Grant McLean, CM (April 7, 1921 – December 19, 2002) was a Canadian film director and producer. For most of his professional career he worked with the National Film Board of Canada (NFB), serving as its acting Commissioner for a period during the 1960s.
McLean was born in Yorkton, Saskatchewan. [1] His father Allan Grant McLean was a grain commissioner and Liberal Party politician, [2] and his uncle Ross McLean also served as chairman of the NFB. [2]
McLean studied at the University of Toronto, [2] before joining the NFB in 1941 as a cameraman. [1] One of the notable productions he worked on during World War II was the documentary Target Berlin for the Canada Carries On series, which showed the building of the first Lancaster bomber to be made in Canada, with McLean later flying in the plane to capture footage of a bombing raid over Berlin in Germany. [2] He became a film director in 1947, [1] [3] with his first production in this capacity being The People Between, a documentary about the Chinese Civil War. [3] For this film he became the first Western cameraman to film Mao Zedong. [2] He later claimed that he had not liked Mao, although he had been friendly with Zhou Enlai, whose support had been vital in enabling him to travel freely across China in the making of the film. [4] However, The People Between was banned by the Canadian government, under pressure from the Government of the United States, due to its balanced portrayal of Communism. [2] Some of the footage was used in the NFB documentary China in Need, and the film itself received a limited release in Europe. [5]
McLean continued to direct films for the NFB into the 1950s, and two of his documentaries won Canadian Film Awards; 1953's Farewell Oak Street and 1955's High Tide in Newfoundland . [3] He then became a producer, working on the Perspective series of documentaries. [1] In 1957 he was appointed as Assistant Film Commissioner and Director of Production at the NFB. [6] In this capacity he was responsible, in the early 1960s, for the NFB creating its first regional offices across Canada. [1] In 1961 took the decision to assign four controversial French Canadian filmmakers who had previously been dismissed from Board by Fernand Dansereau, the executive producer of French language productions, to work together in the NFB's Studio G unit. [7] These filmmakers were Claude Fournier, Michel Brault, Gilles Carle and Gilles Groulx. [7]
In March 1966, the Government Film Commissioner and Chairman of the NFB Guy Roberge resigned from his position. [8] Judy LaMarsh, the Secretary of State, appointed McLean as his acting replacement. [9] When LaMarsh sought the advice of NFB founder John Grierson as to who should succeed Roberge on a full-time basis, he suggested that either McLean or Sydney Newman were the only viable replacements. [10] However, Marsh instead chose to give the job to Hugo McPherson, who was appointed in May 1967. [11]
During McLean's brief time in charge of the NFB, the Board's most noted achievement was the production of the innovative multi-screen film In the Labyrinth for the Expo 67 exhibition in Montreal. [2] Soon after McPherson's arrival as head of the NFB, however, the new Commissioner announced plans to restructure senior levels of the organisation and replace his two assistants and a wider group; McLean, one of these two assistants, resigned from the NFB. [12]
After leaving the NFB in 1967, McLean established McLean-Wilder Associates, his own distribution company; this was later renamed the Visual Education Centre. [2] In 2002 he was appointed a Member of the Order of Canada; [3] he died in Toronto later that year. [3] He was survived by his second wife, Betty, and daughter Lenore, from his first marriage to Frances Keith McLean. [4]
The National Film Board of Canada is Canada's public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries.
Sydney Cecil Newman, OC was a Canadian film and television producer, who played a pioneering role in British television drama from the late 1950s to the late 1960s. After his return to Canada in 1970, Newman was appointed Acting Director of the Broadcast Programs Branch for the Canadian Radio and Television Commission (CRTC) and then head of the National Film Board of Canada (NFB). He also occupied senior positions at the Canadian Film Development Corporation and Canadian Broadcasting Corporation, and acted as an advisor to the Secretary of State.
The history of cinema in Quebec started on June 27, 1896 when the Frenchman Louis Minier inaugurated the first movie projection in North America in a Montreal theatre room. However, it would have to wait until the 1960s before a genuine Quebec cinema industry would emerge. Approximately 620 feature-length films have been produced, or partially produced by the Quebec film industry since 1943.
Tom Perlmutter is a Canadian film and digital media writer and producer who was the 15th Government Film Commissioner and Chairperson of the National Film Board of Canada, from May 17, 2007 to December 31, 2013.
Les raquetteurs is a 1958 Direct Cinema documentary film co-directed by Michel Brault and Gilles Groulx. The film explores life in rural Quebec, at a convention of snowshoers in Sherbrooke, Quebec in February 1958. The film is notable for helping to establish the then-nascent French language production unit at the National Film Board of Canada, and more importantly, the development of a uniquely Quebec style of direct cinema.
André Lamy was a Canadian film producer, who served as Canada's Government Film Commissioner from 1975 until 1979. In this position he was the Chairman of the National Film Board of Canada (NFB).
Hugh Archibald McPherson, better known as Hugo McPherson, was a Canadian professor, who served as Canada's Government Film Commissioner from 1967 until 1970. In this position he was the Chairman of the National Film Board of Canada.
Guy Roberge was a Canadian journalist, lawyer, politician and civil servant. He also served as Canada's Government Film Commissioner during the 1950s and 60s, in which capacity he ran the National Film Board of Canada. He was the first French Canadian to occupy this role.
John Ross McLean, the 11th of 12 children of a Northern Manitoba minister and farmer, was born in the small prairie village of Ethelbert in 1905. He became a Canadian journalist and civil servant. In the latter role he served as the Commissioner of the National Film Board of Canada (NFB) in the 1940s, having previously been instrumental in the foundation of the Board the previous decade.
James de Beaujeu Domville was a French-born Canadian theatrical producer and administrator. In addition to his theatrical work, Domville served in several important Canadian cultural positions, including five years as Commissioner of the National Film Board of Canada (NFB).
François N. Macerola was a Canadian lawyer and film executive. He held a number of senior positions with the National Film Board of Canada and Telefilm Canada.
Joan Pennefather is a Canadian film and cultural executive. She was the first woman to be the Commissioner of the National Film Board of Canada (NFB).
James Beveridge was a Canadian filmmaker, author and educator. Beveridge was a pioneering filmmaker at the fledgling National Film Board of Canada (NFB) and rose to become Head of Production and Executive Producer at the NFB in postwar years.
Thomas Cullen Daly, OC was a Canadian film producer, film editor and film director, who was the head of Studio B at the National Film Board of Canada (NFB) in the 1950s and 1960s. On April 27, 2000, he was honored by being made an Officer in the OC. During his 44-year career at the NFB, Daly produced and executive-produced more than 300 films.
Jane Marsh Beveridge was a Canadian director, producer, editor, composer, screenwriter, teacher and sculptor. She was best known as one of the pioneering filmmakers at the National Film Board of Canada (NFB).
John Spotton was a Canadian filmmaker with the National Film Board of Canada.
Routine Flight is a 1955 Canadian short documentary film produced by the National Film Board of Canada (NFB) as part of the On The Spot series made specifically for television. The documentary, directed by Gordon Burwash, involved an account of a visit to a Trans-Canada Air Lines (TCA) maintenance centre while it is involved in transitioning to a new type of airliner. Routine Flight is based on first-person interviews of the staff at the maintenance centre and flight crew on a test flight.
Target - Berlin is a 15-minute 1944 Canadian documentary film, made by the National Film Board of Canada (NFB) as part of the wartime Canada Carries On series. The film was produced by Raymond Spottiswoode and directed by Ernest Borneman, from a story by Leslie McFarlane, based on the industrial production of the Avro Lancaster in Canada, from initial production to the first example taking part in a raid on Berlin. The film's French version title was Objectif Berlin.
Inside Fighting Canada is an 11-minute 1942 Canadian documentary film, made by the National Film Board of Canada (NFB) as part of the wartime Canada Carries On series. The film, directed by Jane Marsh and produced by James Beveridge, was an account of the Canadian military during the Second World War. The film's French version title is Canada en guerre.
Air Cadets is a 15-minute 1944 Canadian documentary film, made by the National Film Board of Canada (NFB) as part of the wartime Canada Carries On series. The film describes the Air Cadet Movement in 1944 during the Second World War. Air Cadets was directed by Jane Marsh, who was also the writer and editor on the production. The film's French version title is Les Cadets de l'air.