Igiaba Scego | |
|---|---|
 Scego speaking at Festivaletteratura. | |
| Born | 20 March 1974 Rome, Italy |
| Alma mater | La Sapienza University of Rome Roma Tre University |
| Occupation(s) | Writer, journalist and activist |
| Family | Ali Omar Scego, father; Soraya Omar-Scego, niece |
| Awards | Premio Mondello |
Igiaba Scego (born 20 March 1974) [1] is an Italian writer, journalist, and activist.
Igiaba Scego was born in Rome, Italy, in 1974, after her parents were forced to flee Somalia following the 1969 coup d'état of Siad Barre; Scego's father, Ali Omar Scego, was a Somali politician, and her great-grandfather, Omar, was a translator for Rodolfo Graziani. [2] [3] She graduated in Foreign Literature at La Sapienza University of Rome and obtained a PhD in pedagogy at Roma Tre University. Presently, she is writing about and researching cultural dialogue and migration.
She writes for various magazines dealing with migrant literature and African literature, such as Latinoamerica, Carta, El Ghibli and Migra. Her works include autobiographical references, and they depict the delicate balance between her two cultural realities, the Italian and Somali.
In 2003, she won the Eks & Tra prize for migrant writers with her story "Salsicce", and published her debut novel, La nomade che amava Alfred Hitchcock. In 2006 she attended the Literature festival in Mantua.
Scego collaborates with newspapers such as La Repubblica and Il manifesto and contributes to the magazine Nigrizia [4] with an opinion column, titled "The colors of Eve". In 2007, along with Ingy Mubiayi, she edited the short-story collection Quando nasci è una roulette. Giovani figli di migranti si raccontano. It follows the story of seven boys and girls of African origin, who were born in Rome of foreign parents or came to Italy when young.
In 2011, she won the Premio Mondello with her book La mia casa è dove sono, which was published the previous year by Rizzoli. In 2017, her novel Adua was translated into English by Jamie Richards, [5] and in 2019, Aaron Robertson translated her book Oltre Babilonia, again into English, with the title Beyond Babylon. Reviewing it for the Los Angeles Review of Books , Kelsey McFaul wrote: "Rather than suggesting that 'beyond Babylon' is a destination, the novel expresses the material and relational afterlives of resilience, anti-colonization, and collective racial solidarity in the present. Scego's genius is to scale from the international to the intimate, from memory and materiality to music, mothers, and menstruation, the 'rhythm that transports me into a cosmic chaos that appears to be my own.'" [6]
Seago's 2020 novel, La linea del colore, combines the characters of Edmonia Lewis and Sarah Parker Remond and is dedicated to Rome and to these two African-American women who lived in the city during the 19th century. [7] [8]
In ancient Roman religion, Roma was a female deity who personified the city of Rome and more broadly, the Roman state. She was created and promoted to represent and propagate certain of Rome's ideas about itself, and to justify its rule. She was portrayed on coins, sculptures, architectural designs, and at official games and festivals. Images of Roma had elements in common with other goddesses, such as Rome's Minerva, her Greek equivalent Athena and various manifestations of Greek Tyche, who protected Greek city-states; among these, Roma stands dominant, over piled weapons that represent her conquests, and promising protection to the obedient. Her "Amazonian" iconography shows her "manly virtue" (virtus) as fierce mother of a warrior race, augmenting rather than replacing local goddesses. On some coinage of the Roman Imperial era, she is shown as a serene advisor, partner and protector of ruling emperors. In Rome, the Emperor Hadrian built and dedicated a gigantic temple to her as Roma Aeterna, and to Venus Felix,, emphasising the sacred, universal and eternal nature of the empire.
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