The Colour of Spring | ||||
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Studio album by | ||||
Released | 17 February 1986 | |||
Recorded | 1985, London | |||
Studio | ||||
Genre | ||||
Length | 45:40 | |||
Label | EMI | |||
Producer | Tim Friese-Greene | |||
Talk Talk chronology | ||||
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Singles from The Colour of Spring | ||||
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The Colour of Spring is the third studio album by English band Talk Talk, released on 17 February 1986. Written by Mark Hollis and producer Tim Friese-Greene, the album combines elements of jazz and art pop in an effort by Hollis to embrace more organic instrumentation and production values. [7] Unlike previous Talk Talk albums, synthesizers are rarely featured on the album, being replaced by guitar, piano, and organ. [8] The album went on to become Talk Talk's greatest commercial success, spawning the hit singles "Life's What You Make It" and "Living in Another World" and reaching the Top 20 in numerous countries (topping the Dutch charts), including the UK, where it reached No. 8 and stayed in the UK charts for 21 weeks. [9]
The Colour of Spring is commonly viewed as a bridge between Talk Talk's earlier, synthesized pop sound, and their later, more improvisation-based work. Despite the extensive use of synthesizers on the previous two albums, Hollis was vocal in his distaste for them, stating that they were used primarily for economic reasons and that “if they didn’t exist, I’d be delighted.” [10] During the recording of the album, Hollis frequently listened to the music of composers such as Erik Satie, Claude Debussy, and Béla Bartók, with the latter being a particularly significant influence on the album. [11]
Like other Talk Talk albums, outside musicians were heavily utilized. Guests contributing to the album include Robbie McIntosh adding guitar, and Steve Winwood, who played organ on the hit "Living in Another World", alongside "Happiness is Easy" and "I Don't Believe in You". [12]
Review scores | |
---|---|
Source | Rating |
AllMusic | [13] |
Encyclopedia of Popular Music | [14] |
Mojo | [15] |
Q | [16] |
Uncut | 9/10 [17] |
The Colour of Spring became the band's highest selling non-compilation studio album, reaching the Top 20 in numerous countries (topping the Dutch charts), including the UK, where it reached No. 8 and stayed in the UK charts for 21 weeks. [9] It did not quite match the sales of its predecessor in the United States but was nonetheless their last album to enter the Billboard 200, reaching number 58. [18] With the international hit "Life's What You Make It", Talk Talk expanded their fan base. The song became the band's fourth of four American hits, along with 1982's "Talk Talk" and 1984's "It's My Life" and "Such a Shame".
The album was included in the book 1001 Albums You Must Hear Before You Die . [19]
All tracks are written by Tim Friese-Greene and Mark Hollis
No. | Title | Length |
---|---|---|
1. | "Happiness Is Easy" | 6:30 |
2. | "I Don't Believe in You" | 5:02 |
3. | "Life's What You Make It" | 4:29 |
4. | "April 5th" | 5:51 |
No. | Title | Length |
---|---|---|
5. | "Living in Another World" | 6:58 |
6. | "Give It Up" | 5:17 |
7. | "Chameleon Day" | 3:20 |
8. | "Time It's Time" | 8:14 |
Total length: | 45:40 |
Credits per album notes. [20]
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [34] | Gold | 50,000^ |
Netherlands (NVPI) [35] | Gold | 50,000^ |
United Kingdom (BPI) [36] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
Talk Talk were an English band formed in 1981, led by Mark Hollis, Lee Harris (drums), and Paul Webb (bass). Initially a synth-pop group, Talk Talk's first two albums, The Party's Over (1982) and It's My Life (1984), reached top 40 in the UK and produced the international hit singles "Talk Talk", "Today", "It's My Life", and "Such a Shame". They achieved widespread critical success in Europe and the UK with the album The Colour of Spring (1986) along with its singles "Life's What You Make It" and "Living in Another World". 1988's Spirit of Eden moved the group towards a more experimental sound informed by jazz and free improvisation, pioneering what became known as post-rock; it was critically acclaimed but commercially unsuccessful.
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