This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
I Can't Help It | ||||
---|---|---|---|---|
Compilation album by | ||||
Released | 1992 | |||
Recorded | February 1958 – April 25, 1960 | |||
Genre | Jazz | |||
Length | 63:36 | |||
Label | Impulse!/GRP | |||
Betty Carter chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | link |
The Rolling Stone Jazz & Blues Album Guide | [1] |
I Can't Help It is a 1992 Betty Carter compilation album. It contains all of the tracks from her albums Out There with Betty Carter (Peacock Records, 1958) and The Modern Sound of Betty Carter (ABC-Paramount Records, 1960). The same combination of tracks had previously been released as a double LP by ABC Records under the title What a Little Moonlight Can Do.
The title track, "I Can't Help It", was the first of Carter's own compositions that she recorded.
Recorded February 1958, New York City, New York, USA (tracks 1–6):
Recorded February 1958, in New York City, New York, USA (tracks 7–12):
Arrangements by Copeland, Liston, Gryce, Golson & Tommy Bryce
Recorded August 18, 29, and 30, 1960, in New York City, New York, USA (tracks 13–24):
The Modern Sound of Betty Carter is a 1960 album by Betty Carter.
Social Call is an album by Betty Carter featuring Ray Bryant and a big band arranged by Gigi Gryce. Of its eleven tracks, the first six were recorded in 1955 and originally released as part of the album Meet Betty Carter and Ray Bryant. The other five tracks were recorded in 1956 but remained unissued until this compilation, which Columbia Records released in 1980.
Out There is a bebop album by jazz vocalist Betty Carter with an ensemble under the direction of alto saxophonist Gigi Gryce. The arrangements were provided by Gryce, Ray Copeland, Melba Liston, Benny Golson and Tommy Bryce. The album was produced by Esmond Edwards and released 1958 on Peacock Records. Ron Wynn of Allmusic called the album "a dynamic set."
A Night in Tunisia is a 1958 jazz album by Art Blakey & the Jazz Messengers, released by the RCA Victor subsidiary label Vik. It features the only recorded instances of saxophonists Jackie McLean and Johnny Griffin playing together.
Dizzy Gillespie at Newport is a 1957 live album by Dizzy Gillespie, featuring his big band, recorded at the 1957 Newport Jazz Festival.
Dinah Washington Sings Fats Waller is a seventh studio album by blues, R&B and jazz singer Dinah Washington released on the Emarcy label, and reissued by Verve Records in 1990 as The Fats Waller Songbook. In the album Washington covers 12 songs that have been penned or performed by jazz pianist, organist, singer and songwriter Fats Waller. Allmusic details the album in its review as saying: "Dinah Washington Sings Fats Waller appropriately brings together Waller's vivacious songs and Washington's demonstrative vocal talents. The jazz diva effortlessly handles Waller classics while turning in particularly emotive renditions. Adding nice variety to the already strong set, Washington's husband at the time, saxophonist Eddie Chamblee, joins the singer for playful duets on "Honeysuckle Rose" and "Everybody Loves My Baby".
Newport '58 is a first live album by vocalist Dinah Washington. It was recorded on July 6, 1958 at the Newport Jazz Festival, Newport, Rhode Island, and arranged by Melba Liston.
Birks' Works is an album by trumpeter Dizzy Gillespie recorded in 1957 and released on the Verve label. The original album featured 10 tracks and was reissued as Birks Works: The Verve Big Band Sessions, a 2 CD compilation featuring unreleased tracks, alternate takes and tracks from Gillespie's previous 1956 albums Dizzy in Greece and World Statesman.
Dizzy in Greece is an album by trumpeter Dizzy Gillespie, recorded in 1956 and 1957 and released on the Verve label. The album was reissued as part of the 2CD compilation Birks Works: The Verve Big Band Sessions.
Benny Golson's New York Scene is the debut album by saxophonist Benny Golson featuring performances recorded in late 1957 and originally released on the Contemporary label.
Tanjah is an album by American jazz pianist Randy Weston recorded in May 1973 in New York City and originally released on the Polydor label.
Last Chorus is a posthumous album by American jazz saxophonist Ernie Henry featuring tracks recorded in 1956 and 1957 for the Riverside label.
Modern Jazz Perspective is an album by American jazz trumpeter Donald Byrd and saxophonist Gigi Gryce, with featured vocalist Jackie Paris, recorded in 1957 for the Columbia label.
Sliding Easy is an album by American trombonist Curtis Fuller, recorded in 1959 and released on the United Artists label.
The Chant is the second album by bassist and cellist Sam Jones featuring performances recorded in early 1961 and originally released on the Riverside label.
The Birth of a Band! is an album by Quincy Jones that was released by Mercury with performances by Zoot Sims, Clark Terry, Harry Edison, and Phil Woods.
Rhythm Crazy is an album led by American trombonist Jimmy Cleveland. It features tracks recorded in 1959, but the LP was not released by the EmArcy label until 1964.
The Oscar Pettiford Orchestra in Hi-Fi Volume Two is an album by bassist/cellist and composer Oscar Pettiford that was recorded in 1957 and first issued on the ABC-Paramount label.
I/We Had a Ball is an album consisting of jazz versions of songs from Jack Lawrence and Stan Freeman's musical I Had a Ball performed by Art Blakey, Milt Jackson, Oscar Peterson, Dizzy Gillespie, Quincy Jones and Chet Baker which was released by Limelight in 1965.