"Goodnite, Sweetheart, Goodnite" | ||||
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Single by The Spaniels | ||||
B-side | "You Don't Move Me" | |||
Released | March 1954 [1] | |||
Recorded | September 23, 1953 [2] | |||
Genre | Doo-wop [3] [4] | |||
Length | 2:48 | |||
Label | Vee-Jay | |||
Songwriter(s) | Calvin Carter and James "Pookie" Hudson | |||
The Spaniels singles chronology | ||||
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"Goodnite, Sweetheart, Goodnite" is a popular song that was a hit during the mid-1950s. It was written by Calvin Carter and James "Pookie" Hudson in 1951, and was first recorded by The Spaniels in 1953. [2] It has also been released by some artists as "Goodnight, Well It's Time to Go". [5]
The song was originally released by the R&B doo-wop group The Spaniels in March 1954. [1] [6] The original version peaked at No. 5 on Billboard 's "Rhythm and Blues Records" chart of "Best Sellers in Stores", [7] [8] No. 5 on Billboard's "Rhythm and Blues Records" chart of "Most Played in Juke Boxes", [9] and No. 3 on Cash Box 's Rhythm & Blues Top 15. [10]
The Spaniels' version was ranked No. 20 on Billboard's ranking of "1954's Top R&B Records according to Retail Sales" and No. 15 on Billboard's ranking of "1954's Top R&B Records according to Juke Box Plays". [11] It was also ranked No. 16 in Cash Box's ranking of "1954's Top R&B Records as Voted in the Cash Box Poll". [12]
The best-selling version of the song was recorded by The McGuire Sisters in 1954. [13] Under the title "Goodnight, Sweetheart, Goodnight", their version reached No. 8 on Billboard's chart of "Best Sellers in Stores", [14] No. 7 on Billboard's chart of "Most Played in Juke Boxes", [14] and No. 9 on Billboard's chart of "Most Played by Jockeys". [15] A million copies of the McGuire Sisters' single were sold. [16] [1]
The McGuire Sisters' version was ranked No. 21 on Billboard's ranking of "1954's Top Popular Records according to Juke Box Plays". [17] It was also ranked No. 33 in Cash Box's ranking of "1954's Top Pop Records as Voted in the Cash Box Poll". [18]
It was also recorded in 1954 by country music duo Johnnie & Jack, [19] whose version reached No. 3 on Billboard's "Country & Western Records" chart "Most Played by Jockeys", [20] No. 4 on Billboard's "Country & Western Records" chart "Best Sellers in Stores", [20] No. 4 on Billboard's "Country & Western Records" chart "Most Played in Juke Boxes", [21] No. 4 on Cash Box's chart of "The 10 Top Folk & Western Best Sellers", [22] No. 4 on Cash Box's chart of "The Ten Folk and Western Disk Jockeys Played Most This Week", [23] and No. 4 on Cash Box's chart of "Hillbilly, Folk & Western Juke Box Tunes". [24]
Johnnie & Jack's version was ranked No. 20 on Billboard's ranking of "1954's Top C&W Records according to Retail Sales" and No. 21 on Billboard's ranking of "1954's Top C&W Records according to Juke Box Plays". [25] It was also ranked No. 17 in Cash Box's ranking of "1954's Top Country Records as Voted in the Cash Box Poll". [26]
Sunny Gale also released a version in 1954, which reached No. 27 on Billboard's chart of "Best Sellers in Stores". [14]
The song reached No. 8 on the Cash Box Top 50, in a tandem ranking of the McGuire Sisters, Sunny Gale, the Spaniels, Johnnie & Jack, Ella Mae Morse, and Gloria Mann & Carter Rays' versions, with the McGuire Sisters and Sunny Gale's versions marked as bestsellers, [27] while reaching No. 5 on Cash Box's Top Ten Juke Box Tunes chart, [28] and No. 7 on Cash Box's chart of "The Ten Records Disk Jockeys Played Most This Week", in a tandem ranking of the McGuire Sisters and Sunny Gale's versions. [29] The song also reached No. 8 on Billboard's "Honor Roll of Hits", with the McGuire Sisters, the Spaniels, and Sunny Gale's versions listed as best sellers. [30]
The Spaniels re-recorded the song in 1969 for Buddah Records; however, the title was shown as "Goodnight Sweetheart" and the songwriting misattributed to Ray Noble, Jimmy Campbell, Reg Connelly and Rudy Vallee, implying they covered the 1930s standard. [31] [32]
The song became well known again in the late 1970s as the closing song performed by Sha Na Na on their weekly variety show, as well as because of its appearance in the 1973 movie American Graffiti .
In 1975, Australian band Ol' 55 released a version as their debut single. The song peaked at number 95 on the Kent Music Report.
In the late 1980s it was used again as a lullaby in the major hit film Three Men and a Baby .
For many years, Dick Biondi played the song at the end of every show on Chicago's 94.7 WLS-FM. [33]
The Johnnie & Jack version was used by NTV in Tokyo, Japan from 2000 to 2001 when the broadcasting in a day ended and not having the NNN24.
"He" is a song about God, written in 1954. The song made the popular music charts the following year.
"Mr. Sandman" is a popular song written by Pat Ballard and published in 1954. It was first recorded in May of that year by Vaughn Monroe & his orchestra and later that year by The Chordettes and the Four Aces. The song's lyrics convey a request to "Mr. Sandman" to "bring me a dream" – the traditional association of the folkloric figure. The pronoun used to refer to the desired dream is often changed depending on the sex of the singer or group performing the song, as the original sheet music publication, which includes male and female versions of the lyrics, intended.
"Let Me Go, Lover!", a popular song, was written by Jenny Lou Carson and Al Hill, a pen name used by Fred Wise, Kathleen Twomey, and Ben Weisman. It is based on an earlier song called "Let Me Go, Devil", about alcoholism.
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"Diana" is a song written and first performed by Paul Anka, who recorded it in May 1957 at Don Costa’s studio in New York City. Anka stated in his autobiography that the song was inspired by a girl named Diana Ayoub, whom he had met at his church and community events, and had developed a crush on. Session musicians on the record included George Barnes playing lead guitar, Bucky Pizzarelli playing the "Calypso" riff on guitar, Irving Wexler on piano, Jerry Bruno on bass, and Panama Francis on drums. The song was recorded in May 1957 at RCA Studios in New York. Backup singers included Artie Ripp.
"Eddie My Love" is a 1956 doo wop song. According to BMI and ASCAP, the song was written by Maxwell Davis (BMI), Aaron Collins, Jr. (ASCAP), and Sam Ling (BMI). Maxwell Davis played sax on the Teen Queens record. Aaron Collins was the brother of the Teen Queens. Sam Ling was an alias of Saul Bihari, co-founder of Modern, RPM, and other labels.
"Ev'ry Day of My Life" is a popular song written in 1954 by Al Jacobs and Jimmie Crane.
"Feel So Fine" is a song released in 1960 by Johnny Preston. The song is a reworking of the 1955 song "Feel So Good" by Shirley & Lee, with modified lyrics.
"So Sad (To Watch Good Love Go Bad)" is a song written by Don Everly, which was released by The Everly Brothers in 1960. The song was later a country hit for multiple artists in the 1970s and 80s.
"Long Lonely Nights" is a song that was originally released by Lee Andrews & the Hearts in 1957. Hit versions were also released by Clyde McPhatter, later in 1957, and Bobby Vinton in 1965. The song was written by Lee Andrews, though Larry Brown, Doug Henderson, and Mimi Uniman were given songwriter credit as well, in a practice that was common at the time.
"(Remember Me) I'm The One Who Loves You" is a song written and originally sung by Stuart Hamblen, which he released in 1950. The song was a hit for Ernest Tubb the same year, and Dean Martin in 1965. Johnny Cash also covered it on his 1957 debut album Johnny Cash with His Hot and Blue Guitar!
"The Man in the Raincoat" is a song written by Warwick Webster, which was first released by Priscilla Wright in April 1955, and became a hit in the United States. Another hit version was released by Marion Marlowe later that year.
Billboard Top Country & Western Records of 1956 is made up of three year-end charts compiled by Billboard magazine ranking the year's top country and western records based on record sales, juke box plays, and jockey plays.