on saxophone, Matthew Shipp on piano, William Parker on bass, and Susie Ibarra on drums. The remaining tracks were recorded in two locations during 2003: Terni, Italy, with Ware, Shipp, Parker and drummer Hamid Drake; and Milano, Italy, with Drake replaced by Guillermo E. Brown. The album was released as a triple CD set by Thirsty Ear Recordings in 2005.
Earl Freeman was an American free jazz multi-instrumentalist, composer, poet, and artist best known for his work during the 1960s and 70s with Gong, Noah Howard, Sunny Murray, Archie Shepp, and Clifford Thornton.
