History Revisited: The Remixes | ||||
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Remix album by | ||||
Released | 25 March 1991 [1] | |||
Recorded | 1982–1990 | |||
Genre | ||||
Length | 57:24 | |||
Label | Parlophone/EMI | |||
Producer | Tim Friese-Greene | |||
Talk Talk chronology | ||||
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History Revisited: The Remixes is a 1991 album comprising remixes of hit Talk Talk songs. It followed the successful greatest hits collection Natural History , released the year before. The band itself did not take part in the making of the album and condemned its release; consequently, they sued their former record label EMI for using Talk Talk material without permission.
Talk Talk formed in 1981 and released four albums with EMI. Around the time of Spirit of Eden (1988), the band attempted to extract themselves from their recording contract with EMI. 18 months of litigation followed. [2] Ultimately, Talk Talk won the case on appeal, and in 1990 they left EMI and moved to Polydor. Soon after, EMI released the compilation Natural History, a retrospective of Talk Talk's career up until that point. The compilation was surprisingly successful: it spent 21 weeks on the UK Albums Chart, peaking at #3, [3] and went on to sell over one million copies worldwide. [4]
To promote Natural History, EMI reissued the singles "It's My Life", "Life's What You Make It", "Such a Shame", and "Living in Another World" in 1990 and 1991. New remixes for the singles' 12-inch and CD formats were commissioned and all four reissues peaked within the top 100 of the UK Singles Chart. [3] The new remixes, prepared by relatively unknown musicians outside of the band, became the basis for History Revisited. They were collected together and three more tracks were added to complete the compilation: new remixes for past singles "Talk Talk" and "Dum Dum Girl" and a remix of "Happiness is Easy" that Talk Talk members Lee Harris and Paul Webb had made in 1986. [5]
The remixes collected on History Revisited modified the source material liberally. According to EMI publicity at the time, they are "Talk Talk through the dance keyhole, taking the diverse sounds of their eighties output and giving it a nineties groove." [6] Keith Aspden, the band's manager, observed, "They haven't just remixed what is already there. They have practically replaced all the instruments with new poppy dance sounds from other people's records, even including an African chant." [6] He commented, "It's a distortion—more like History Reinvented". [4]
Review scores | |
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Source | Rating |
AllMusic | [7] |
Q | [8] |
Select | [9] |
History Revisited was released throughout the world in March 1991. It spent two weeks on the UK Albums Chart, peaking at #35. [3] Barry Mcllheney of Q magazine called the album an "interesting example of how anyone with a good tune under their belts can be made instantly danceable with the application of the correct knobs at the appropriate moments." [10] James Neiss of Record Collector thought otherwise, saying, "Talk Talk got most of their complex originals right first time around. The songs simply don't work with a different beat slung underneath." [4] Writing for Select , Nick Griffiths thought the remixes ruined the band's original material. [9] Chris Woodstra of AllMusic gave it a poor rating, saying, "A nice companion piece for fans, but probably the least essential of their catalog." [11]
Talk Talk leader Mark Hollis was very unhappy when he found out about History Revisited. He told Melody Maker :
I've never heard any of this stuff and I don't want to hear it . . . but to have people putting this stuff out under your name which is not you, y'know, I want no part of it. It's always been very important to me that I've got on with the people we've worked with. People's attitude has always been really important to me. So much of why someone would exist on one of our albums is what they are like as a person. So to find you've got people you've never given the time of day to going out as though it's you . . . it's disgusting. [12]
Before it was released, Hollis sent letters requesting that the compilation be stopped, but EMI did not respond. [12] In November 1991, Talk Talk sued EMI, delivering four writs against their former record label. [13] The band claimed that material had been falsely attributed to them and that they were owed money from unpaid royalties. [13] [6] Talk Talk won the case in 1992, and EMI agreed to withdraw and destroy all remaining copies of the album. [14] [15] Manager Keith Aspden hoped that the case would set a precedent for future recording contracts. [6]
Laughing Stock , released in 1991, ended up being Talk Talk's final studio album. EMI released several more Talk Talk compilations throughout the 1990s and 2000s, though History Revisited remains out of print.
Talk Talk were an English band formed in 1981, led by Mark Hollis, Lee Harris (drums), and Paul Webb (bass). Initially a synth-pop group, Talk Talk's first two albums, The Party's Over (1982) and It's My Life (1984), reached top 40 in the UK and produced the international hit singles "Talk Talk", "Today", "It's My Life", and "Such a Shame". They achieved widespread critical success in Europe and the UK with the album The Colour of Spring (1986) along with its singles "Life's What You Make It" and "Living in Another World". 1988's Spirit of Eden moved the group towards a more experimental sound informed by jazz and free improvisation, pioneering what became known as post-rock; it was critically acclaimed but commercially unsuccessful.
Spirit of Eden is the fourth studio album by English band Talk Talk, released in 1988 on Parlophone Records. The songs were written by singer Mark Hollis and producer Tim Friese-Greene and the album was compiled from a lengthy recording process at London's Wessex Studios between 1987 and 1988. Often working in darkness, the band recorded many hours of improvised performances that drew on elements of jazz, ambient, blues, classical music, and dub. These long-form recordings were then heavily edited and re-arranged into an album in mostly digital format.
Natural History: The Very Best of Talk Talk is a 1990 greatest hits album by Talk Talk. It collects songs that the band released under EMI between 1982 and 1988.
Laughing Stock is the fifth and final studio album by English band Talk Talk, released in 1991. Following their previous release Spirit of Eden (1988), bassist Paul Webb left the group, which reduced Talk Talk to the duo of singer/multi-instrumentalist Mark Hollis and drummer Lee Harris. Talk Talk then acrimoniously left EMI and signed to Polydor, who released the album on their newly revitalised jazz-based Verve Records label. Laughing Stock was recorded at London's Wessex Sound Studios from September 1990 to April 1991 with producer Tim Friese-Greene and engineer Phill Brown.
Fluke was an English electronic music group formed in the late 1980s by Mike Bryant, Jon Fugler and Mike Tournier. The band were noted for their diverse range of electronic styles, including house, techno, ambient, big beat and downtempo; for their reclusivity, rarely giving interviews; and for lengthy timespans between albums.
Alan Charles Wilder is an English musician, composer, arranger, record producer and member of the electronic band Depeche Mode from 1982 to 1995. Since his departure from the band, the musical project called Recoil became his primary musical enterprise, which initially started as a side project to Depeche Mode in 1986. Wilder has also provided production and remixing services to the bands Nitzer Ebb and Curve. Alan Wilder was inducted into the Rock and Roll Hall of Fame in 2020 as a member of Depeche Mode. He is a classically trained musician.
The Best of George Harrison is a 1976 compilation album by English musician George Harrison, released following the expiration of his EMI-affiliated Apple Records contract. Uniquely among all of the four Beatles' solo releases, apart from posthumous compilations, it mixes a selection of the artist's songs recorded with the Beatles on one side, and later hits recorded under his own name on the other.
Rosetta Stone are an English gothic rock band formed in the 1980s by Porl King (guitar/vocals/keyboards) and Karl North (bass), plus their drum machine and synthesizer rack nicknamed "Madame Razor".
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Night Versions: The Essential Duran Duran is a compilation album of remixes by English rock band Duran Duran. From the very beginning of their career, the band had dubbed the extended dance remixes of their songs "night versions", as they were intended for play in nightclubs.
"Such a Shame" is a song written by Mark Hollis for the English band Talk Talk's second album It's My Life (1984). It was released as the album's second single and went on to become a top 10 hit across Europe.
"Johnny Panic and the Bible of Dreams" is a song by the British band Tears for Fears, originally appearing as the B-side to their 1990 single "Advice for the Young at Heart" before being remixed by the techno producer/DJ band Fluke and released as a single in its own right in 1991. The remix was later included on the band's B-side compilation album Saturnine Martial & Lunatic.
"Life's What You Make It" is a song by the English band Talk Talk. It was released as a single in 1985, the first from the band's album The Colour of Spring. The single was a hit in the UK in January 1986, peaking at No. 16, and charted in numerous other countries, often reaching the Top 20.
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Asides Besides is a compilation album by Talk Talk, released April 1998. It is a collection of rarities, B-sides and demos previously unavailable on CD. It was issued as a companion volume to the band's 1997 album remasters and has been described as "[tying] up loose ends" in the band's career. The album received positive reviews. The album only contains tracks from the 1982–1988 period, as EMI could only obtain rights for Talk Talk music from this period. An album of rarities for Talk Talk's career after 1988 was released in 2001 as Missing Pieces.
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