Heart Food | ||||
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Studio album by | ||||
Released | March 1973 | |||
Genre | ||||
Length | 36:14 | |||
Label | Asylum | |||
Producer |
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Judee Sill chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [3] |
Christgau's Record Guide | B+ [4] |
Creem | B+ [5] |
Pitchfork | (8.8/10) [6] |
Heart Food is the second studio album by American singer-songwriter Judee Sill, released by Asylum in March 1973 [7] to acclaim but minimal sales. Sill wrote, arranged, and produced the album. As with Judee Sill, it was reissued by Rhino Records in 2003, featuring new liner notes and extra demos and unreleased tracks.
Some of the songs from Heart Food date back to the time of her debut album Judee Sill. "The Pearl" and "The Phoenix" (copyrighted in 1969) were originally recorded for the debut album in 1971 but were removed to make room for late inclusion "Jesus Was A Cross Maker." Instead, they were re-recorded for Heart Food. Sill had also been performing "The Vigilante" in 1971 when working as a support act.
Sill finished writing "The Kiss" around March 15, 1972, and "Down Where the Valleys Are Low" was also completed in early 1972. Songs like "The Kiss" reflect her fascination with hymnody and Christian imagery, while others, notably "Soldier of the Heart," feature fuller pop arrangements. The album is dedicated to Sill's then-boyfriend David Omer Bearden, who wrote the lyrics to the solo piano song "When the Bridegroom Comes." As with her debut, Sill's lyrics bear the hallmarks of her interest in the occult and Christian theology. The song "The Donor" features an ambitious and intricate choral arrangement built around hymnal chants of "Kyrie Eleison."
Sill continued to perform live with the release of Heart Food. She debuted "The Kiss" in a BBC session on March 23, 1972, saying it was written only seven or eight days before. She also played "Down Where the Valleys Are Low" at this session, aired on April 1, 1972. Sill also performed further BBC sessions in 1972 and 1973, including a TV concert in April 1972, a Radio 1 session on February 14, 1973, where she played six songs from Heart Food, and two sessions for the BBC TV show Old Grey Whistle Test ; her performance of "The Kiss" at the 1973 session is available on DVD.
All tracks composed by Judee Sill; except lyrics on "When The Bridegroom Comes" by David Omer Bearden
"The Kiss" has been covered by Matt Alber on his 2011 album Constant Crows, [8] by Neil Cavanagh on his 2008 album Short Flight to a Distant Star, and by Bonnie 'Prince' Billy on his 2004 CD single No More Workhorse Blues. [9]
Shawn Colvin covered "There's a Rugged Road" on her 1994 album "Cover Girl", and it was sung by a character in the 2010 film Greenberg , directed by Noah Baumbach.
Jane Siberry contributed vocals to a cover of "The Kiss" for Ghostland's album Interview with the Angel. [10] This version was also released on Siberry's 2001 compilation, City. [11]
Jackie Leven, under the pseudonym Sir Vincent Lone covered "When The Bridegroom Comes" on his 2007 album When The Bridegroom Comes (Songs For Women) .
Closing Time is the debut album by American singer-songwriter Tom Waits, released on March 6, 1973, on Asylum Records. Produced and arranged by former Lovin' Spoonful member Jerry Yester, Closing Time was the first of seven of Waits' major releases by Asylum.
Apostrophe (') is the sixth solo album and eighteenth in total by Frank Zappa, released in March 1974 in both stereo and quadraphonic formats. An edited version of its lead-off track, "Don't Eat the Yellow Snow", was the first of Zappa's three Billboard Top 100 hits, ultimately peaking at number 86. The album itself became the biggest commercial success of Zappa's career, reaching number 10 on the US Billboard 200.
John David Souther is the self-titled debut album American singer-songwriter J.D. Souther, released in 1972. The song "How Long" was recorded in 2007 by the Eagles on their album Long Road Out of Eden, from which it was released as a single. It was a Grammy award winner for them under the "Best Country Performance by a Duo or Group with Vocal" category. "Run Like a Thief" was covered by Bonnie Raitt on her album Home Plate.
Over-Nite Sensation is the twelfth album by The Mothers of Invention, and the seventeenth album overall by Frank Zappa, released in September 1973. It was Zappa's first album released on his DiscReet label. His solo album Apostrophe (') (1974) was recorded during the same sessions for Over-Nite Sensation.
Planet Waves is the fourteenth studio album by American singer-songwriter Bob Dylan, released on January 17, 1974, by Asylum Records in the United States and Island Records in the United Kingdom.
Judith Lynne Sill was an American singer-songwriter. She was influenced by Bach, and wrote lyrics drawing on Christian themes of rapture and redemption.
Judee Sill is the debut studio album by American singer-songwriter Judee Sill. Released on September 15, 1971, it was the first album on David Geffen's Asylum label. Backing musicians include John Beck and Jim Pons from the Leaves. While the majority of the album was produced by Henry Lewy, Graham Nash handled the duties for the single "Jesus Was a Cross Maker", with his production designed to aim for radio airplay.
Hard Nose the Highway is the seventh studio album by Northern Irish singer-songwriter Van Morrison, released in 1973. It is his first solo album since his 1967 debut Blowin' Your Mind! to contain songs not written by Morrison. A cover version of the song "Bein' Green", usually associated with Kermit the Frog, is included, as is a take of the traditional song "Purple Heather". The album also contains the single "Warm Love," a fan favourite.
For the Roses is the fifth studio album by Canadian singer-songwriter Joni Mitchell. It was released in November 1972, between her two biggest commercial and critical successes—Blue and Court and Spark. In 2007 it was one of 25 recordings chosen that year by the Library of Congress to be added to the National Recording Registry.
Dreams Come True is the third official album released by singer and songwriter Judee Sill. A double CD released on Water Records in 2005, the album mainly contains work originally recorded in the seventies as potential material for a third album on Asylum Records. A combination of Sill's health and drug problems and lack of interest in the market prevented the completion of the album in the seventies but a renewed interest in her work led to the release of this set, which also includes film footage from 1973.
Ecstasy is the eighteenth solo studio album by American rock musician Lou Reed, released on April 4, 2000, by Reprise Records. A concept album about Reed's personal experiences with marriage and relationships, it is his final rock album that is not a collaboration.
Don McLean is the third studio album by American singer-songwriter Don McLean, released in 1972, peaking at number 23 on the Billboard 200 chart. It was reissued by BGO Records in 1996. The photo on the cover of the album was taken overlooking the Village of Cold Spring, NY.
Romany is the twelfth UK studio album by The Hollies, the first not to feature their lead singer Allan Clarke, who had left to embark on a solo career. He was replaced by Swedish singer Mikael Rickfors. In the opinion of contemporary and retrospective critics, this album moved the band further away from the original vocal harmony style of Allan Clarke, Tony Hicks and Graham Nash.
Like an Old Fashioned Waltz is the third solo album by English folk rock singer Sandy Denny, released in June 1974.
"Use Me" is a song, composed and originally recorded by Bill Withers and included on his 1972 album Still Bill. It was his second-biggest hit in the United States, released in September 1972 and later reaching No. 2 on the Billboard Hot 100 chart. It was kept from No. 1 by both "Ben" by Michael Jackson and "My Ding-a-Ling" by Chuck Berry. "Use Me" also peaked at No. 2 on the soul chart for two weeks. Withers performed it on Soul Train on November 4, 1972. Billboard ranked "Use Me" as the No. 78 song for 1972. The song was certified Gold by the RIAA. It is noted for its repeated bass figure which is heard alongside a complex rhythm in the percussion.
Crayon Angel: A Tribute To The Music of Judee Sill is a tribute album to Judee Sill released in 2009.
"Jesus Was a Cross Maker" is a 1971 song by American singer-songwriter Judee Sill from her eponymous debut album. It has subsequently been recorded by the likes of Cass Elliot, The Hollies, Warren Zevon, and Linda Ronstadt.
Abracadabra: The Asylum Years is a 2006 compilation album by American folk musician Judee Sill.
Live in London: The BBC Recordings 1972–1973 is a 2007 compilation album of American folk musician Judee Sill.
Songs of Rapture and Redemption: Rarities & Live is a 2018 compilation album of American folk musician Judee Sill.
"Heart Food" Judee Sill (..) All new on Asylum Records and Tapes