Irene | |
---|---|
Directed by | Alfred E. Green |
Written by | June Mathis Rex Taylor George Marion, Jr. (titles) |
Based on | Irene by James Montgomery |
Produced by | John McCormick |
Starring | Colleen Moore Lloyd Hughes George K. Arthur |
Cinematography | Ted D. McCord |
Edited by | Edwin Robbins |
Music by | Harry Tierney Joseph McCarthy |
Distributed by | First National Pictures |
Release date |
|
Running time | 90 minutes |
Country | United States |
Language | Silent (English intertitles) |
Budget | $1,500,000 [1] |
Irene is a 1926 American silent romantic comedy film starring Colleen Moore, and partially shot in Technicolor. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Irene written by James Montgomery with music and lyrics by Harry Tierney and Joseph McCarthy.
As described in a film magazine review, [2] Donald Marshall becomes a partner in a modiste shop and insists that Madame Lucy be made its operator. Young Irish woman Irene O'Dare graduates from being a demonstrator in the store window to being a successful model. On the night of a big fashion show for society, Irene arouses Lucy's anger and is told to stay and watch the shop. Donald arrives and assures her that she will lead the show. Irene is a sensation, but her mother arrives and stops her promenade by taking her home. Donald follows and Irene is forgiven by her mother. Overhearing Irene confess to her mother of her love for him, Donald folds her into her arms.
The scenes which were shot in Technicolor cost a total amount of $100,000. The total budget of the film was $1,500,000. [1]
This was the fourth of five films, in three years, with Moore and Hughes starring in the lead roles. They also appeared together in The Huntress (1923), Sally (1925), The Desert Flower (1925) and Ella Cinders (1926). [3]
This was the final film of actress Marion Aye, who started appearing on film in 1919 as one of the uncredited Sennett Bathing Beauties. She continued to work in vaudeville and committed suicide in 1951. [4]
George K. Arthur plays a flamboyant gay man who works as a dressmaker named "Madame Lucy" and does not threaten the status quo despite making extravagant gestures. [5] This characterization was also reviewed in the 1995 documentary film The Celluloid Closet . [6]
Colleen Moore was an American film actress who began her career during the silent film era. Moore became one of the most fashionable stars of the era and helped popularize the bobbed haircut.
Irene is a musical with a book by James Montgomery, lyrics by Joseph McCarthy, and music by Harry Tierney. Based on Montgomery's play Irene O'Dare, it is set in New York City's Upper West Side and focuses on immigrant shop assistant Irene O'Dare, who is introduced to Long Island's high society when she is hired to tune a piano for a society gentleman.
Sidney Arnold Franklin was an American film director and producer. Franklin, like William C. deMille, specialized in adapting literary works or Broadway stage plays.
Sally, Irene, and Mary is a 1925 American silent comedy drama film starring Constance Bennett, Sally O'Neil, and Joan Crawford. It is based on the 1922 play of the same name by Eddie Dowling and Cyrus Woods and takes a behind-the-scenes look at the romantic lives of three chorus girls and the way their preferences in men affect their lives. The play was adapted again in 1938, again titled Sally, Irene, and Mary and directed by William A. Seiter. That version stars Alice Faye, Joan Davis, and Marjorie Weaver in the title roles, and co-starred Tony Martin, Fred Allen, and Jimmy Durante.
Mary Carr, was an American film actress and was married to the actor William Carr. She appeared in more than 140 films from 1915 to 1956. She was given some of filmdoms plum mother roles in silent pictures, especially Fox's 1920 Over the Hill to the Poorhouse, which was a great success. She was interred in Calvary Cemetery. Carr bore a strong resemblance to Lucy Beaumont, another famous character actress of the time who specialized in mother roles. As older actresses such as Mary Maurice and Anna Townsend passed on, Carr, still in her forties, seem to inherit all the matriarchal roles in silent films.
Lillian Elliott was a stage and film actress, appearing in 60 films between 1915 and 1943. She was born in Canada and died in Hollywood, California. She was married to actor James Corrigan, and their eldest son, Lloyd Corrigan, became a Hollywood writer, director, and character actor.
Irene is a 1940 American musical film produced and directed by Herbert Wilcox. The screenplay by Alice Duer Miller is based on the libretto of the 1919 stage musical Irene by James Montgomery, who had adapted it from his play Irene O'Dare. The score features songs with music by Harry Tierney and lyrics by Joseph McCarthy.
Footlights and Fools is a 1929 American pre-Code film directed by William A. Seiter that was billed by Warner Brothers as an all-talking musical film and released in Vitaphone with Technicolor sequences.
Smiling Irish Eyes (1929) is a Vitaphone American pre-Code musical film with Technicolor sequences. The film is now considered a lost film. However, the Vitaphone discs still exist.
The Scarlet Letter is a 1934 American film directed by Robert G. Vignola and based on the 1850 novel of the same name by Nathaniel Hawthorne.
Lilac Time is a 1928 American sound romantic war film directed by George Fitzmaurice and starring Colleen Moore and Gary Cooper.This film was released with a synchronized musical score with sound effects using the Vitaphone sound system. The film is about young American aviators fighting for Britain during World War I who are billeted in a field next to a farmhouse in France. The daughter who lives on the farm meets one of the new aviators who is attracted to her. As the flyers head off on a mission, the young aviator promises to return to her.
Synthetic Sin is a 1929 American sound comedy film directed by William A. Seiter, based on a play of the same name. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It was released by Warner Bros. and was recorded using the Vitaphone sound system. Only the soundtrack disc for the last reel is known to survive.
Twinkletoes is a 1926 American silent romantic drama film directed by Charles Brabin and starring Colleen Moore. The film, as with most of Moore's vehicles at this time, was produced by her husband John McCormick with the couple distributing through Moore's resident studio First National. This film is one of Moore's surviving films from the late silent era and is available on DVD.
Dinty is a 1920 American silent comedy drama film written by Marshall Neilan and John McDermott specifically for Wesley Barry, a young actor known for his freckled complexion. Prominent among the supporting players were Colleen Moore, Marjorie Daw, Pat O'Malley, and Noah Beery.
Forsaking All Others is a 1922 American silent drama film starring actress Colleen Moore and directed by Emile Chautard for Universal Studios. It was made before Colleen became famous as a flapper but did visit some of the same subjects her later films would.
Ella Cinders is a 1926 American silent comedy film directed by Alfred E. Green, starring Colleen Moore, produced by her husband John McCormick, and featuring Moore's recurring co-star, Lloyd Hughes. The film is based on the syndicated comic strip of the same name by William M. Conselman and Charles Plumb, which in turn was based upon the millennia-old folk tale of Cinderella.
Sally is a 1925 American silent romantic comedy film starring Colleen Moore. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Sally written by Guy Bolton and Clifford Grey that was adapted to film by June Mathis. The play was a Florenz Ziegfeld Jr. production written specifically for Marilyn Miller that opened on December 21, 1920, at the New Amsterdam Theatre on Broadway. It ran for 570 performances.
The Huntress is a 1923 American drama film directed by Lynn Reynolds and written by Percy Heath. It is based on the 1922 novel The Huntress by Hulbert Footner. The film stars Colleen Moore, Lloyd Hughes, Russell Simpson, Walter Long, C.E. Anderson, and Snitz Edwards. The film was released on August 20, 1923, by Associated First National Pictures.
The Desert Flower is a 1925 American silent Western film directed by Irving Cummings and written by June Mathis. It is based on the 1924 play The Desert Flower by Don Mullally. The film stars Colleen Moore, Lloyd Hughes, Kate Price, Gino Corrado, Fred Warren, and Frank Brownlee. The film was released on June 21, 1925, by First National Pictures.
Aileen Manning was an American film actress.