Iara Lee (Ponta Grossa, Brazil, 1966) is a Brazilian film producer, director and activist of Korean descent who works mainly in the Middle East and Africa. Her documentary films include Unite for Bissau (Nô Kumpu Guiné) [1] (2023), From Trash to Treasure: Turning Negatives into Positives [2] (2020), Stalking Chernobyl: Exploration After Apocalypse [3] (2020), Wantoks: Dance of Resilience in Melanesia [4] (2019), Burkinabè Rising: The Art of Resistance in Burkina Faso [5] [6] (2018), Burkinabè Bounty: Agroecology in Burkina Faso [7] (2018), Life Is Waiting: Referendum and Resistance in Western Sahara [8] (2015), K2 and the Invisible Footmen [9] (2015), The Kalasha and the Crescent (2013), The Suffering Grasses (2012), Cultures of Resistance (2010), Beneath the Borqa in Afghanistan (2002), Architettura (1999), Modulations: Cinema for the Ear (1998), Synthetic Pleasures (1995), and An Autumn Wind (1994). In 2010, Lee was involved in the "Gaza Freedom Flotilla," where nine pro-Palestinian activists were killed by Israeli naval forces and many were injured.
Lee is the founder of the Cultures of Resistance Network Foundation (formerly named the Caipirinha Foundation) and a longtime supporter of Greenpeace International, Amnesty International, Center for Constitutional Rights, Committee to Protect Journalists, and Doctors Without Borders, among many other organizations. [10]
From 1984 to 1989, Lee was the producer of the São Paulo International Film Festival in Brazil. [11] From 1989 to 2003, while based in New York, she ran the mixed-media company Caipirinha Productions to explore the synergy of different artforms (such as film, music, architecture, and poetry). Under that banner, Iara has directed short and feature-length documentaries including Synthetic Pleasures , Modulations, Architettura, and Beneath the Borqa. Synthetic Pleasures , released in 1995, deals with the impact of high technology on mass culture. The multimedia project Modulations , released in 1998, traces the evolution of electronic music. Her next film was Beneath the Borqa, a 2000 short documentary film about the lives of women and children under the Taliban regime in Afghanistan. [12]
In 2010, Lee directed the feature-length documentary film, Cultures of Resistance , which celebrates creative acts of political struggle. The film debuted in its final form late in 2010, after which it screened at many film festivals, including the International Documentary Film Festival Amsterdam, and won numerous awards. [13] [14] [15] [16] Notably, the film was screened at the Beijing International Film Festival in 2011, defying the norms in a country where political resistance is rarely depicted in the media. [17]
Lee's subsequent projects include a short film, The Kalasha and the Crescent (2013), on the ways that the Kalash indigenous people of northern Pakistan are responding to the challenges facing their culture; and a documentary entitled The Suffering Grasses: when elephants fight, it is the grass that suffers , [18] (2012) which explores the Syrian conflict from the perspective of the civilians who have been displaced to refugee camps. The Suffering Grasses came out of footage taken during Lee's participation in a press delegation to Turkish refugee camps housing Syrians in exile. [19] [20]
In 2015, Lee released K2 and the Invisible Footmen (2015), [9] which documents the unsung efforts of the indigenous porters who for decades have facilitated the ascent of the Earth's second-highest mountain. That same year, she released Life Is Waiting: Referendum and Resistance in Western Sahara (2015) [21] , a documentary that chronicles the everyday violence of life under occupation in Western Sahara. In 2018, she released two films about Burkina Faso: Burkinabè Rising: The Art of Resistance in Burkina Faso [5] (2018) and Burkinabè Bounty: Agroecologyin Burkina Faso [7] (2018). She followed these with Wantoks: Dance of Resilience in Melanesia [4] (2019), a documentary profiling the artists and activists in Melanesia who are fighting for self-determination while trying to defend their homes against the rising sea.
In 2020, she released a full-length documentary entitled Stalking Chernobyl: Exploration After Apocalypse [3] (2020), which examines the underground culture of the Chernobyl Exclusion Zone, three decades after the world's most infamous nuclear disaster. Later that year, she released From Trash to Treasure: Turning Negatives into Positives [2] (2020), which showcases a spirit of reimagination among artists in Lesotho. She also launched a short film series called Dispatches from Malawi, [22] starting with a music video for "Better Must Come," a song by Ishan Cyapital featuring Teebz. "Better Must Come" gives voice to popular dissatisfaction with corruption and denounces government apathy about the urgent problems facing countries like Malawi.
In 2023, she released a documentary entitled Unite for Bissau (Nô Kumpu Guiné): agroecology and feminism in Guinea Bissau, which documents local women in the West African nation of Guinea-Bissau who challenge patriarchy by building institutions that promote self-sufficiency through agroecology. [23]
In 2008, Lee traveled to Iran and supported a number of cultural exchange projects between that country and the West, with the goal of promoting arts and culture for global solidarity. For example, she helped produce Iranian rapper Hichkas' "Ye Mosht Sarbaz (A Bunch of Soldiers)" music video, [24] which was directed and edited by Fred Khoshtinat. [25]
Lee has also actively supported indigenous and civil society campaigns to prevent the construction of the Belo Monte mega-dam on the Xingu river, a major tributary of the Amazon in Brazil. According to the California-based nonprofit International Rivers, the dam project threatens to displace over 20,000 people, destroy an extensive area of the Brazilian rainforest, and endanger indigenous tribes that depend on the river for their survival. [26] In 2009, Lee released a short film about the dam controversy, Battle for the Xingu, in conjunction with groups such as International Rivers. [27]
In 2020, Lee launched the Cultures of Resistance Awards, aimed at supporting creative activism, artistic expression, and other socially minded-endeavors, particularly in the global South. As of 2024, more than 200 awards have been distributed. [28]
In 2010, Lee participated in the "Gaza Freedom Flotilla," where nine pro-Palestinian activists were killed by Israeli naval forces and many were injured. Her footage of the event was released in a press conference at the United Nations in June 2010. [29] [30]
Thomas Isidore Noël Sankara was a Burkinabè military officer, Marxist revolutionary and Pan-Africanist who served as President of Burkina Faso from his coup in 1983 to his assassination in 1987. He is viewed by supporters as a charismatic and iconic figure of the revolution.
The music of Burkina Faso includes the folk music of 60 different ethnic groups. The Mossi people, centrally located around the capital, Ouagadougou, account for 40% of the population while, to the south, Gurunsi, Gurma, Dagaaba and Lobi populations, speaking Gur languages closely related to the Mossi language, extend into the coastal states. In the north and east the Fulani of the Sahel preponderate, while in the south and west the Mande languages are common; Samo, Bissa, Bobo, Senufo and Marka. Burkinabé traditional music has continued to thrive and musical output remains quite diverse. Popular music is mostly in French: Burkina Faso has yet to produce a major pan-African success.
The Mossi are a Gur ethnic group native to modern Burkina Faso, primarily the Volta River basin. The Mossi are the largest ethnic group in Burkina Faso, constituting 52% of the population, or about 11.1 million people. The other 48% of Burkina Faso's population is composed of more than 60 ethnic groups, mainly the Gurunsi, Senufo, Lobi, Bobo, Bissa and Fulani. The Mossi speak the Mòoré language.
Idrissa Ouédraogo was a Burkinabé filmmaker. His work often explored the conflict between rural and city life and tradition and modernity in his native Burkina Faso and elsewhere in Africa. He is best known for his feature film Tilaï, which won the Grand Prix at the 1990 Cannes Film Festival and Samba Traoré (1993), which was nominated for the Silver Bear award at the 43rd Berlin International Film Festival.
The Burkina Faso national football team represents Burkina Faso in men's international football and is controlled by the Burkinabé Football Federation. They were known as the Upper Volta national football team until 1984, when Upper Volta became Burkina Faso. They finished fourth in the 1998 Africa Cup of Nations, when they hosted the tournament. Their best ever finish in the tournament was the 2013 edition, reaching the final.
The culture of Burkina Faso in West Africa is also called the Burkinabé culture.
Articles related to Burkina Faso include:
Buud Yam is a 1997 Burkinabé historical drama film written and directed by Gaston Kaboré. It is the sequel to the film Wend Kuuni. As of 2001, it was the most popular African film ever in Burkina Faso.
Tishoumaren or assouf, internationally known as desert blues, is a style of music from the Sahara region of northern and west Africa. Critics describe the music as a fusion of blues and rock music with Tuareg, Malian or North African music. Various other terms are used to describe it including desert rock, Saharan rock, Takamba, Mali blues, Tuareg rock or simply "guitar music". The style has been pioneered by Tuareg musicians in the Sahara region, particularly in Mali, Niger, Libya, Western Sahara, Algeria, Burkina Faso and others.
Theatre of Burkina Faso combines traditional Burkinabé performance with the colonial influences and post-colonial efforts to educate rural people to produce a distinctive national theatre. Traditional ritual ceremonies of the many ethnic groups in Burkina Faso have long involved dancing with masks. Western-style theatre became common during colonial times, heavily influenced by French theatre. With independence came a new style of theatre inspired by forum theatre aimed at educating and entertaining Burkina Faso's rural people.
The Burkina Faso women's national football team represents Burkina Faso in international women's football. It is governed by the Burkinabé Football Federation. It played its first match on 2 September 2007 in Ouagadougou against Niger and won 10–0, the best result till today. Its next matches were against Niger (5–0) and Mali (2–4).
George Gund III was an American businessman and sports entrepreneur.
Firmin Boubié Bazié, better known by his stage name Agozo, is a Burkinabé singer.
Ansarul Islam is a militant Islamist group active in Burkina Faso and in Mali. It was founded by Boureima Dicko, also known as Ibrahim Malam Dicko, and it is the first native Jihadi group in Burkina Faso. The group cooperates closely with Jama'at Nasr al-Islam wal Muslimin (JNIM).
Pauline Mvele is an actress, director and screenwriter from Burkina Faso. Mvele is known for producing documentaries, and currently lives in Gabon. Her documentaries focus on issues such as HIV/AIDS in Africa, and the mistreatment of widows and prisoners in Gabon. In 2014 her film won best film at the Burundi Film Festival.
Odile Sankara is a Burkinabé artist, actress, playwright and director. She is the President of the Récréâtrales and a younger sister to the late revolutionary leader of Burkina Faso, Thomas Sankara.
Burkinabè Rising : the art of resistance in Burkina Faso is a 2018 long documentary film directed and produced by Iara Lee.
Malika Ouattara is a slam poet and musical artist from Burkina Faso, known as "Malika la Slameuse".
Sankara Is Not Dead is a 2019 French documentary film directed by Burkinabé filmmaker Lucie Viver and produced by Eugénie Michel-Villette. The film revolves around the young poet Bikontine who starts a journery from South to North after Burkina Faso's October 2014 popular uprising during the reign of former president Thomas Sankara.