"I Don't Want Our Loving to Die" | ||||
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Single by The Herd | ||||
B-side | "Our Fairy Tale" | |||
Released | 29 March 1968 | |||
Genre | Pop | |||
Length | 2:59 | |||
Label | Fontana | |||
Songwriter(s) | ||||
Producer(s) | Steve Rowland | |||
The Herd singles chronology | ||||
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"I Don't Want Our Loving to Die" is a 1968 single by the Herd, written by Ken Howard and Alan Blaikley. It was the last of the band's three hits on the UK Singles Chart and their most successful, reaching number five in May 1968. The song was generally well received by the music press, with several critics noting its contrast against the Herd's previous hit singles.
"I Don't Want Our Loving to Die" marked a change in style for the Herd, dispensing with the orchestral arrangements and classical allusions that had marked their two previous singles "From the Underworld" and "Paradise Lost". [1] The band wished to replicate the sound they achieved in live performances and referred to the song's syncopated rhythm as "rock-ska". [1] [2] Speaking after the song's release, frontman Peter Frampton commented "a lot of people said the big sound was our style but we knew it wasn't, so we decided to do our sound on the next single". [2]
The song features a semi-spoken word introduction and a prominent Hammond organ part by Andy Bown. [1] [3] Peter Jones summarised its lyric as "a boy-girl storyline; he plays the field but really goes for one special chick." [4]
"I Don't Want Our Loving to Die", backed with Bown and Frampton's own composition "Our Fairy Tale", was released by Fontana on 29 March 1968. [5] The group promoted the single on television and radio with appearances on BBC1's All Systems Freeman (22 March), BBC Radio 1's Saturday Club (23 March) and the Light Programme's Joe Loss Pop Show (5 April). [6] It peaked at number five on the UK Singles Chart and ultimately spent 13 weeks on the chart, matching "From the Underworld". [7] It was the group's final hit single and their last collaboration with managers and songwriters Ken Howard and Alan Blaikley, with whom they subsequently entered a contractual dispute. [8] Frampton later described the chart peak of "I Don't Want Our Loving to Die" as "when things started to deteriorate with the Herd". [9]
Writing in the New Musical Express , Derek Johnson deemed "I Don't Want Our Loving to Die" "more in the Dave Dee mould" than the Herd's previous hits and praised the band's vocal blend and "bouncy beat". [1] Peter Jones for Record Mirror considered the song "much more like it for the Herd" with "a sort of rock-blue beat sound to round it all off". [4] Chris Welch of Melody Maker praised what he called a "shouting, joyful rave-up" and considered it more representative of the Herd's "own distinctive sound" than their "heavily orchestrated" previous single "Paradise Lost". [6] Conversely, Penny Valentine of Disc and Music Echo felt that the Herd had no real style of their own and consequently "on this record it could quite honestly it could be anyone singing – I hasten to add that it's good and very commercial". [10] Valentine considered the song musically similar to the Easybeats' "The Music Goes 'Round My Head". [10]
Chart (1968) | Peak position |
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Ireland (IRMA) [11] | 5 |
UK Singles (OCC) [12] | 5 |
West Germany (Official German Charts) [13] | 33 |
Peter Kenneth Frampton is an English-American guitarist, singer and songwriter who rose to prominence as a member of the rock bands the Herd and Humble Pie. Later in his career Frampton found success as a solo artist. He has released several albums, including his breakthrough album, the live release Frampton Comes Alive! (1976), which spawned several hit singles and has earned 8× Platinum by the RIAA in the United States. He has also worked with acts such as Ringo Starr, the Who's John Entwistle, David Bowie, and both Matt Cameron and Mike McCready of Pearl Jam.
Humble Pie are an English rock band formed by guitarist and singer Steve Marriott in Moreton, Essex, in 1969. They are known as one of the first supergroups of the late 1960s and found success in the early 1970s with songs such as "Black Coffee", "30 Days in the Hole", "I Don't Need No Doctor", "Hot 'n' Nasty" and "Natural Born Bugie". The original line-up featured lead vocalist and guitarist Steve Marriott from Small Faces, vocalist and guitarist Peter Frampton from the Herd, former Spooky Tooth bassist Greg Ridley and a 17-year-old drummer, Jerry Shirley, from the Apostolic Intervention.
The Herd were an English rock band, founded in 1965. In 1966, 16-year-old Peter Frampton joined as lead singer and guitarist. The band had three UK top twenty hits in the late 1960s, including "From the Underworld" and "I Don't Want Our Loving to Die", before Frampton left in 1968 to form Humble Pie with Steve Marriott. The band broke up shortly after, reforming briefly and unsuccessfully in 1971.
Andrew Steven Bown is an English musician, who has specialised in keyboards and bass guitar. He is a member of the rock band Status Quo.
The Honeycombs were an English beat group, founded in 1963 in North London, best known for their chart-topping 1964 hit, the million selling "Have I the Right?" The band featured Honey Lantree on drums, one of the few female drummers in bands at that time. They were unable to replicate the success of the first single and had disbanded by 1967.
"Love Is All Around" is a song recorded by English rock band the Troggs, featuring a string quartet and a 'tick tock' sound on percussion, in D-major. Released as a single in October 1967, it was a top-ten hit in both the UK and US.
Wind of Change is the debut studio album by English rock musician Peter Frampton. It was released in 1972. The album features appearances by Ringo Starr, Billy Preston and Klaus Voormann.
The Alan Bown Set later known as The Alan Bown! or just Alan Bown, were a British band of the 1960s and 1970s whose music evolved from jazz and blues through soul and rhythm and blues and ended up as psychedelia and progressive rock. The band achieved limited chart success and is best known for the role it played in developing the careers of numerous musicians including Mel Collins, John Helliwell, Robert Palmer, Jess Roden and Dougie Thomson.
"Listen to Me" is a 1968 single by the Hollies, written by Tony Hazzard. It was the last Hollies single of Graham Nash's original tenure in the group. The song reached number 11 on the UK Singles Chart in October 1968 and received praise from critics.
Judas Jump was a British short-lived progressive rock supergroup, formed in 1969. The band released one album and three singles before disbanding in 1971. They are best known for their various members who had success before and after Judas Jump.
"Ha! Ha! Said the Clown" is a song written by Tony Hazzard, first recorded by British pop group Manfred Mann. Hazzard claims the song "came out of the blue" though he did not demo it for weeks. Following recording a demo, he approached manager Gerry Bron, who liked it enough to want one of his groups, Manfred Mann, to record it. Manfred Mann recorded their version of the single on 10 February 1967 at Philips Studio in Marble Arch, London, together with producer Shel Talmy. It was the second of three singles Manfred Mann recorded to feature the Mellotron.
"From the Underworld" is a 1967 single by the Herd. Written by the band's managers Ken Howard and Alan Blaikley, the song's lyrics are based on the ancient Greek myth of Orpheus and Eurydice. It became the band's first hit upon release, reaching number 6 on the UK Singles Chart and launching singer Peter Frampton as a pop star. It was later included on the group's only studio album Paradise Lost (1968).
"Any Way That You Want Me" is a song written by Chip Taylor that was first released in September 1966 by Tina Mason as the B-side to her single "Finders Keepers". It has been covered by a number of artists, with the most successful version being by English rock band the Troggs.
"Hello World" is a song written by Tony Hazzard. It was recorded and released as a single by the Tremeloes in March 1969 and peaked at number 14 on the UK Singles Chart.
"Last Night in Soho" is a single by English pop band Dave Dee, Dozy, Beaky, Mick & Tich, released by Fontana on 28 June 1968. Written by the band's regular songwriters Ken Howard and Alan Blaikley, it was the follow-up to the chart topper "The Legend of Xanadu" and gave the band their final top-ten placing on the UK Singles Chart, reaching number 8.
"Touch Me, Touch Me" is a song by Dave Dee, Dozy, Beaky, Mick & Tich, released as a single in March 1967. It peaked at number 13 on the UK Singles Chart.
"Okay!" is a song by Dave Dee, Dozy, Beaky, Mick & Tich, released as a single in May 1967. It peaked at number 4 on the UK Singles Chart.
"You Make It Move" is a song by Dave Dee, Dozy, Beaky, Mick & Tich, released as a single in November 1965. It was the group's first charting single, peaking at number 26 on the UK Singles Chart.
"My Rainbow Valley" is a song first recorded and released by American singer Robert Knight on his 1967 album Everlasting Love. It was later released as a single in May 1968. However, the song is better known for being covered by British band the Love Affair, whose version was released as "Rainbow Valley", and which became a top-ten hit in several countries.
"Paradise Lost" is a 1967 single by the Herd. Written by Ken Howard and Alan Blaikley, it was the follow-up to the group's first hit "From the Underworld". Unlike its predecessor, it failed to reach the top ten on the UK Singles Chart, peaking at number 15. It was later included on the group's only studio album Paradise Lost (1968).