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"I Wouldn't Want to Be Like You" | ||||
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Single by The Alan Parsons Project | ||||
from the album I Robot [1] | ||||
B-side | "Nucleus" | |||
Released | August 1977 | |||
Recorded | December 1976 –March 1977 | |||
Genre | ||||
Length | 3:23 (album version) 3:12 (single version) | |||
Label | Arista | |||
Songwriter(s) | ||||
Producer(s) | Alan Parsons | |||
The Alan Parsons Project singles chronology | ||||
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Music video | ||||
"I Wouldn't Want to Be Like You" on YouTube |
"I Wouldn't Want to Be Like You" is a song by the British progressive rock band The Alan Parsons Project, featured on their 1977 album I Robot . Written by band leaders Alan Parsons and Eric Woolfson, "I Wouldn't Want to Be Like You" was sung by pop singer Lenny Zakatek, who would go on to sing many of the band's songs. In the United States, the song was a moderate success and charted at #36 on the Billboard Hot 100.
In 1977, the song was released as the lead single from the group's second album, I Robot. The song was a moderate success, charting at #36 on the U.S. Billboard Hot 100 and #22 on the Canadian chart.
The video, the only one known in which Parsons stars, is based on the album's title, "I Robot". It begins with Parsons rummaging through a library of reel recording tapes. Parsons then leaves the library to another room shrouded in a haze. He happens upon what appears to be a prehistoric mask under a shroud. Parsons touches it, then begins to peel away the ancient shroud. The haze intensifies then dissipates to reveal a black humanoid head wearing goggles, bearing somewhat of a resemblance to the robot character depicted on the album's cover and disc labels, implying that the being is a robot.
The scene alternates images from the humanoid head to images of a 1960's era Univac 1108 computer room, with data tape machines. The humanoid, now seen in full human form wearing black and silver gloves, suddenly appears in the computer room and lowers a door to one of the tape machines. Parsons then appears and raises his hand to touch the humanoid, which immediately disappears. A dot-matrix printer generates a page bearing the words 'I Robot', and the lowered door from before raises back to its place with no apparent assistance from anyone.
The humanoid is then seen moving rapidly in an outdoor passageway of a large building, but doing so while remaining perfectly still. Parsons is seen running in pursuit and attempts to touch the humanoid's shoulder, but the humanoid again disappears. The humanoid again is seen making movements while still, and Parsons approaches it again, but rather than touching it, he levels an intimidating stare at it. The humanoid again disappears. Parsons pursues it, and attempts to touch it again, with the humanoid then disappearing.
The humanoid is seen near what appears to be a bank's automated teller machine (very rare of the time), grasping a transaction receipt. It's then seen pulling a flower from a large planter and letting it fall to the ground before disappearing again. Witnessing this, Parsons rushes over to frantically replant the flower.
The cat-and-mouse game between Parsons and the humanoid continues, with the humanoid disappearing when it feels confronted by Parsons. Finally, Parsons is able to touch the humanoid, leaving his handprint in white on the humanoid's cheek. Upon doing so, the humanoid enters a state of spontaneous combustion, and then an image is seen again of the computer printout bearing the words 'I Robot'. Returning to the scene of what appears to be the final showdown between Parsons and the humanoid, Parsons is seen leaving. The camera then returns to what is assumed to be the still-burning humanoid, leaving behind a residue of burned electronic components as the song ends.
Charts (1977) | Peak positionPa |
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Canada Top Singles ( RPM ) [4] | 22 |
Canada Adult Contemporary ( RPM ) [5] | 34 |
US Billboard Hot 100 [6] | 36 |
The song was featured in the initial and subsequent releases of Grand Theft Auto V on the game's classic rock radio station Los Santos Rock Radio. [7]
In 2017, the song was used in the final scene of episode nine of the Netflix series Mindhunter .
The Alan Parsons Project were a British rock band formed in London in 1975. Its core membership consisted of producer, audio engineer, musician and composer Alan Parsons, and singer, songwriter and pianist Eric Woolfson. They shared writing credits on almost all of their songs, with Parsons producing or co-producing all of the recordings, while being accompanied by various session musicians, some relatively consistent.
Tales of Mystery and Imagination (Edgar Allan Poe) is the debut studio album by British rock band the Alan Parsons Project. It was released on 25 June 1976 in the United Kingdom and Ireland by Charisma Records and 20th Century Records in the rest of the world. The lyrical and musical themes of the album, which are retellings of horror stories and poetry by Edgar Allan Poe, attracted a cult audience. The title of the album is taken from the title of a collection of Poe's macabre stories of the same name.
Ammonia Avenue is the seventh studio album by the British progressive rock band the Alan Parsons Project, released in February 1984 by Arista Records. The Phil Spector-influenced "Don't Answer Me" was the album's lead single, and reached the Top 15 on the US Billboard Hot 100 and Mainstream Rock Tracks charts, as well as the fourth position on the Adult Contemporary chart. The single also reached the Top 20 in several countries and represents the last big hit for the Alan Parsons Project. "Prime Time" was a follow-up release that fared well in the Top 40, reaching No. 34. "You Don't Believe" was the first single in November 1983, reaching #54 on the Billboard Hot 100 and "Since the Last Goodbye" was a minor hit.
I Robot is the second studio album by British rock band the Alan Parsons Project, released on 8 July 1977 by Arista Records. The album draws conceptually on author Isaac Asimov's science fiction Robot stories, exploring philosophical themes regarding artificial intelligence.
Eye in the Sky is the sixth studio album by British rock band the Alan Parsons Project, released in May 1982 by Arista Records. At the 25th Annual Grammy Awards in 1983, Eye in the Sky was nominated for the Grammy Award for Best Engineered Album. In 2019, the album won the Grammy Award for Best Immersive Audio Album at the 61st Annual Grammy Awards.
Pyramid is the third album by progressive rock band The Alan Parsons Project, released in May 1978. It is a concept album centred on the pyramids of Giza. At the time the album was conceived, interest in pyramid power and Tutankhamun was widespread in the US and the UK. Pyramid was nominated for the 1978 Grammy Award for Best Engineered Album, Non-Classical.
Eve is the fourth studio album by British rock band the Alan Parsons Project, released in September 1979 by Arista Records. The album's focus is on the strength and characteristics of women, and the problems they face in the world of men. It had originally been intended to focus on "great women in history", but evolved into a wider concept. The album name was the same as Eric Woolfson's mother-in-law.
The Turn of a Friendly Card is the fifth studio album by the British progressive rock band the Alan Parsons Project, released in 1980 by Arista Records. The title piece, which appears on side 2 of the LP, is a 16-minute suite broken up into five tracks. The Turn of a Friendly Card spawned the hits "Games People Play" and "Time", the latter of which was Eric Woolfson's first lead vocal appearance. An edited version of the title piece combining the opening and ending parts of the suite was also released as a single along with an official video.
Stereotomy is the ninth studio album by the Alan Parsons Project, released in 1985.
Vulture Culture is the eighth studio album by the Alan Parsons Project, released in March 1985 via the Arista label.
Gaudi is the tenth album by The Alan Parsons Project, released in 1987. Gaudi refers to Antoni Gaudí, the Spanish architect, and the opening track references what is probably Gaudí's best known building, the Sagrada Família.
"The Air That I Breathe" is a ballad written by the British-Gibraltarian singer-songwriter Albert Hammond and the English songwriter Mike Hazlewood. It was initially recorded by Hammond on his debut album, It Never Rains in Southern California (1972). After being covered by Phil Everly in 1973, it was a major hit for the Hollies in early 1974, reaching number two in the UK Singles Chart. It was the Hollies' last major hit. The English rock band Radiohead reused the chord progression and melody of "The Air That I Breathe" for their 1992 song "Creep".
Lenny Zakatek is a British singer and musician. Born in Karachi just prior to it becoming a part of Pakistan, he has lived in London since the age of thirteen. Zakatek is best known for his work with the British bands Gonzalez and The Alan Parsons Project.
"Eye in the Sky" is a song by British rock band the Alan Parsons Project, released as a single from their sixth studio album, Eye in the Sky (1982), in May 1982. It entered the US Billboard charts on 3 July and hit No. 3 in October 1982, No. 1 in both Canada and Spain, and No. 6 in New Zealand, becoming their most successful release. The instrumental piece "Sirius" segues into "Eye in the Sky" on the album. On the single release, "Eye in the Sky" appears on its own, with "Sirius" edited out.
"(The System of) Dr. Tarr and Professor Fether" is a 1976 single by the Alan Parsons Project. It first appeared on their debut album, Tales of Mystery and Imagination: Edgar Allan Poe. The single reached number 37 on the US Billboard Hot 100 and number 62 in Canada.
The following is the complete discography of the Alan Parsons Project. Over the years they have released 12 studio albums, 14 compilation albums, and 38 singles.
The Best of the Alan Parsons Project is a 1983 greatest hits compilation by the Alan Parsons Project. In addition, it contained a new song "You Don't Believe", which would be included on the next Project album, Ammonia Avenue. In 1986, it had become the first album of the group to be released in the Soviet Union, although the song "Psychobabble" was removed from it. No songs from Tales of Mystery and Imagination were included, presumably because that album had not been released through Arista.
"Games People Play" is a 1980 song by the Alan Parsons Project. It peaked at No. 16 on 14 March 1981 on the Billboard Hot 100 chart as well as No. 18 on Cash Box. It appears on the album The Turn of a Friendly Card and was sung by Lenny Zakatek.
The Essential Alan Parsons Project is a compilation album released by English progressive rock musician Alan Parsons and the Alan Parsons Project on 6 February 2007. It was released through Sony BMG as part of The Essential album series. The album featured some of the band's best known songs as well as some rare tracks.
"Don't Answer Me" is a 1984 song by the Alan Parsons Project from the album Ammonia Avenue. It reached number 15 on the Billboard charts in the United States and was the final Billboard Top 20 hit for the group. It also reached number 58 in the United Kingdom, the group's highest chart placing in their native country. The music video was rendered in comic book style, with art and animation by Michael Kaluta.