Testimony | ||||
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Live album by | ||||
Released | 1996 | |||
Recorded | December 28, 1994 | |||
Venue | Knitting Factory, New York City | |||
Genre | Free jazz | |||
Length | 1:17:58 | |||
Label | Zero In 1 | |||
Producer | Derek Milner | |||
William Parker chronology | ||||
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Testimony is a live solo double bass album by William Parker, his first solo release. It was recorded on December 28, 1994, at the Knitting Factory in New York City, and was issued on CD in 1996 by the tiny Zero In label. The music was also included in the 2011 compilation Crumbling in the Shadows is Fraulein Miller's Stale Cake (Centering Records). [1] [2] [3] [4]
The track titled "Testimony" is dedicated to jazz double bassist Beb Guérin, while "Dedication" pays homage to Charles Clark and Albert Stinson. [5]
Review scores | |
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Source | Rating |
AllMusic | [1] |
MusicHound Jazz | [6] |
The Penguin Guide to Jazz | [7] |
The Rolling Stone Jazz & Blues Album Guide | [8] |
Tom Hull – on the Web | B+ [9] |
In a review for AllMusic, Brian Flota praised Parker's "amazing emotional and experimental capabilities," but noted the "less than average production of the disc." [1]
The authors of The Penguin Guide to Jazz Recordings wrote: "Solo contrabass performance is a stern discipline. Parker pays full tribute to Barre Phillips, and much of this live recording... recalls Barre's rich, balletic solo works." [7]
Ed Hazell of The Boston Phoenix called the music "stunning," and stated: "Parker plunges in as if he were trying to save a sinner from the devil. From its opening moments, 'Sonic Animation' grabs you with alarming force as Parker wails and declaims with the fury of an Old Testament prophet... With his arsenal of rhetorical devices, speed, and facility on the bass -- and a dark, woody tone that projects honesty and strength -- Parker maintains a remarkable level of intensity for nearly 80 minutes." [10]
The Chicago Reader's John Corbett described the album as "a splintering blindside attack of metal, wood, and bow hair," and commented: "'Sonic Animation' is 23 minutes of furious energy, all arco, while Parker's singular approach to pizzicato–accelerating phrases, string buzzing on the neck, multilinear riffs, and the constant thud of thwacked open notes–is evident on the title cut; moving into the finale, he sits on a single cool melodic line, smacking the bottom-end nastily between numerous repetitions." [11]
Composed by William Parker.
Peter Kowald was a German free jazz and free improvising double bassist and tubist.
Harras is an album of improvised music by Derek Bailey, John Zorn & William Parker. The album was released by the Japanese Avant label in 1996. Towards the end of the track "Evening Harras" there is 10 minutes of silence followed by a Bailey solo. "According to Derek Bailey, the abrupt cutoff was planned. Derek wanted to end it "on a high". The Bailey solo material appended after the silence was apparently Zorn's idea."
Consecration is an album by American jazz saxophonist Charles Gayle featuring performances recorded in 1993 for the Italian Black Saint label.
Time Will Tell is an album by American jazz pianist Paul Bley recorded in January 1994 and released on ECM a year later. The trio features saxophonist Evan Parker and bassist Barre Phillips.
Sankt Gerold is a live album by pianist Paul Bley recorded at the Propstei Sankt Gerold in April 1996 and released on ECM in October 2000. The trio features saxophonist Evan Parker and bassist Barre Phillips.
Touchin' on Trane is a live album by American jazz saxophonist Charles Gayle, bassist William Parker, and percussionist Rashied Ali, featuring performances inspired by John Coltrane which were recorded in Germany in 1991 for the FMP label.
Points is an album by American jazz pianist Matthew Shipp recorded in 1990 and released on the Swedish Silkheart label.
Zo is an album by American jazz pianist Matthew Shipp with bassist William Parker, which was recorded in 1993 and released on the tiny label Rise Records. The album was reissued in 1997 by the 2.13.61 label, founded by Henry Rollins, in partnership with Thirsty Ear Recordings.
Illuminate is an album by a quartet co-led by jazz guitarist Joe Morris and alto saxophonist Rob Brown, which was recorded in 1993 and released on Leo Lab, a sublabel of Leo Records. Rehearsing and recording this album was the first time the quartet worked together as a band, although Morris played with Brown before on Youniverse and the trio without Morris recorded High Wire.
Elsewhere is an album by the American jazz guitarist Joe Morris, recorded in 1996 and released on Homestead. The Joe Morris Ensemble features pianist Matthew Shipp's regular trio with bassist William Parker and drummer Whit Dickey. Morris and Shipp played together once with violinist Mat Maneri in Boston four or five years before.
In Order to Survive is an album by American jazz double bassist William Parker which was recorded live in 1993 and released on the Italian Black Saint label. After the album, Parker groups have been known as In Order To Survive. The cover art was made by Jeff Schlanger, a distinctive artist known for his "MusicWitness" paintings, which are created during live performances.
Compassion Seizes Bed-Stuy is an album by the American jazz double bassist William Parker, recorded in 1995 and released on Homestead.
2 Days in April is a double album by a free jazz quartet consisting of saxophonists Fred Anderson and Kidd Jordan, bassist William Parker and drummer Hamid Drake, documenting two 1999 concerts at the University of Massachusetts at Amherst and the Massachusetts Institute of Technology at Cambridge. It was released on Eremite, a label founded by producer Michael Ehlers. Anderson and Jordan first meeting was at a mid-80s AACM concert in Chicago, but this is their first recording together.
New World Pygmies is an album by American jazz saxophonist Jemeel Moondoc and bassist William Parker, which was recorded live at the Fire in the Valley Festival in 1998 and released on the Eremite label. It was Moondoc's first recorded encounter with Parker since Nostalgia in Times Square. "Another Angel Goes Home" is a tribute to drummer Denis Charles.
Sonic Text is an album by American jazz saxophonist Joe Farrell, recorded in 1979 and released on the Contemporary label.
Last Set: Live at the 1369 Jazz Club is an album by American jazz trumpeter Raphe Malik recorded in 1984 but not issued until 2004 by the Boxholder label. The live set adds tenor saxophonist Frank Wright as special guest to the regular trio of Malik, bassist William Parker and drummer Syd Smart.
Lady Bird is an album by saxophonist Archie Shepp, recorded in 1978.
Harmos is an album by Barry Guy and the London Jazz Composers' Orchestra that features a recording of a large-scale, 44-minute composition by Guy. It was recorded in April 1989, just before the LJCO's 20th anniversary, in Zürich, Switzerland, and was released later that year by Intakt Records. Guy interpreted the Greek title in its original meaning of "coming together," and the work attempts to find solutions to the challenges surrounding the coexistence of improvisation and composition.
Theoria is an album by Barry Guy and the London Jazz Composers' Orchestra, with pianist Irène Schweizer as soloist. Documenting a large-scale, 58-minute composition by Guy, it was recorded in February 1991 in Zürich, Switzerland, and was released in 1992 by Intakt Records. The work is basically a concerto for Schweizer, and was presented in honor of her 50th birthday.
Double Trouble is an album by Barry Guy and the London Jazz Composers' Orchestra. Documenting a large-scale, 46-minute composition by Guy, it was recorded in April 1989 in Zürich, Switzerland, and was released in 1990 by Intakt Records.