I Just Can't Stop It is the debut studio album by British ska band The Beat, released on 23 May 1980 by Go-Feet Records in the United Kingdom. It was released the same year in the United States on Sire Records under the band name "The English Beat". In Australia, it was released on Go-Feet under the band name "The British Beat".
Unrest was an indie rock band from the Washington, D.C., area. It was one of Mark Robinson's projects for what would eventually become the TeenBeat label, also created by Robinson while in high school. Developing from an experimental approach of never playing the same song twice, earlier material seemed to be influenced by everything from punk to funk to Ennio Morricone. Original members Robinson (guitar) and drummer Philip Krauth were joined by Bridget Cross on bass in 1990 and their sound evolved into a minimalist but lively kind of pop. The two full-length albums released with this line up, 1992's Imperial f.f.r.r. and 1993's Perfect Teeth featured pop songs interspersed with avant-garde percussive and sonic tracks, sometimes featuring nothing but white noise, beeps or sirens. EPs released around the same time period reveal a more pronounced gap between pop and experimental elements. The group broke up in 1994 with Krauth pursuing a solo career and Robinson and Cross continued for a time as Air Miami, which released two singles and one album, me me me. Since Air Miami's demise in the mid '90s, Robinson has continued to release various solo projects, as well as albums with his bands Cotton Candy and Flin Flon, and continues to run the TeenBeat label as well.
Endtroducing..... is the debut studio album by American music producer DJ Shadow, released on September 16, 1996, by Mo' Wax. It is an instrumental hip hop work composed almost entirely of samples from vinyl records. DJ Shadow produced Endtroducing over two years, using an Akai MPC60 sampler and little other equipment. He edited and layered samples to create new tracks of varying moods and tempos.
"Creep" is the debut single by the English rock band Radiohead, released on 21 September 1992. It appeared on their debut studio album, Pablo Honey (1993). Radiohead took elements from the 1972 song "The Air That I Breathe"; following legal action, Albert Hammond and Mike Hazlewood are credited as cowriters.
"Everybody Hurts" is a song by American rock band R.E.M. from their eighth studio album, Automatic for the People (1992), and released as a single in April 1993. It peaked at number 29 on the US Billboard Hot 100. The song fared much better on the US Cash Box Top 100, where it peaked at number 18. It also reached the top 10 on the charts of Australia, Canada, France, Iceland, Ireland, the Netherlands, and the United Kingdom. In 2003, Q ranked "Everybody Hurts" at number 31 on their list of the "1001 Best Songs Ever". In 2005, Blender ranked the song at number 238 on their list of "Greatest Songs Since You Were Born".
"Waterfalls" is a song by American hip-hop group TLC. It was written by Marqueze Etheridge and Organized Noize with a verse by TLC's Lisa "Left Eye" Lopes, for their second album, CrazySexyCool (1994), with production by Organized Noize. The song was the third single released from the album on May 22, 1995, in the United States, followed by a United Kingdom release on August 5, 1995.
"Only Happy When It Rains" is an alternative rock song written and produced by American alternative rock band Garbage for their self-titled debut studio album (1995). It was recorded at the band's own studio, Smart Studios, in Madison, Wisconsin, and is known for its tongue-in-cheek lyrics parodying the typically angst-filled themes of mid-'90s alternative rock.
"Real Love" is a song by American singer Mary J. Blige from her debut studio album, What's the 411? (1992). Based on real life experiences, it was written and produced by Cory Rooney and Mark Morales, and samples Audio Two's 1987 song "Top Billin'". The song was issued as the album's second single on July 28, 1992. It became Blige's first top-10 hit, peaking at number seven on the US Billboard Hot 100. It also topped the Billboard Hot R&B/Hip-Hop Songs and Rhythmic charts and was certified Gold by the Recording Industry Association of America (RIAA) on November 4, 1992. Rolling Stone included "Real Love" in their list of "500 Best Songs of All Time" in 2021 at number 327.
"Hold On" is a song by American girl group En Vogue, released in early 1990 as the first single from their debut album, Born to Sing (1990). It was produced by Denzil Foster and Thomas McElroy, and written by the former two and all members of the group. It peaked at number five in the UK and number two on the Billboard Hot 100 in the US. In addition, the song reached number-one on both the Billboard Dance Club Songs and Hot R&B/Hip-Hop Songs charts. In 2007, the song's chorus was used and performed by Pharrell on Jay-Z's song "Blue Magic". It was also sampled in the Terminator X song "Buck Whylin'". En Vogue performed "Hold On" at the 2008 BET Awards with Alicia Keys. In 2017, it was ranked number four in Spin magazine's ranking of "The 30 Best '90s R&B Songs".
"Going Away to College" is a song by American rock band Blink-182 from the band's third studio album, Enema of the State (1999). It examines themes of heartbreak and lovesickness. It was written primarily by bassist Mark Hoppus, and credited to both he and guitarist Tom DeLonge. Hoppus writes from the perspective of an adolescent boyfriend, young and in love. He wrote the song remembering how graduating high school can cause relationships to fracture, as both individuals move on to attend separate universities. It was inspired by the teen movie Can't Hardly Wait (1998).
"Almost Blue" is a song recorded by English group Elvis Costello and the Attractions from their sixth studio album, Imperial Bedroom (1982). Written by Costello and produced by Geoff Emerick, the track shares the name of the group's previous 1981 studio album. It was released on 2 July 1982 along with the rest of Imperial Bedroom, and would later be included on side two of The Best of Elvis Costello and the Attractions (1985). A traditional pop song, "Almost Blue" contains lyrics that compare a former relationship to a present one.
Mezcal Head is the second studio album by English alternative rock band Swervedriver. It was released on 27 September 1993 by Creation Records in the United Kingdom and on 5 October 1993 by A&M Records in the United States.
Tink of S.E. is the third studio album by Washington, D.C., indie band Unrest, released in 1987 by TeenBeat Records.
Malcolm X Park is the fourth studio album by American rock band Unrest, released in 1988 by Caroline Records.
Perfect Teeth is the seventh and final studio album by Washington, D.C. Indie band Unrest, released on August 9, 1993 through 4AD. The album was recorded at Pachyderm Studios. Unrest initially joked with their management about having Simon Le Bon of Duran Duran produce the album, which led to him coming into the studio, but not being involved with production.
Unrest is the eponymously titled debut studio album of Washington, D.C. Indie band Unrest, released on May 1, 1985 by TeenBeat Records.
Lisa Carol Freemont is the second studio album by Washington, D.C. Indie band Unrest, released on August 29, 1985 by TeenBeat Records.
Twister is a compilation album by Washington, D.C. Indie band Unrest, released on September 9, 1988, by TeenBeat Records.
Fuck Pussy Galore is a compilation album by Washington, D.C. Indie band Unrest, released on February 21, 1992 by TeenBeat Records.
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