| "Here Comes That Rainy Day Feeling Again" | ||||
|---|---|---|---|---|
 | ||||
| Single by The Fortunes | ||||
| from the album Here Comes That Rainy Day Feeling Again | ||||
| B-side |
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| Released | April 1971 | |||
| Genre | Pop | |||
| Length | 2:56 | |||
| Label | Capitol ST-809 | |||
| Songwriter(s) | ||||
| Producer(s) | Roger Cook | |||
| The Fortunes USsingles chronology | ||||
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"Here Comes That Rainy Day Feeling Again" is the title of a pop song composed by Tony Macaulay, Roger Cook, and Roger Greenaway; it became the third U.S. Top 40 hit for The Fortunes in 1971, and their fifth in Canada.
The song uses depressing images to describe the singer's mood anticipating a breakup with his significant other, comparable to the feeling of a rainy day or a Monday, contrasted with the "memories of Sunday" when the two were still together, as he hopes she changes her mind and comes back to him. The bridge is noted for its lines: "Misty morning eyes/ I'm trying to disguise the way I feel/ But, I just can't hide it/ People seem to know/ The loneliness will show/ I'm thinking of my pride/ But, breaking up inside, girl." Lead singer Rod Allen uses a vocal technique similar to that used by Frankie Valli on his solo records.
The song reached number 15 on the U.S. Billboard Hot 100 and number 8 on the Cash Box Top 100. [1] It was also a hit in Canada (number 12) and charted minorly in Australia.
"Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster. A posthumously released version by Janis Joplin topped the U.S. singles chart in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance On Me." Billboard ranked Joplin's version as the No. 11 song for 1971.
"Stoned Love" is a 1970 hit single recorded by The Supremes for the Motown label. It was the last Billboard Pop Top Ten hit for the group, peaking at number seven, and their last Billboard number-one R&B hit as well, although the trio continued to score top ten hits in the UK into 1972. In the UK, it was the post-Ross Supremes' biggest hit, reaching number 3 in the singles chart. The single spent six weeks in the UK top ten and five weeks in the US top ten. The BBC ranked "Stoned Love" at number 99 on The Top 100 Digital Motown Chart, which ranks Motown releases solely on their all time UK downloads and streams.
Bubbling Under Hot 100 Singles is a chart published weekly by Billboard magazine in the United States. The chart lists the top songs that have not yet charted on the main Billboard Hot 100. Chart rankings are based on radio airplay, sales, and streams. In its initial years, the chart listed 15 positions, but expanded to as many as 36 during the 1960s, particularly during years when over 700 singles made the Billboard Hot 100 chart. From 1974 to 1985, the chart consisted of 10 positions; since 1992, the Bubbling Under Hot 100 Singles chart has listed 25 positions.
"If You Really Love Me" is a song written by Stevie Wonder and Syreeta Wright. Wonder recorded the song and released his version as a single from his 1971 album Where I'm Coming From. The single peaked in the top 10 of the Billboard Hot 100, Billboard′s R&B chart, and Billboard′s Easy Listening chart.
"Breaking Up Is Hard to Do" is a song recorded by Neil Sedaka, co-written by Sedaka and Howard Greenfield. Sedaka recorded this song twice, in 1962 and 1975, in two significantly different arrangements, and it is considered to be his signature song. Between 1970 and 1975, it was a top-40 hit three separate times for three separate artists: Lenny Welch, The Partridge Family and Sedaka's second version.
"Too Much, Too Little, Too Late" is a song performed by singers Johnny Mathis and Deniece Williams. Lyrics and music were arranged by Nat Kipner and John Vallins. The single was a comeback of sorts for Mathis as his last U.S. top 10 hit was 1964's "What Will Mary Say" and his last U.S. #1 hit was 1957's "Chances Are."
"Every Time I Think of You" is a song written by Jack Conrad and Ray Kennedy and released in December 1978 as the lead single from The Babys' third studio album Head First; John Waite provided lead vocals, featuring female vocals by Myrna Matthews. The track was a worldwide hit, and became their last top 20 in the United States.
"Refugee" is a song recorded by American rock band Tom Petty and the Heartbreakers, was released in January 1980 as the second single from their album Damn the Torpedoes, and peaking at No. 15 on the Billboard Hot 100 singles chart. The song is in compound AABA form.
Pickettywitch was a British pop group. Fronted by singer Polly Brown, the group became best known for its hit single, "That Same Old Feeling", which was written by Tony Macaulay and John Macleod. It reached number five in the UK Singles Chart in 1970.
"Remember Me" is a 1970 single recorded and released by singer Diana Ross on the Motown label and was included on her 1971 album Surrender. The song was released as the album's first single on December 8, 1970 by the label. It was written and produced by Ashford & Simpson. In the US, the song was Ross' third top forty pop hit within a year, peaking at number 16 on the Hot 100 chart and number 10 on the soul chart. It was also Diana Ross' third entry on the Easy Listening chart, where it went to number 20. It gave Diana her third gold single in a year and her third top 10 charting single in Cash Box, peaking at number eight. Overseas, "Remember Me" reached the top ten in the UK, where it reached number seven. It was the lead single from Ross' 1971 album, Surrender.
"Day After Day" is a song by the British rock band Badfinger from their 1971 album Straight Up. It was written by Pete Ham and produced by George Harrison, who also plays slide guitar on the recording. The song was issued as a single and became Badfinger's biggest hit, charting at number 4 in the United States and number 10 in the UK, ultimately earning gold accreditation from the Recording Industry Association of America.
"An Old Fashioned Love Song" is a 1971 song written by Paul Williams and performed by the American pop-rock band Three Dog Night. Chuck Negron performed the lead vocal on this track. Taken as the first single from their 1971 album, Harmony, the song peaked at number 4 on the Billboard Hot 100 chart in December 1971, becoming the band's seventh top-ten hit. It was Three Dog Night's first record to top the U.S. easy listening chart. It reached number 2 in Canada. Its lyrics suggest the straightforward and melodic nature of the tune: Just an old fashioned love song / Comin' down in three part harmony / Just an old fashioned love song / One I'm sure they wrote for you and me.
"Baby I'm-a Want You" is a song by American soft rock band Bread. The single was released in October 1971 and became the title track for the album of the same name, released in January 1972.
"If You Love Me (Let Me Know)" is a song written by John Rostill that was a 1974 hit single for Olivia Newton-John. It was her second release to hit the top 10 in the United States, reaching number 5 on the pop chart and number 2 on the Easy Listening chart. It also reached number 2 on the Billboard country chart. As with her single "Let Me Be There", Mike Sammes sings a bass harmony. It was nominated for the 1974 Country Music Association Award for Single of the Year.
"We'll Never Have to Say Goodbye Again" is a song by Jeffrey Comanor from the album A Rumor in His Own Time, which debuted in September 1976. Written by Comanor, the song describes a couple who spend a night together, one which the narrator wishes would "never end". Both the song, which Epic Records released as a single, and album failed to chart.
In the Arms of Love is the nineteenth studio album by American pop singer Andy Williams and was released on December 19, 1966, by Columbia Records and was the last of twelve consecutive Williams studio LPs produced by Robert Mersey.
You've Got a Friend is the twenty-eighth studio album by American pop singer Andy Williams, released in August 1971 by Columbia Records. The album bears a striking resemblance to the Johnny Mathis album You've Got a Friend released that same month. Besides sharing their name, the two albums are both made up of covers of easy listening hits of the time, with 11 songs each, and the two albums have seven songs in common that are positioned in a similar order.
Andy Williams' Greatest Hits Vol. 2 is a compilation album by American pop singer Andy Williams that was released in June 1973 by Columbia Records. This collection follows in the footsteps of its predecessor, Andy Williams' Greatest Hits, in that it is not limited to his biggest and most recent hit singles, although his final two US Top 40 entries were included. It also has an album track not released as a single, a couple of hits from his time with Cadence Records, two other singles that could have been included on the first volume, and two Easy Listening chart entries that never made the Billboard Hot 100.
When Will I See You Again is an album by American pop singer Johnny Mathis that was released in March 1975 by Columbia Records and was again predominantly composed of covers of recent hit songs by other artists.
"Friends" is a song written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It was John's third U.S. hit, and his second to reach Top 40 after the breakthrough success of "Your Song".
