House of Cards | |
---|---|
Directed by | John Guillermin |
Screenplay by | Irving Ravetch (as James P. Bonner) Harriet Frank, Jr. (as James P. Bonner) |
Based on | novel by Stanley Ellin |
Produced by | Richard Berg (as Dick Berg) |
Starring | George Peppard Inger Stevens Orson Welles |
Cinematography | Piero Portalupi |
Edited by | J. Terry Williams |
Music by | Francis Lai |
Color process | Technicolor |
Production company | Westward Films |
Distributed by | Universal Pictures |
Release dates |
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Running time | 105 minutes |
Country | United States |
Language | English |
House of Cards is a 1968 American neo-noir crime film directed by John Guillermin and starring George Peppard, Inger Stevens, and Orson Welles. Filmed in France and Italy, it marked the third time that Peppard and Guillermin worked together (they had previously collaborated on the 1966 film The Blue Max , then P.J. ). [1]
The film was first released in the United Kingdom in November 1968, but was not released in the United States until the following September. [2]
Reno Davis is an American writer who has recently retired from boxing. Now unemployed and broke in France, he encounters the wealthy widow of a French general. Anne de Villemont is attracted to Reno, and he to her, but she keeps him at arm's length. She also hires him to tutor her eight-year-old son Paul. The real reason she wants Reno is for protection.
Reno is led to believe that Anne's husband was killed in the Algerian conflict, and he is troubled by Anne's intense fear that Paul will be kidnapped. He then discovers the family has ties to a fascist organization that plans to take over all of Europe. He takes on the shady psychiatrist Morillon and mysterious family friend Leschenhaut, both of whom frighten Anne whenever they are around.
Reno is framed for his best friend's murder as he and Anne become the targets of the ambitious and maniacal schemers who wish to rule Europe. Reno and Anne are hunted around France while protecting Paul from being abducted. The chase ends at the Colosseum in Rome, where Reno and the villains engage in a showdown.
The film was based on a novel by Stanley Ellin. In May 1966, before the novel had been published, Universal announced that it would produce a film adaptation. [3] [4] By October 1966, the film had Dick Berg as producer and Irving and Harriet Ravetch as writers. [5] The novel was issued in 1967. The Los Angeles Times called it "superb." [6]
George Peppard was cast in July 1967. [7] Eva Renzi's casting was announced in August. [8] That same month, John Guillermin signed on to direct what would be his third film with Peppard. [9]
Filming started in August 1967 in Paris. Shortly into filming, Renzi withdrew for personal reasons and was replaced by Inger Stevens. [10] In September, the unit moved to Rome. [11] [12]
During filming, Peppard joked that the film should be called The Running Jumping and Never Standing Still Film. [13]
The Los Angeles Times called House of Cards "a mildly diverting so-so adventure movie that could have been so much better." [14]
This film has never been released in North America on VHS or DVD, though it has been released on DVD in France (Bach Films, 2007), [15] Germany (Mondo Entertainment, 2009) [16] and Italy (Sinister Film, 2013). [17]
George Peppard was an American actor. He secured a major role as struggling writer Paul Varjak when he starred alongside Audrey Hepburn in Breakfast at Tiffany's (1961), and later portrayed a character based on Howard Hughes in The Carpetbaggers (1964). On television, he played the title role of millionaire insurance investigator and sleuth Thomas Banacek in the early-1970s mystery series Banacek. He played Col. John "Hannibal" Smith, the cigar-smoking leader of a renegade commando squad in the 1980s action television series The A-Team.
Inger Stevens was a Swedish-American film, stage and Golden Globe–winning television actress.
The Blue Max is a 1966 war film directed by John Guillermin and starring George Peppard, James Mason, Ursula Andress, Karl Michael Vogler, and Jeremy Kemp. The film was made in DeLuxe Color and was one of the last movies filmed in CinemaScope. It was filmed entirely in Ireland, and included numerous location scenes shot in Dublin, Wickow and Cork. The plot is about a German fighter pilot on the Western Front during World War I. The screenplay was written by David Pursall, Jack Seddon, and Gerald Hanley, based on the novel of the same name by Jack D. Hunter as adapted by Ben Barzman and Basilio Franchina.
Don't Make Waves is a 1967 American sex comedy starring Tony Curtis, Claudia Cardinale, Dave Draper and Sharon Tate. Distributed by Metro-Goldwyn-Mayer, the film was directed by Alexander Mackendrick and is based on the 1959 novel Muscle Beach by Ira Wallach, who also co-wrote the screenplay.
Ghost in the Invisible Bikini is a 1966 American fantasy comedy film. It is the seventh and last of American International Pictures' beach party films. The film features the cast cavorting in and around a haunted house and the adjacent swimming pool.
Boy, Did I Get a Wrong Number! is a 1966 DeLuxe Color American comedy film starring Bob Hope and Elke Sommer. This film marked the first of three film collaborations for Hope and comedian Phyllis Diller, and was followed by Eight on the Lam in 1967 and The Private Navy of Sgt. O'Farrell in 1968.
The Power is a 1968 American tech noir, science fiction thriller film from MGM, produced by George Pal, directed by Byron Haskin, that stars George Hamilton and Suzanne Pleshette. It is based on the 1956 science fiction novel The Power by Frank M. Robinson.
The Pink Jungle is a 1968 American adventure comedy film directed by Delbert Mann starring James Garner, Eva Renzi, George Kennedy and Nigel Green.
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Rapture is a 1965 drama film directed by John Guillermin, and starring Melvyn Douglas, Patricia Gozzi, and Dean Stockwell. It is reportedly Guillermin's own favorite among his films. His widow Mary said it "was the only film he directed that wholly satisfied his vision as an artist."
P.J. is a 1968 American neo-noir mystery film directed by John Guillermin and starring George Peppard.
When the Boys Meet the Girls is a 1965 American musical film directed by Alvin Ganzer and starring Connie Francis and Harve Presnell based on the musical Girl Crazy and a remake of MGM's 1943 film Girl Crazy.
A Time for Killing is a 1967 Western film directed originally by Roger Corman but finished by Phil Karlson. Filmed in Panavision and Pathécolor, it stars Glenn Ford, George Hamilton, Inger Stevens, and Harrison Ford in his first credited film role.
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Adam's Woman is a 1970 Australian-American historical drama film directed by Philip Leacock and starring Beau Bridges, Jane Merrow and John Mills. It has been called a "convict Western".
Hammerhead is a 1968 British Eurospy thriller film directed by David Miller and starring Vince Edwards, Judy Geeson and Diana Dors. Its plot concerns a criminal mastermind who attempts to steal NATO secrets, with an American agent hot on his trail. It is based on the 1964 novel of the same title by English novelist James Mayo, and produced by Irving Allen and written by Herbert Baker, who made the Matt Helm films for Columbia Pictures. It was filmed in London and Portugal.
Pursuit is a 1972 American made-for-television drama film that screened on the ABC network as an ABC Movie of the Week. It was Michael Crichton's first work as a director, though his theatrical directorial debut would not premiere until the following year. It is based on Crichton's 1972 novel Binary, which he published under the pseudonym John Lange.
John Guillermin was a French-British film director, writer and producer who was most active in big-budget, action-adventure films throughout his lengthy career.
Doctor, You've Got to Be Kidding! is a 1967 American comedy film directed by Peter Tewksbury and starring Sandra Dee, George Hamilton and Celeste Holm.
A Time to Sing is a 1968 American drama film directed by Arthur Dreifuss and starring Hank Williams Jr. and Shelley Fabares. The film was originally known as The Hank Williams Jr Story. It was Fabares' fourth film for MGM.
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