Hotel Sahara

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Hotel Sahara
Hotsahpos.jpg
US film poster
Directed by Ken Annakin
Written byGeorge Hambley Brown
Patrick Kirwan
Produced byGeorge Hambley Brown
Starring Yvonne De Carlo
Peter Ustinov
David Tomlinson
Roland Culver
CinematographyDavid Harcourt
Jack Hildyard
Edited by Alfred Roome
Music by Benjamin Frankel
Production
company
Tower Films
Distributed by General Film Distributors
Release date
9 July 1951
Running time
96 minutes
CountryUnited Kingdom
LanguageEnglish

Hotel Sahara is a 1951 British war comedy film directed by Ken Annakin and starring Yvonne De Carlo, Peter Ustinov and David Tomlinson. It was produced and co-written by George Hambley Brown.

Contents

Plot

The Hotel Sahara, situated in a desert oasis, quickly empties when the patrons learn that the Italian Army has commenced hostilities in the North African Campaign. Emad, the hotel's owner, also wants to flee, but is persuaded by his fiancee, Yasmin, to stay and try to save the hotel, all he owns. The other two members of the staff also stay: Yasmin's mother, Madame Pallas, and Yusef, the major domo.

The Italians take over the hotel, and Capitano Alberto Giuseppi (in the film, he introduces himself as Alberto Del Nobile, a more plausible Italian surname than "Giuseppi") is soon captivated by Yasmin's charms. His orderly is attracted to Madame Pallas. Later, however, the main Italian Army suffers a defeat, and Giuseppi's small detachment is ordered to retreat, destroying any structures that may aid the enemy – which will include the hotel. Emad sabotages their truck to delay them, giving him the chance to disconnect their demolition charges just in time to save the hotel, as Yusef fires into the air to speed the Italians on their way.

Next to arrive are the British. Major Randall and Captain Cheyne both vie for Yasmin's attention, while Madame Pallas flirts with the enlisted men. Randall's assignment is to recruit the Arabs to work for the British. Emad informs the major that they prefer goods, rather than money, so he sends Cheyne and Private Binns to requisition supplies. He also orders a dozen nylons, on his own account. When they return, Cheyne lies about not being able to find any, having kept them for himself as a gift for Yasmin. When Randall finds out, he sends Cheyne with Emad who has agreed to attend a conference with the local Arabs, if only to get the British to leave.

While they are gone, Randall swims in the hotel pool with Yasmin. When about a dozen Germans drive up, the outnumbered British have to hastily leave, with Randall still in his swim trunks. Leutnant Gunther von Heilicke requisitions the hotel, but is (initially) immune to Yasmin's charms. He sets off Randall's booby trap, but emerges unscathed. Emad and Cheyne return to the hotel on camels, accompanied by the Arabs. Cheyne is in Arab dress. Von Heilicke has the Arabs stay for a feast, then insists on being introduced to the sheiks. Before he gets to Cheyne, Yasmin provides a distraction, dressing up in the departed Fatima's costume and performing a belly dance, as Emad leads Cheyne away to make his escape on a camel.

The Germans in turn depart after they sight a large column approaching. This time, it is the French. The Germans and the British are both still lurking a short distance away in the desert. Then both the German leutnant and the British major come up with the same idea, to disguise themselves as Arabs (with Cheyne as a veiled woman) and reconnoitre, but by the time they arrive, the French have already moved on. The radio brings the news that the war in North Africa is nearly over, but when the three men discover each other, they start shooting. After running out of bullets, Von Heilicke flees, chased by the other two. As Emad and Yasmin start to celebrate having the hotel back to themselves, they hear an American voice......

Cast

Production

Development

It was the first film from Tower Films, the new production company of producer George Brown. [1] Ken Annakin called Brown "very active and creative." [2]

Hotel Sahara was based on an idea of Brown's. He had a chat in a Fleet Street pub about a hotel in the Western Desert Campaign which kept changing sides, and he arranged for a script to be written. It took him five months to secure a distribution guarantee, sell the idea to the National Film Finance Corporation to get some finance, fix studio space and facilities, raise private finance to complete funding, and to secure the star he wanted, Yvonne De Carlo, from Hollywood. [3]

He eventually got De Carlo by writing her and saying that he observed that she had a flair to play comedy. [4] [5] [6] De Carlo was keen for a change of pace. She later wrote that her role "did not entirely break my Hollywood stereotype" but "this time it was satire and that made all the difference." [7]

George Hambley Brown knew Peter Ustinov from their time together in the RAF Film Unit during World War II. After the war, the two co-produced School for Secrets and Vice Versa .

Filming

De Carlo arrived in London in December 1950 and filming started in January 1951. It was shot at Pinewood Studios with sets designed by the art director Ralph W. Brinton. [8] There was also some location filming in Egypt. [9] She later said "the production couldn't have run more smoothly and Peter was a delight to work with." [10] During filming, Ustinov met Suzanne Cloutier who became his wife.

Ken Annakin said shooting was "a most pecarious operation" because the three leads worked in different ways: Peter Ustinov liked to do only a few rehearsals and one or two takes, de Carlo required "at least seven full rehearsals", while David Tomlinson "had the worst habits of London theatre actors. He loved to upstage and upset other actors' performances." However Annakin said "I revelled in it." [2]

De Carlo sang some songs, "I Love a Man" and "Say Goodbye". It was the first time she had sung on film. [11]

The scene of de Carlo dancing had to be censored for the US cut of the film. [12]

Reception

The film was popular in England. [13] According to Annakin the film "was a big success, especially in Germany, because it was the first time since the war that German soldiers had been portrayed as normal human beings." [2]

De Carlo wanted to make more films with Brown and Ustinov, including one about a matador, [14] but it did not happen.

Soundtrack

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References

  1. ↑ "Postponement of Cup Ballot". Kalgoorlie Miner . Vol. 56, no. 15, 793. Western Australia. 17 October 1950. p. 2. Retrieved 5 November 2017– via National Library of Australia.
  2. 1 2 3 Annakin, Ken (2001). So you wanna be a director?. Tomahawk Press. p. 43.
  3. ↑ Stephen Watts (8 July 1951). "Noted on the London Screen Scene: Coming Up New Phase Independent". The New York Times .
  4. ↑ Tom Vallance (9 January 2001). "George H. Brown Obituary". The Independent.
  5. ↑ "Producer Has His Troubles". Truth . No. 3169. Sydney. 22 October 1950. p. 44. Retrieved 5 November 2017– via National Library of Australia.
  6. ↑ "The British make a comedy of life among the sand dunes. A Film Preview". The Argus . No. 33, 021. Melbourne. 4 July 1952. p. 7 (The Argus Magazine). Retrieved 5 November 2017– via National Library of Australia.
  7. ↑ De Carlo, p. 154
  8. ↑ "Fruitless Search". Weekly Times . No. 4254. Victoria, Australia. 3 January 1951. p. 36. Retrieved 5 November 2017– via National Library of Australia.
  9. ↑ "Film Preview "The Most Beautiful Girl in the World"". The Argus . No. 32, 866. Melbourne. 4 January 1952. p. 8 (The Argus Magazine). Retrieved 5 November 2017– via National Library of Australia.
  10. ↑ De Carlo p 154
  11. ↑ Hedda Hopper (26 February 1951). "It Takes Two Players To Handle Granger Role". The Washington Post.
  12. ↑ "Inside Hollywood". Brisbane Telegraph (LAST RACE ed.). 3 March 1951. p. 19. Retrieved 5 November 2017– via National Library of Australia.
  13. ↑ Drama: Yvonne De Carlo Named for British 'Sheba;' Find From 'Guys and Dolls' Set Schallert, Edwin. Los Angeles Times 21 Sep 1951: B9.
  14. ↑ Philip K. Scheuer (27 May 1951). "Yvonne De Carlo Pins Hopes for Future on Switch to Dramatic and Singing Roles". Los Angeles Times.
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