Enter the Wu-Tang is the debut studio album by the American hip-hop group Wu-Tang Clan, released on November 9, 1993, by Loud Records and RCA Records. Recording sessions took place during late 1992 to early 1993 at Firehouse Studio in New York City, and the album was produced by the group's de facto leader RZA. Its title originates from the martial arts films Enter the Dragon (1973) and The 36th Chamber of Shaolin (1978).
Black on Both Sides is the debut solo studio album by American rapper Yasiin Bey, then known as Mos Def, released on October 12, 1999, by Rawkus and Priority Records.
Stillmatic is the fifth studio album by American rapper Nas, released on December 18, 2001, by Ill Will and Columbia Records. In contrast to his previous work's gangsta rap themes, the album contains socially conscious and philosophical themes similar to that of his 1994 debut Illmatic. Nas' lyrics address topics such as ghetto life, American politics, and his feud with rapper Jay-Z.
Greatest Hits is a posthumous double-disc greatest hits album by American rapper 2Pac, released by Amaru Entertainment, Death Row Records, Interscope Records, and Jive Records on November 24, 1998.
Tical is the debut studio album by American rapper and Wu-Tang Clan member Method Man. It was released November 15, 1994, by Def Jam Recordings. It was the first Wu-Tang solo album released after the group's debut, Enter the Wu-Tang . Similar to all first generation solo Wu-Tang projects, Tical was mainly produced by group member RZA, who provided a dark, murky and rugged sound. The album features guest appearances from RZA, Raekwon, Inspectah Deck, as well as several affiliates, who would later appear on future group projects. On October 5, 2017, Method Man revealed on the Viceland talk show Desus & Mero that the album's title is an acronym for "taking into consideration all lives."
Return to the 36 Chambers: The Dirty Version is the debut studio album by American rapper and Wu-Tang Clan member Ol' Dirty Bastard, released March 28, 1995, by Elektra Records in the United States. Intent on creating a solo album away from Wu-Tang, he signed to Elektra in January of 1993 and began a two year recording process that started that same year.
Vol. 3... Life and Times of S. Carter is the fourth studio album by American rapper Jay-Z. It was released on December 28, 1999, by Roc-A-Fella Records and Def Jam Recordings. According to USA Today critic Steve Jones, the record marked a return to the street-oriented sound of Jay-Z's 1996 debut album, Reasonable Doubt. Vol. 3... featured production from Swizz Beatz, Timbaland, K-Rob, DJ Clue, Rockwilder, DJ Premier, and Irv Gotti, among others.
Born Again is the first posthumous compilation album by American rapper The Notorious B.I.G., released by Bad Boy Records and Arista Records on December 7, 1999. It is composed primarily of early recorded verses with newer beats and guest rappers.
Da Real World is the second studio album by American rapper Missy "Misdemeanor" Elliott, released on June 22, 1999, by East West, Elektra, and The Goldmind. The album is noted for adding a raunchier and darker style to Elliott's music, as well as including the overt political use of the term "bitch". The album features guest appearances from B.G., Juvenile, Lil' Mo, Nicole, Beyoncé, Eve, Eminem, Lady Saw, Da Brat, Aaliyah, Big Boi of Outkast, Lil' Kim, MC Solaar, and Redman.
Blackout! is the debut studio album by American hip hop duo Method Man & Redman. It is the first full-length release by Method Man and Redman after many collaborations. The album continued a string of highly successful Def Jam releases in the late 1990s. The album debuted at number three on the US Billboard 200 with first week sales of 254,000 copies and served as a bit of a precursor to the 2001 major studio film How High. Both rappers enjoyed perhaps the height of their popularity as a tandem after the success of the album and its three charted singles. The singles were also popular videos which were mainstays on MTV and BET. The sequel to the album, Blackout! 2, was released on May 19, 2009.
The Lex Diamond Story is the third studio album by American rapper and Wu-Tang Clan member Raekwon. It was released on December 16, 2003, on his Ice H2O label through Universal Records. The album features contributions from Wu-Tang Clan members Ghostface Killah, Method Man, Masta Killa, Inspectah Deck, and Cappadonna, with production by several hip hop producers, including Emile and DJ Khalil.
Muse Sick-n-Hour Mess Age is the fifth studio album by American hip hop group Public Enemy, released on August 23, 1994, by Def Jam Recordings. The title is a reverse mondegreen of the phrase "music in our message". Alternatively, it could be interpreted as "music and our message." The album debuted at number 14 on the US Billboard 200 chart, selling 56,000 copies in its first week.
Things Fall Apart is the fourth studio album by American hip hop band the Roots, released on February 23, 1999, by MCA Records. Recording sessions for the album took place at [Ivory Studios @ Sigma Sound [Electric Lady Studios]] during 1997 to 1998, coinciding with recording for other projects of the Soulquarians collective, including D'Angelo's Voodoo (2000), Erykah Badu's Mama's Gun (2000), and Common's Like Water for Chocolate (2000). According to Spin magazine, the album became a landmark moment for the Roots and the collective, as it "swelled the Roots clique into a movement-style posse".
Amplified is the debut studio album of American rapper Q-Tip, released November 30, 1999, on Arista Records. It became his first solo release after the disbandment of his former group A Tribe Called Quest in 1998. The production was primarily handled by Q-Tip and Jay Dee of the Ummah. The album spawned the Billboard Hot 100 hits "Vivrant Thing" and "Breathe and Stop".
The History of Rock is a compilation album by American rapper Kid Rock. Released in 2000, the album consists of re-recorded versions of songs from the album The Polyfuze Method, remixed versions of songs from the album Early Mornin' Stoned Pimp, demos and unreleased songs, including the single "American Bad Ass".
Funkdafied is the debut album by American rapper Da Brat. It was released on June 28, 1994, and sold over one million copies, making her the first solo female rapper to go Platinum. Funkdafied debuted and peaked at number 11 on the Billboard 200, and topped the Rap Charts and Top R&B/Hip-Hop Albums chart. The album was preceded by the first single, "Funkdafied", released on May 13, 1994. The single went Platinum in August and then the album went Platinum in January 1995.
Unrestricted is the third studio album by rapper Da Brat. It was released on April 11, 2000. On September 21, 2001, it was certified platinum by the RIAA.
Only Built 4 Cuban Linx... is the debut studio album by American rapper and Wu-Tang Clan member Raekwon, released on August 1, 1995, by Loud Records and RCA Records. The album was loosely composed to play like a film with Raekwon as the "star", fellow Wu-Tang member Ghostface Killah as the "guest-star", and producer RZA as the "director". It features appearances from every member of the Wu-Tang Clan. The album also features debut appearances from affiliates Cappadonna and Blue Raspberry, and an acclaimed guest appearance from rapper Nas, which marked the first collaboration with a non-affiliated artist on a Wu-Tang related album.
"Tha Block Is Hot" is the debut studio album by American rapper Lil Wayne. Released on November 2, 1999, it was brought to audiences by Universal Records and Bryan "Baby" Williams' Cash Money Records. The recording sessions took place at Cash Money Studios in Metairie, Louisiana, with the executive production from Bryan "Baby" Williams and Ronald "Slim" Williams. All tracks on the album were produced by Mannie Fresh himself. Interestingly, before its release, the album was initially intended to be titled "I Ride At Night."
Nastradamus is the fourth studio album by American rapper Nas, released on November 23, 1999, by Ill Will and Columbia Records. It was originally intended to be composed entirely of material from sessions for I Am... and released October 26, but in response to bootlegging of that material, release was postponed one month for Nas to record new material for Nastradamus.
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